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Novara

Barriera Albertina

Barriera Albertina

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    1. Novara Football Club Store – Basilica of San Gaudenzio loop from Porta Mortara

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    Easy hike. Great for any fitness level. Easily-accessible paths. Suitable for all skill levels.

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    Easy hike. Great for any fitness level. Easily-accessible paths. Suitable for all skill levels.

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    Intermediate hike. Good fitness required. Easily-accessible paths. Suitable for all skill levels.

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    April 20, 2025

    The Barriera Albertina was a customs barrier of the city of Novara. Today (2021) it hosts cultural, social and artistic exhibitions and conferences.

    The two buildings have a square plan, with a single floor, with a flat roof. The facades have a hexastyle pronaos of the Doric order, surmounted by a tympanum. The external walls are characterized by a smooth ashlar, interrupted by simple Doric pilasters, which intersperse the architraved windows. The appearance is sober and essential, measured in proportions, aligned with neoclassical canons.
    The sculptural decoration was entrusted to Giuseppe Argenti, a member of the school of Pompeo Marchesi, author in turn of the statue of Carlo Emanuele III in via Puccini. Argenti chose the subjects according to the indications of the historian Francesco Antonio Bianchini, to cover the building with significant figures and reliefs. On the tympanum of the two pronaos was placed a relief with two female figures, symmetrical, holding the royal and city insignia: this represents the close relationship between the Savoy interventions and urban development. On the sides of the vestibule, on the main facades, are the personifications of Royal Charity, Gratitude, Agriculture and Commerce. Initially there were also two statues placed on the supporting pillars of the wrought iron gate: the representations of Concord and Vigilance.


    In the upper part of the western façade of each building are the following inscriptions, both designed by the historian Francesco Antonio Bianchini: KAROLO ALBERTO REGI NOSTRO PATRI P. on the north building, O.P.Q. NOVARIENSIS MDCCCXXXVII D.D. on the south building.

    The gate was designed by the artist Pelagio Palagi, already author of the gate of the Royal Palace in Turin. Later it was, together with the two statues, moved to the monument to Carlo Alberto, in Piazza del Rosario (Piazza Gramsci). After the destruction of this monument, in September 1944, the statues were finally destined for the entrance to the cemetery, where they still are today.

    it.wikipedia.org/wiki/Barriera_Albertina

    Translated by Google •

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      Elevation 160 m

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      Tuesday 21 October

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      Location: Novara, Piedmont, Italy

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