레 아스프레 주변 최고의 교통량 없는 자전거 라이딩 코스

In the center of Randonnai, the 16th-century Saint-Malo church, enlarged in 1836, houses several works classified as Historic Monuments, including a classical altarpiece with paintings of Saint Andrew and Saint Sebastian. Funeral slabs serve as threshold steps. Inside, a plaque commemorates the departure of Pierre Tremblay (whose birthplace is in La Filonnière) in 1647 for New France. He is the ancestor of the Tremblays of Quebec and North America.

A beautiful place for a hoppy break! Beautiful trails lead to the brewery.

A great place for a hoppy break!

Located on the former Norman border, it was one of the most important strongholds in the region. From its medieval past, it has preserved its round towers and traces of an old drawbridge. Visible from the path behind the church. Private property.

With a very simple plan, with its tiled nave and its small slate bell tower on the ridge, the church surrounded by its cemetery, set back from the road, overlooks the countryside planted with trees. The river is nearby, and its flowing water evokes that of the baptism of Jesus in the Jordan, as soon as we see the statue of the patron, Saint John the Baptist, in the choir. His arm raised towards the sky reminds us of his preaching in the desert of Palestine: "Prepare for the coming of the Messiah...". On the thin banner attached to his staff are written the words: "Ecce Agnus Dei", by which he already announced that he saw in Jesus the victim freely offering himself as a sacrifice for the Redemption of all men. Placed on the ground against the wall, a 17th century painting. depicts Jesus immersed up to his knees in the waters of the river, leaning with his hands crossed on his chest to receive the baptism of penance from the hand of John kneeling on the bank. We see “the Spirit descending on him like a dove” and we recall the words of John reported in the Gospel: “I am not worthy to bow down at his feet… I have baptized you in water; he will baptize you in the Holy Spirit.” Beside him, the angel wearing Jesus’ clothes turns his face towards a young child whom he guides with a hand placed on his shoulder, as if to teach him the profound meaning of baptism. Above the arch through which the nave opens onto the choir, the group of Christ on the cross surrounded by Mary and Saint John the Evangelist is a fine example of 16th century religious sculpture, faithful to traditional iconography. Similarly, at the back of the nave is the charming naive statue of Saint Fiacre: this young monk from Ireland loved to cultivate the vegetable garden of his monastery, near Meaux. Patron saint of gardeners, he holds his spade, and in the Perche region he was also invoked to cure various illnesses. More unique in style, the large Renaissance chest serving as a central altar was the former “work bench of the factory” reserved for the administrators of the parish’s resources and expenses. Let us admire the skill and imagination of the cabinetmaker who carved this series of full-length figures in oak under the arcades separated by “terms” inspired by Roman antiquity. Their distinctive attributes make us recognize Saints Christine, Barbara, Madeleine and Catherine on the front, and on the sides Saints Peter and Paul on the right, John the Baptist and Bartholomew on the left. Their silhouettes are more reminiscent of fairy tale characters…

Town hall of the small village of Lande sur Eure with its small war memorial

https://sainteanneduperche.com/emplacements/eglise-de-tourouvre/

Between Longny and Moutiers-au-Perche, the town of Mage extends along a central street lined on both sides with old houses. The village is completed by several hamlets and farms scattered throughout the countryside. Quite eventful, its territory is divided into two very distinct parts: a mountainous and wooded part, and a cultivated part made up of various small fresh and fertile valleys, separated from each other by sandy hillsides whose nature is less suitable for cultivation. . In the heart of the village, from the small square between the old presbytery and the church, the view extends between large trees towards the valley. You have to go down the slope below the church to admire the old Romanesque porch with arches, resting on columns whose capitals worn by time retain their interlacing decoration in places. It is the remains of a first church from the 12th century. The current building was rebuilt on the foundations, probably in the 15th century. Inside, the eye is drawn to the altarpiece in a beautiful classic style, enhanced with colors and gilding. On the right side, matching Saint James, the statue of a bishop wearing the crosier and the miter, reminds us that The Magus is honored to have Saint Germain of Paris as his patron. A side chapel was created in 1646 in which several lords of the neighboring castle of Feillet were buried. The interior decoration is from the 18th century, notably thanks to the attentions of Claude-Adrien Helvétius, farmer general and lord of Voré and Feillet, but also poet and philosopher of the Age of Enlightenment.