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Placed under the patronage of Saint Hilaire, this parish was given by Gannelon de Montigny, lord of the place, to the abbey of Marmoutier around 1042. Its reconstruction probably dates from this period; it then became a priory. The church has a rectangular nave ending in a choir with a flat chevet. An examination of the masonry easily reveals two distinct periods of construction: the Romanesque period and the Renaissance. Built of flint rubble with rendering, the western part of the building appears to date from the 11th or 12th century. A limestone cornice supported by rather crude corbels underlines the base of the roof. To the south, two narrow Romanesque windows flared inwards light the nave. To the north, the bays were later reworked and enlarged. On this same side, a Romanesque doorway was walled up; It allowed the church to connect with a building whose traces of detachment remain. The bell tower was built to the north of the Romanesque nave, extending the western façade. The absence of a connection between the east and west walls of the bell tower and the north wall of the nave clearly indicates that it is an entirely later construction. However, its crowning is much later, as evidenced by its cornice, whose molding is in the classical style. Flanked by obliquely angled buttresses, it is covered with a saddleback roof. The eastern half of the church appears to be an extension built during the Renaissance period. Its ogee-shaped cornice and the decoration of the eastern gable, as well as the moldings of the buttress bands, attest to this dating. A vast rectangular choir then appears to have replaced a semicircular Romanesque apse; the eastern gable and the southern and northern façades were then pierced with networked bays. In the lower part of the north façade, projecting ashlars appear to have supported the roof of a lean-to building. To the south, a sacristy was built in the 19th century. Inside, the entire building is covered with a paneled vault with exposed tie beams and kingposts. The 18th-century high altar is surmounted by an Assumption of the Virgin inspired by Murillo's. For the restoration of the roofs and façades, the Sauvegarde de l'Art Français (French National Art Protection Agency) awarded a grant of €30,490 in 2001.

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The Church of Saint Sauveur La Trinité, probably built in the 12th century, is notable for its Romanesque windows with columns and capitals. On its walls, alternating with the consecration crosses, one can admire a Stations of the Cross in blue enamel on earthenware. The choir is lit by five Romanesque windows decorated with stained glass depicting Our Lord and the four Evangelists.

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The imposing structure known as the "Château de Chateaudun" that reveals itself to visitors here is, of course, also available in other sports in the komoot system. For the corresponding hiking highlight, you'll find further relevant information and additional photos under the tips. If you're interested, see =>> https://www.komoot.com/de-de/highlight/936307

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Although the Notre-Dame church in the town of Areines may seem modest in size, the richness of its interior decoration is remarkable. It consists of a rectangular nave from the 11th century that extends into a narrower choir and ends with a semi-circular apse from the 12th century. The bell tower was added in the Gothic period. All the walls are covered with murals. The restoration of those in the choir and apse dating from the middle of the 12th century allows us to see: Christ in Majesty, the Lamb with a halo, the Annunciation, the Visitation, the Nativity, saints and apostles. Some of these primitive frescoes were covered by paintings from the 15th, 16th and 18th centuries. Many traces are visible on the walls of the nave and will be restored in the years to come.

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In 1960, Father Jacques Lepage, then vicar in the city center, was sent to prospect and begin to bring the Christian Community to life in the new Rottes district. A plot of land was found and an architect was chosen, Mr. Michel Marconnet. On October 19, 1962, the temporary chapel, the current Jacques Lepage hall, was opened. First baptism, on October 21, 62. There would be 10 more at the end of the calendar year and a hundred or so each year that followed. The population of the district was very young and growing. In 1966, while in the city center the 2 parishes of the Trinity and the Madeleine were merged, that of NDR was erected. Father Lepage became the first priest. The church was not finished. The interior design was entrusted to a local artist, Prix de Rome, Mr. Louis Leygue, who expressed himself in the choir, the baptismal font, the chapel of the Blessed Sacrament and the crypt. Mrs. Anne Huet created the stained glass windows. Father Lepage would make a large part of them in his garage. At Christmas 1967, the first mass was celebrated. On May 12, 1968, Bishop Joseph Goupy came to consecrate the altar and bless the building. Work would continue and the history of the church did not end there.

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This is a church dating from the 12th and 15th centuries. The nave of the church was paneled in the 15th century. A statue representing Saint Martin on horseback, sharing his cloak, was placed in a niche above the portal.

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At the gates of the Loir valley coming from Paris, between Chartres and Blois, the Château de Châteaudun raises its proud and massive silhouette to the eyes of the visitor who approaches it from the north. Property of Jean, bastard of Orléans, Count of Dunois and companion of Joan of Arc, it was a solid fortress before becoming a pleasant princely residence. Overlooking the Loir by more than 60 meters, Châteaudun Castle offers a succession of elements of medieval, Gothic and Renaissance architecture of exceptional authenticity. Clinging to its rocky promontory, the 12th century “big tower” is one of the tallest and best preserved dungeons in France. In the 15th century, Jean Dunois undertook work and transformed the castle, demolishing part of the fortifications. He made the old medieval castle a comfortable and bright residence and endowed it with a Sainte-Chapelle. In the following century, his descendants, the lords of Longueville, completed the construction of the chapel and enlarged the castle with the Longueville wing. The Dunois wing and the Longueville wing have two sumptuous staircases with loggias, one with flamboyant decor and the other from the Renaissance period. Château de Châteaudun also houses a remarkable collection of Flemish and French tapestries from the 16th and 17th centuries. The visit is completed by a medieval-inspired garden exploring the relationships between cuisine and medicine in the Middle Ages, while a hanging garden reveals a garden of idleness and relaxation, unique in the Central Region.

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