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It was at the request of the parishioners of Orgères that the decision was made to demolish the old church. Typically, this type of partial or total destruction comes from the religious hierarchy. The current church was rebuilt at the end of the 19th century. The reconstruction is quite successful, judging by the choice of materials and the proportions of the building. The stained-glass windows created by the master glazier Loire are perfectly integrated into this new ensemble.

The tower of the church of Sainville, as well as the choir and the first three bays of the main nave, are in the Transitional Romanesque style from the end of the 12th century; the rest of the main nave and the side aisles appear to date only from the 15th century. The bell tower contains three bells. The largest, listed as a historic monument, is engraved with a quatrain: "Founded smokes all new I am the Patron of Sainville, I bear the name of St. Peter. In the year 1014. XLIX." (1549) The second, from 1821, bears this inscription: "Blessed be the Lord God of Israel, for he has visited and redeemed his people." Gospel of Saint Luke, chapter 1, verse 68. The third is located above the other two.

Construction of this neo-Gothic church began in 1892. On December 8, 1895, it was inaugurated and blessed, becoming the parish church in place of the Church of Saint Rémy. However, sculptures and stained-glass windows have been added or renewed to this day. The stained-glass windows in the nave depict the Beatitudes. Seven sculpted groups in the heart of the church symbolize the sacraments.

Please note, road condition is very poor for road bikes.

The Saint-Martin de Viabon church dates back to the 11th century. Its plan includes a nave ending in a semicircular apse. In the 15th century, a four-bay aisle forming gables was erected to the north. The bell tower also dates from this period. Adjacent to the south wall of the choir, it is octagonal in shape and pierced by sixteen overlapping pointed arches. It rests on a quadrangular tower with powerful buttresses. A semicircular arch known as a "wolf's tooth" arch survives between two buttresses in the south wall of the nave. It is surmounted by a small sculpted stone head at the base of the pointed arch window. The apse's framework is ancient. In 1862, the paneling of the main nave was replaced by a plaster-covered latticework with faux stone carvings. The restoration of the choir walls and vault, as well as the hollow brick vault of the side aisle, also dates from the same period. This building underwent numerous interior alterations in the 19th century. The eastern end of the side aisle is occupied by the Chapel of the Virgin, entirely decorated with paintings and gilding in 1887. For the restoration of the framework and roof, particularly the end of the side aisle, the Sauvegarde de l'Art Français (French Art Protection Agency) awarded a donation of €17,000 in 2002.

Building built to commemorate the battles of Loigny-la-Bataille on December 2, 1870. Nine thousand men fell in combat. The church was designed by the architect Lucien Douillard. The apse and the ossuary crypt, square in plan, are connected by two spiral staircases. The walls of the apse and the vault are decorated with paintings of historical and religious motifs, and covered with commemorative marble plaques bearing the names of the 700 recognized soldiers. The crypt preserves the tombs of Generals de Sonis and de Charette, as well as the bones of killed soldiers.

After an unrealized project by the architect Plisson in 1861, church built in 1866, based on plans by Ricard, diocesan architect; with reuse of the previous 13th century building (bell tower)

Not often open, but have a look at the splendid 12th century tympanum above the West Door