레사나 최고의 MTB 라이딩 경로

바도에레의 인디펜덴차 광장(Piazza Indipendenza)은 베네토 지역에서 독특한 건축 걸작입니다. 반원형의 극적인 구조로 유명한 이 광장은 서로 마주보는 두 개의 인상적인 반원형 바르케세(barchesse, 농가 부속 건물)로 둘러싸여 있으며, 넓은 타원형 공간을 형성합니다. 한쪽에는 옛날에 상점과 숙소가 있었고, 다른 한쪽은 농업용으로 사용되었습니다. 이러한 형태는 조화와 환대의 느낌을 전달하며, 역사, 공예, 시장이 오늘날에도 여전히 융합되는 야외 응접실이 되어 18세기 베네치아의 매력을 그대로 간직하고 있습니다.

This is a very beautiful route. ATTENTION: Between Santa Cristina and Treviso there is a VERY nice car-free cycle path. Maintenance work was being carried out, and we were unable to use most of it. Therefore: Do NOT follow our route between Santa Cristina and Treviso, but stay on the cycle path.

...The Treviso–Ostiglia route has something special: it's a route that carries with it the breath of history. Along the route, old abandoned stations appear, silent buildings that seem to hold the voices of those who departed or arrived there many years ago. Pedaling alongside those buildings, you almost feel like you can still hear the echoes of the trains and the lives that passed through there...

...A day that began under an unpromising sky had transformed into a short journey filled with authentic encounters and local experiences that deserve to be known and appreciated much more...

...The moment was interrupted by the metallic voice of a train station: Castelfranco Veneto was now behind us. I looked at my watch, felt the fatigue creeping up on me, and decided to divert toward Resana...

"...I took the last pictures, then turned my bike toward home. The walls, shrouded in shadow, seemed to hold secrets old and new, stories never fully told. I left with the feeling of having heard only a part of them, but enough to make that ride, born from an image in a brochure, one of those that remain..."

One of the gates of Treviso, on the west side of the city.

Porta Santi Quaranta is one of three gates in the 16th-century walls of Treviso. Considered a "younger sister" to the contemporary Porta San Tomaso, it is located at the end of Borgo Cavour and thus provided access from the west (Castelfranco, Padua, Feltre). Its Istrian stone façade features three arches, the central one being the largest. On the exterior, the most prominent depiction is a winged lion, a symbol of Venice's power on the mainland. It takes its name from the nearby church dedicated to the forty martyrs of Sebaste, now Sant'Agnese. It was built in 1516, perhaps to a design by Alessandro Leopardi, by the Venetian podestà Vendramin, who named it "Porta Vendramina" and placed a self-celebratory plaque on it. This did not please the Venetian government, which changed the name and had the inscription removed.