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The Church of Saint-Pierre, under the Ancien Régime, part of the deanery of Bellême, in the diocese of Sées, is located in the heart of the village of Saint-Pierre-la-Bruyère, in the Perche region. This building features a relatively high nave, surmounted by a slate bell tower, extending into a square-plan choir, much lower, flanked by a rectangular chapel to the south. The façade is supported by four powerful buttresses that appear to date from the late Middle Ages. It features a basket-handle lintel entrance door, dating from the late Gothic period. This door replaced a Romanesque doorway whose semicircular arch appears above the Gothic opening. It is surmounted by a pointed window. The northern drip wall is flanked, where it meets the western façade, by a brick staircase turret leading to the attic. The nave was built in the Romanesque period, as evidenced by the small round-arched windows in the upper part of the north drip wall. The bell tower is supported by four posts set within the nave's volume behind the façade wall. The three bays delimited by these posts are covered by a plastered wooden vault, lower than the nave vault, built in the 18th century. The triumphal arch is quite small. It is flanked by two finely crafted stone altarpieces. The choir is adorned with a large stone altarpiece with three sides delimited by four columns, surmounted by a richly decorated cornice crowned with fire pots. The high altar and side altars, in the same style, were built after the episcopal visit of 1706. They are a representative example of the quality of the renovations carried out in Percheron churches in the 17th and 18th centuries. A seigneurial chapel, built in the late 15th or early 16th centuries to the south of the choir, was converted into a sacristy between 1701 and 1706, to satisfy the observations made during the episcopal visitations. The arch opening onto the choir was walled up for this purpose. Aside from the altarpieces, the church contains few furnishings: an 18th-century stone Virgin Mary and a 16th-century baptismal font. The Sauvegarde de l'Art Français (French Art Protection Agency) granted €4,000 in grants in 2005 for the restoration of the roof.

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Nice bump in small whole

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Placed in a self-service distributor 7 days a week, 24 hours a day, if you have a craving for rillettes! Butcher, bakery and Spar right next door

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Very good cycling club

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Very pleasant for a moment of relaxation

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In this architecture we find different styles and periods, from the 12th, 15th, 16th to the 19th century, including Gothic and Neo-Romanesque. Romanesque bays and foothills. Stained glass window and 16th century font as well as the current apse and the two side chapels. The south door with its lintel and its straight feet decorated with rosettes and diamonds. The church had stained glass windows from the end of the 15th and beginning of the 16th century. Fragments exist in the speckles and spandrels of the bay of the Rosary Chapel, listed in 1983. The stained glass windows are almost all dated and signed by the same glass painter between 1885-1889 "af Paris" probably Anselme Fialex, son of François Fialex who was a glass painter in Mayet Creation of an entrance to the square as well as the opening of new 19th century bays. the vault, paneled and undoubtedly painted from the beginning, was redone in 1602 with restoration in the 19th century, when a new decoration was painted. The main altar dates from 1867.

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The first mentions of the Saint-Germain church in Sceaux-sur-Huisne appear in the cartulary of the Saint-Vincent abbey in Le Mans: around 1050, Bouchard de Théligny gave the Sceaux church land and a meadow located at proximity. At this time, the building, then "in bad woods", was rebuilt in stone. The nave is considered to be the oldest part of the church and dates back to the 11th century, but it is in reality difficult to date due to multiple alterations and even reconstructions. The masonry shows several repetitions and a confused assembly of elements which could come from older buildings, such as the remains of the Gallo-Roman villa which was exhumed at the end of the 19th century in the valley (small regularly cut rubble stones, debris of roof tiles). There are also traces of old openings, such as a door opening onto the priory. Although it is probable, there is no element to formally identify the Romanesque construction. The current openings are later, such as the small Gothic bay in the western wall and perhaps the south door (15th century?) and the other openings probably made around the first half of the 18th century. Significant masonry and structural work is actually mentioned in the nave in 1709. The choir and the bell tower were probably built in the first half of the 16th century, in a late Gothic style. The factory accounts mention various works in the 1530s and 1540s: roofing, construction of a ballet, stained glass window of the "grant window"... The tower was perhaps built in several stages if we rely on the changes masonry nets in the elevation. It was visibly remodeled at the end of the 16th century or the beginning of the 17th century, as indicated by the semi-circular openings, one of which was walled up. From 1570, the du Bouchets were lords of Sceaux and had their coat of arms, "azure with three rings of sand", affixed to the keystone of the chapel under the bell tower (since replaced by a flower) and on the vault paneled nave and choir. As for the windows on the north wall of the choir, they were undoubtedly open in the 18th century like those in the nave. During the Revolution, the church was seized as national property and sold to a certain René Neveu in September 1796, excluding the furniture. The two bells installed in 1719 and the fittings were handed over to the administration to be melted down. The church was returned to the town after the death of Mr. Neveu in the 1810s. The church underwent some occasional maintenance work (mainly on the roof) in the 19th and 20th centuries, but not an overall restoration. In 1831, an estimate was drawn up to enlarge the church with a chapel, in order to better accommodate all parishioners: this project was not carried out. The same year, the flag which still covers the bell tower was put up. The current sacristy (Gambert architect) was added in 1862 to replace another very dilapidated one, blocking a window now only visible from the inside. The second half of the 19th century also saw the clearing of the surroundings of the church, cluttered with lean-tos and hidden by an imposing washhouse finally moved in 1870. The last work, concerning the roofing, was carried out in 1989. The church of Sceaux-sur-Huisne has been listed as a Historic Monument since 1926.

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The old village church was partly destroyed by fire in 1720; it was rebuilt in the 1780s but without decoration. All of the painted decorations were executed between 1863 and 1865: the scenes and figures by Dubois and the ornamental decoration by Goislard under the direction of Louis Bodin, Count of Galembert. This vast program was sponsored by the allied families of Vanssay and Galembert and the priest Toizard; the factory participated for 5448F. The church was consecrated by Monseigneur Fillion, bishop of Le Mans, on September 5, 1865. (inventory of the heritage of the Pays de la Loire region) A black marble plaque engraved with the names of 30 soldiers per year was inserted into the wall paintings of this church, under the Crucifixion.

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