누비앙뒤누아 최고의 라이딩 경로

생바스티앙에게 봉헌된 바뇰레의 교구 교회는 샤르트르 교구의 생플로랑탱 드 본느발 베네딕토회 수도원에 부속된 단순한 우선 수도원이었습니다. 이 우선 수도원의 설립은 870년 이전으로 거슬러 올라갑니다. 수도사들은 샤르트르의 비담의 보호를 받았습니다. 로마네스크 시대의 3칸짜리 신도석, 전실, 반원형의 돔형 천장을 가진 후진(11-12세기)이 남아 있습니다. 이 건물의 이 부분은 작은 석회암 조약돌로 된 벽돌 쌓기를 유지하고 있습니다. 13세기에 이 우선 수도원에 이루어진 많은 기부금은 매우 번성하게 만들었고, 새로운 공사의 계기가 되었을 가능성이 높습니다. 이 시기에 강력하고 특히 높은 종탑이 세워진 것으로 보이며, 이는 정교하게 쌓인 석재로 만들어졌고 인상적인 모서리 버팀목으로 지지되었습니다. 이전의 기초 위에 재건되었을 가능성이 높습니다. 15세기에는 신도석 북쪽에 3칸짜리 측면 예배당이 추가되었습니다. 외부에서 3개의 박공으로 이어지는 이 측면 예배당은 정교하게 쌓인 석재로 종탑과 조화를 이룹니다. 또한 15세기에는 측면 예배당의 창문과 같은 스타일로 종탑의 동쪽 벽에 화염형 장식과 2개의 기둥이 있는 큰 창문이 뚫렸습니다. 19세기 공사는 로마네스크 양식의 성가대 공간에 3면의 후진을 건설하는 것으로 이루어졌습니다. 측면 예배당의 세 번째 칸과 종탑 기초 사이의 분리벽은 당시 철거되어 측면 예배당의 시야를 확보했으며, 이는 1852년 7월 25일 부서의 측량사 계획으로 입증됩니다. 측면 예배당과 전실의 리브 볼트 «성가대와 낮은 신도석의 볼트는 석회암으로 만들어졌으며, 대각선 및 석재 리브로 장식되어 있습니다»를 언급하는 이 보고서는 당시 신도석이 «참나무 판자»로 덮여 있었으며, 현재는 석고로 덮인 벽돌 볼트로 덮여 있다고 명시합니다. 또한 파사드의 박공 벽에는 당시의 지붕 경사 흔적이 남아 있습니다. 교회의 파사드는 특히 시선을 사로잡습니다. 문 위에는 중앙에 4줄의 토러스 장식이 있습니다. 문은 박공 벽을 지지하는 두 개의 강력한 버팀벽으로 둘러싸여 있으며, 그 사이에는 후기 디자인으로 보이는 장미창이 자리 잡고 있습니다. 종탑의 남쪽 및 서쪽 파사드의 석회암 석재 마감재 수리, 성가대와 북쪽 예배당의 목재 구조 및 지붕 복구를 위해, 프랑스 예술 보존 재단은 1994년에 이 보호받지 못하는 교회에 10만 프랑을 지원했습니다.

The oldest document mentioning the Church of Saint-Martin in Fresnay-le-Comte is the charter of Renaud de Mouçon, Bishop of Chartres, confirming the possessions of the Abbey of Marmoutier, near Tours. This charter dates only from the last years of the 12th century, but the church's foundation may have already existed at that time. The building comprises two parts of roughly equal size and from different periods. The older part, roughly corresponding to the nave, is of a rather undefined style. The west portal, with its pointed arch devoid of any decoration, may date back to the 12th or 13th century, as may the first window of the nave, on the right. In the north wall, there is a small, walled-up doorway, whose lintel, adorned with an accolade, is no earlier than the 15th century, but the relieving arch above it appears older, perhaps from the 12th century. Half of the church, including almost the entire chancel, is from a more recent period and easily recognizable. The polygonal apse and the windows with their flamboyant tracery of late design indicate the very end of the 15th century. An inscription on one of the chancel's tie beams gives a precise date: In the year 1529, this chancel was completely rebuilt. The statue of the Virgin Mary was baptized during the Mass of October 30, 2021, by Father Pierre Paul. This statue, moved from the Chapel of the Three Marys in Mignières, was restored by Mr. Martial Moulin, a sculptor from Chartres.

