산트일 최고의 라이딩 경로

생 레제(Saint Léger)라는 이름의 교회가 1150년에 이미 존재했습니다. 탑의 기초는 13세기로 거슬러 올라갑니다. 본당의 버트레스와 창문은 19세기에 만들어졌습니다. 성가대석은 탑의 아래쪽 부분을 차지합니다. 생 레제(Saint Léger)라는 이름의 교회가 1150년에 이미 존재했습니다. 탑의 기초는 13세기로 거슬러 올라갑니다. 본당의 버트레스와 창문은 19세기에 만들어졌습니다. 성가대석은 탑의 아래쪽 부분을 차지합니다.

The bell tower and nave were erected in 1150 to house the relics of Saint Martin. The choir and side aisles date from 1519. At the beginning of the 17th century, significant ornamental donations were added, as well as two altars in the side aisles dedicated to Saint Sebastian and the Virgin Mary. Major renovations were carried out in the 19th century: the choir vaults were completely rebuilt in 1859. The stained-glass windows date from 1871. A baptistery outside the building was built to the north of the first bay of the nave. The bays above each altar are built in the neo-Gothic style. The original decoration, dating from the 16th to 18th centuries, consisting of geometric elements in red, yellow, and black, has recently been restored. It is a tempera painting on a sand and lime plaster. It adorns the elevations and the vaults of the two lower sides.

The tower of the church of Sainville, as well as the choir and the first three bays of the main nave, are in the Transitional Romanesque style from the end of the 12th century; the rest of the main nave and the side aisles appear to date only from the 15th century. The bell tower contains three bells. The largest, listed as a historic monument, is engraved with a quatrain: "Founded smokes all new I am the Patron of Sainville, I bear the name of St. Peter. In the year 1014. XLIX." (1549) The second, from 1821, bears this inscription: "Blessed be the Lord God of Israel, for he has visited and redeemed his people." Gospel of Saint Luke, chapter 1, verse 68. The third is located above the other two.

Construction of this neo-Gothic church began in 1892. On December 8, 1895, it was inaugurated and blessed, becoming the parish church in place of the Church of Saint Rémy. However, sculptures and stained-glass windows have been added or renewed to this day. The stained-glass windows in the nave depict the Beatitudes. Seven sculpted groups in the heart of the church symbolize the sacraments.

The church of Bleury, dedicated to Saint Martin, probably dates from the end of the Middle Ages. It was remodeled and enlarged in the 16th century by the addition of a large chapel on the north side. The nave ends with a semicircular apse. The chapel to the north is extended by a square bell tower which once opened onto the nave through an arch that is now blocked but still visible. The chapel opens onto the nave through two pointed arches made of recently rendered clotted stone. It communicated with the ground floor of the courtyard through an arch that is now closed. Another filled-in arch appears on the wall between the chapel and the lower room of the courtyard. The church is covered with a paneled roof. A single beam is sculpted, the penultimate one on the west side. It supported, with the beam resting on the facade wall, a recently demolished gallery. Some of the nave's semi-circular windows are late, and the pointed arch openings have Gothic tracery. The square bell tower has a saddleback roof. It is pierced with pointed arch openings. Access to the building is from the south, under a modern porch that houses a portal surmounted by a shield with three fleurs-de-lis. A stone cornice runs under the roof to the south, supported by unsculpted modillions. Two 18th-century altarpieces were included in the Supplementary Inventory of Historic Monuments on June 17, 1975. 16th-century wall paintings depict the Mass of Saint Gregory. They were discovered in 1881 and classified as Historic Monuments on November 17, 1908. Their preservation is currently threatened by infiltration due to the poor condition of the roof structure. The Sauvegarde de l’Art Français provided aid of 75,000 F in 1994, thus contributing to the repairs undertaken to restore the framework, which will allow the walls to be cleaned up.

According to tradition, the church choir covers the remains of an older building, possibly dating back to the 6th century, which was built to house the saint's body. According to current knowledge, the commune of Saint-Piat (Sanctus Piatus in Latin) officially appeared in 1087, mentioned in a charter of the Nottonville Priory (Eure-et-Loir), on which it depended. The current building was rebuilt during the time of Francis I, as suggested by the date 1535 engraved on two buttresses of the apse and the date 1542 engraved on a piece of wood from the vault. This is according to a study by the SAEL (Eure-et-Loir Archaeological Society). The three-sided apses, the dripstone towers (horizontal members projecting from a wall), and the sculpted roof structures are a testament to the importance of the reconstructions carried out in the department during the 16th century. The church of Saint-Piat is one of them. While the church has not been officially recognized, it nevertheless contains objects that have attracted attention both for their antiquity and quality, but not always for good reason. Their artistic value, far from attracting only religious or aesthetic interest, has also aroused a covetousness that, unfortunately, remains for some of them. Fortunately, those still in place are carefully cared for and offer the curious a story to discover, a beauty to slowly ponder as they progress toward the choir.

In the village of Houville (parish of the Epiphany), the crypt, closed for decades, was reopened on February 1, 2020. It contains a well and wall paintings dating back to the 12th century. This crypt is therefore an important place in the village's history, a place of pilgrimage to Saint Léger, with a miraculous spring! Houville also saw the conversion of Célestine Paragot at the end of the 17th century, who, with her strong personality, led the villagers to Christ. This village figure encountered Christ while convalescing after a fall, and her conversion attracted many people. The church and presbytery were expanded and decorated, and thus Houville became known as Houville the Saint, or the Island of Sanctity. The village's vocation continued into the 20th century, as the hamlet (now home to 450 people) offered the Lord 8 priests and 8 nuns, one of whom was at the Visitation. During the war, the crypt served as a refuge for the arrival of German troops, as evidenced by the initials HF that François Heurtault inscribed in June 1940.

beautiful church with an imposing facade