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It was at the request of the parishioners of Orgères that the decision was made to demolish the old church. Typically, this type of partial or total destruction comes from the religious hierarchy. The current church was rebuilt at the end of the 19th century. The reconstruction is quite successful, judging by the choice of materials and the proportions of the building. The stained-glass windows created by the master glazier Loire are perfectly integrated into this new ensemble.

Building built to commemorate the battles of Loigny-la-Bataille on December 2, 1870. Nine thousand men fell in combat. The church was designed by the architect Lucien Douillard. The apse and the ossuary crypt, square in plan, are connected by two spiral staircases. The walls of the apse and the vault are decorated with paintings of historical and religious motifs, and covered with commemorative marble plaques bearing the names of the 700 recognized soldiers. The crypt preserves the tombs of Generals de Sonis and de Charette, as well as the bones of killed soldiers.

The Henri Ey Hospital Center is a departmental public health establishment, specialized in psychiatry, which provides a mission of prevention and reception, care, aftercare and reintegration in mental health in Eure-et-Loir. It provides care in adult, child and adolescent psychiatry, as well as a medico-social activity in the field of geriatrics and psychological and mental disabilities.

The Saint-André church burned down in the middle of the 19th century. The priest, forced to celebrate mass in a barn, opened a subscription in 1864, the church was rebuilt in 1865, according to the original plan, plus a transept. Bell tower-porch.

Saint-Pierre-et-Saint-Paul Church is a Romanesque building that underwent some modifications following the partial destruction of the village during the war of 1870. The oriented nave ends with a semi-circular apse and adjoins, to the north, a side aisle. Access is located in the southwest part of the nave, protected by a long canopy. A sacristy was built outside the work and communicates directly, to the south, with the apse. The aisle opens onto the nave by two large arcades. At the entrance to the choir, stand two columns with primitive capitals intended to receive an arch that was probably never built. The nave and the choir are covered with a paneled vault. Two pointed arch bays light the nave to the south. The windows of the apse and the aisle are semicircular. The west gable also includes a semicircular bay. On this side of the church, the arch of the old portal, now walled up, is still visible. An oculus has been pierced in its upper part. The roof is made of slate, as is the bell tower, erected on the western part of the roof. Inside, the decor is especially remarkable for the wall paintings from the 12th and 13th centuries that were discovered in 1939, behind the altarpiece of the sanctuary, by Father Moriceau, the parish priest. Some of them are illegible, others have been perfectly identified. These are the scenes depicting the Descent from the Cross, the Holy Women at the Tomb, the Baptism of Christ, and the Meal at Herod's. Like those in the church of Lutz-en-Dunois and the chapel of Yron in Cloyes, these wall paintings are characteristic of the artistic creation of the upper Loir Valley in the Romanesque period. For the restoration of the plaster and the renovation of the south facade of the church and the porch, the Sauvegarde de l’Art français granted a subsidy of 35,000 F in 1998.

After an unrealized project by the architect Plisson in 1861, church built in 1866, based on plans by Ricard, diocesan architect; with reuse of the previous 13th century building (bell tower)

Bonneval, nicknamed the little Venice of Beauce

The church of Guillonville, in Eure et Loir, in the Center-Val de Loire, is attached to the parish of Saint Martin en Beauce, of the Deanery of Beauce, in the diocese of Chartres. The church is placed under the protection of Saint Peter.