The church, dedicated to Saint Denis, is located in the diocese of Chartres. It was under the jurisdiction of the Benedictine abbess of Saint-Avit in Châteaudun. It comprises two distinctly contrasting parts: a low Romanesque nave, 17 meters wide by 8.5 meters long, and a taller Gothic chancel, 14 meters wide by 10 meters long. The western doorway, with its semicircular arch, is framed by columns whose bases are molded with two tori and whose capitals are adorned with leaves ending in volutes. The tympanum is plain, surrounded by a molded archivolt, and externally highlighted by an archivolt decorated with a sawtooth pattern, similar to that of the nearby church of Saint-Maur-sur-le-Loir. The western gable, framed by flat buttresses, is pierced above this doorway only by a small semicircular window. The nave's side walls are reinforced with buttresses. The north buttress is blank, while the south one has three windows, two of which, long and narrow, may be original; the third was likely widened later. A side door was added on this side in the 14th century. The chancel, with its flat apse, is topped by a high gable whose sloping sides are decorated with crockets. The central window with flamboyant tracery was walled up to accommodate the large altarpiece. The north wall is blank; only two flamboyant windows with triple lancets illuminate this part of the building on the south side. The structure is punctuated by flat buttresses with offsets. A stone inscription indicates the date of its construction: 1550. Inside, the nave and chancel are not vaulted in stone, as the large number of buttresses might suggest from the outside. They are covered with panelled wooden vaults. In the center of the nave, four wooden pillars and a hexagonal framework support the slate spire that crowns the building. Among the interesting furnishings are a 17th- or 18th-century baptismal font, a painting depicting the Education of the Virgin, a pulpit, a churchwarden's pew, choir stalls, Restoration-era choir paneling, and, most notably, a magnificent and imposing altarpiece from the church of Saint-Germain-les-Alluyes, from where it was transferred in 1812. It is the work of Charles Roscoët, who also worked at the churches of Alluyes and Moriers. The Vitray altarpiece dates from 1669; its central panel is framed by double twisted columns adorned with vine leaves and surmounted by a Baroque pediment in the center of which is a statue of a bishop saint (Saint Germain) between reclining figures. The two wings of the altarpiece, right and left, are topped with twisted columns and adorned with shell-shaped niches intended to hold statues. In 2005, the French Heritage Society (Sauvegarde de l’Art français) awarded a grant of €6,500 for the restoration of the gable, the belfry, and the bell tower roof, as well as the installation of a lightning rod.

This church in Meslay-Le-Vidame, whose architecture reflects the formal language of antiquity, was dedicated to the patron saint of Saint Etienne. He was one of the first seven deacons of the original Jerusalem church and, according to the biblical accounts in the New Testament, the first martyr (martyr) of early Christianity. The church commemorates his death on Boxing Day, December 26th. As the Acts of the Apostles recounts: When Stephen recounted his vision of the open heavens, "And he, full of the Holy Spirit, looked up into heaven and saw the glory of God, and Jesus standing at the right hand of God" (Chapter 7, Verse 55), the people were so outraged that they drove him out of the city and stoned him.

The Henri Ey Hospital Center is a departmental public health establishment, specialized in psychiatry, which provides a mission of prevention and reception, care, aftercare and reintegration in mental health in Eure-et-Loir. It provides care in adult, child and adolescent psychiatry, as well as a medico-social activity in the field of geriatrics and psychological and mental disabilities.

The Saint-André church burned down in the middle of the 19th century. The priest, forced to celebrate mass in a barn, opened a subscription in 1864, the church was rebuilt in 1865, according to the original plan, plus a transept. Bell tower-porch.

Saint-Pierre-et-Saint-Paul Church is a Romanesque building that underwent some modifications following the partial destruction of the village during the war of 1870. The oriented nave ends with a semi-circular apse and adjoins, to the north, a side aisle. Access is located in the southwest part of the nave, protected by a long canopy. A sacristy was built outside the work and communicates directly, to the south, with the apse. The aisle opens onto the nave by two large arcades. At the entrance to the choir, stand two columns with primitive capitals intended to receive an arch that was probably never built. The nave and the choir are covered with a paneled vault. Two pointed arch bays light the nave to the south. The windows of the apse and the aisle are semicircular. The west gable also includes a semicircular bay. On this side of the church, the arch of the old portal, now walled up, is still visible. An oculus has been pierced in its upper part. The roof is made of slate, as is the bell tower, erected on the western part of the roof. Inside, the decor is especially remarkable for the wall paintings from the 12th and 13th centuries that were discovered in 1939, behind the altarpiece of the sanctuary, by Father Moriceau, the parish priest. Some of them are illegible, others have been perfectly identified. These are the scenes depicting the Descent from the Cross, the Holy Women at the Tomb, the Baptism of Christ, and the Meal at Herod's. Like those in the church of Lutz-en-Dunois and the chapel of Yron in Cloyes, these wall paintings are characteristic of the artistic creation of the upper Loir Valley in the Romanesque period. For the restoration of the plaster and the renovation of the south facade of the church and the porch, the Sauvegarde de l’Art français granted a subsidy of 35,000 F in 1998.

Bonneval, nicknamed the little Venice of Beauce