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Superb castle in the Perche!

superb car-free road

Unfortunately, the church was not accessible when I visited (mid-September 2024). You could only look in through a gate and the dance of death depictions on the left side were not really visible. In front of them were transparencies with skeleton drawings. Maybe those were the depictions...

Formerly La Loupe, Vaupillon and Saint Eliph formed only one parish called the Trinity of the Woods. The church contains a set of 3 painted stone altarpieces from the 17th century. One is dated 1646 and signed Delahays: it includes 3 sculptures: a trunk of grace, representation of the trinity in which God the father holds before him his son on the cross, the dove of the Holy Spirit hovering above his head You can also see a statue of the local saint in painted and gilded stucco and a Saint Sebastian in painted stucco, characteristic of the counter-reformation. A small chapel to the north was added in the 19th century which contains a pieta.

Of course there is the castle but the rest of the village is really worth a stop (church, wash house, half-timbered house, etc.)

A modest place of worship, built in the middle of a tiny village, the Favril church was there as early as 1250. Under the reign of Saint Louis, Saint-Pierre du Favril was already there. This is confirmed by a register of the diocese of Chartres, drawn up in 1250, which mentions a parish church dedicated to Saint-Pierre au Favril (Faverilium). The text adds that there was a priest and 56 parishioners.

The Saint-Martin church of La Croix-du-Perche, composed of a single nave without aisles, dates from the 12th century. At this date, the church is the chapel of a priory founded around 1250 by the Abbey of the Holy Trinity of Tiron. The church only became a parish when the monks left, towards the end of the 16th century. The monument is remarkable for its 16th century framework, entirely decorated with paintings dated 1537. The building was classified as a historic monument in 1934.

The church dates back to the end of the 11th or beginning of the 12th century. From this period, it retains its west portal and three bays of the north wall whose Romanesque bays with gray gray frames are characteristic of the churches of this area and this period. At the end of the Middle Ages, the nave was widened and the canted apse created. The rafter frame supporting trusses probably dates from the 16th century. In the 19th century, the interior of the building was restored, with painted paneled vault, woodwork, painted walls. Outside, a sacristy was added to the apse, and bays were pierced. The vessel is topped by a frame bell tower.