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Gommerville(Eure-et-Loir)의 Saint-Martin 교회는 로마네스크 양식으로 처음 지어진 12세기에 그 기원을 두고 있습니다. 그 역사와 건축적 진화의 주요 단계는 다음과 같습니다: 건축의 주요 단계 • 12세기 (기원): 초기 교회의 건설. 이 초기 로마네스크 시대부터 건물은 특히 십자형 볼트 천장이 특징인 남쪽 익랑을 보존하고 있습니다. 1180년, 교회의 후원권은 Robert d'Estouteville에 의해 Valmont 수도원에 공식적으로 양도되었습니다. • 18세기: 교회는 중요한 개조를 거쳤습니다. 신도석, 교차부 탑의 상당 부분 및 익랑의 북쪽 팔은 이 기간 동안 완전히 재건되었습니다. • 19세기 (개조): 1825년, 현재의 성가대석은 석공 Turquetille(그는 그곳에 새겨진 비문을 남겼습니다)에 의해 지어졌습니다. 이후 1844년, 건축가 Brunet-Debaines가 성구실을 추가했습니다. 프랑스 혁명의 영향 혁명 기간(1794년 초) 동안 교회는 비기독교화의 물결을 겪었습니다. 그 재산, 가구 및 좌석은 지방 자치 단체에 의해 압수되어 판매되었습니다. 이 지역의 많은 교회의 역사에 충실하게, 그 종들은 내려져 혁명군을 위한 대포를 만들기 위해 녹여졌습니다.

Gommerville의 Saint-Martin 교회는 로마네스크 양식으로 처음 설립된 12세기에 그 기원을 두고 있습니다. 교회의 역사와 건축적 발전을 보여주는 주요 단계는 다음과 같습니다: 건축의 주요 단계 • 12세기 (기원): 초기 교회가 세워졌습니다. 이 초기 로마네스크 시대부터 건물에는 특히 늑골 궁륭이 특징인 남쪽 익랑이 보존되어 있습니다. 1180년에 Robert d'Estouteville에 의해 교회의 후원이 공식적으로 Valmont 수도원에 양도되었습니다. • 18세기: 교회는 상당한 변화를 겪었습니다. 신랑, 교차탑의 상당 부분, 익랑의 북쪽 팔은 이 기간 동안 완전히 재건되었습니다. • 19세기 (개조): 1825년에 현재의 성가대석이 석공 Turquetille(그가 새긴 비문을 남김)에 의해 건설되었습니다. 나중에 1844년에 건축가 Brunet-Debaines가 성구실을 추가했습니다. 프랑스 혁명의 영향 혁명 기간(1794년 초) 동안 교회는 비기독교화의 물결을 겪었습니다. 교회 재산, 가구, 의자는 시에 의해 압수되어 판매되었습니다. 이 지역의 많은 교회의 역사와 마찬가지로, 혁명군을 위한 대포를 만들기 위해 종이 내려져 녹여졌습니다.

The Saint-Liphard church features a crescent moon at the top of its bell tower, the emblem of Avignon's last known pope, Benedict XIII, known as Pedro de Luna. At least three of its stained-glass windows are by the master glassmaker Charles Lorin from Chartres, including one depicting Saint Paul (1920) and a second depicting the Virgin and Child (1923). In 2019, a fundraising campaign was sponsored by the Fondation du Patrimoine, and work began.

The Saint-Martin church dates from the 11th century. It was ravaged and burned by the Protestants, then restored at the end of the 16th century. It still retains remains of the Romanesque style, particularly in the nave which was rebuilt on the same plan, with stones and other debris from the fire.

After an unrealized project by the architect Plisson in 1861, church built in 1866, based on plans by Ricard, diocesan architect; with reuse of the previous 13th century building (bell tower)

The Moulin de Lignerolles is one of the last pivotal windmills in the Loiret department. Built in 1848, this wooden mill belonged to Louis-Joseph Soulas, famous painter and director of the Orléans School of Fine Arts. You can admire the restored mill and its ingenious mechanism, as well as the panoramic view of the plain. The mill is open to the public on Sundays from 2:30 p.m. to 6 p.m., and also hosts various events throughout the year, such as a flea market, concerts and exhibitions. Visiting the Moulin de Lignerolles is an excellent way to discover the heritage and charm of the Beauceron countryside.

The church of Guillonville, in Eure et Loir, in the Center-Val de Loire, is attached to the parish of Saint Martin en Beauce, of the Deanery of Beauce, in the diocese of Chartres. The church is placed under the protection of Saint Peter.

The Saint André church (13th-15th-16th centuries) In the 7th century, the Benedictine abbey of Bonneval created a priory-curate. Its existence is confirmed by a bull from Pope Gregory second half of the 16th century. In 1793 the church was desecrated and transformed into wine and spirits warehouses. In 1801, the church was returned to worship and changed diocese: from the diocese of Chartres, to which it belonged before the Revolution, it passed to the diocese of Orléans, notably for reasons of distance: Chartres is 48 km from Patay then that Orléans is only 27 km away. The church is 30 m long and 17 m wide. The oldest parts are located near the large porch (13th century). One of the pillars of the nave is decorated with a vestige of Danse Macabre from the mid-15th century. A small masonry door on the right communicated with the old priory, of which ruins remain to the south of the church. The choir dates from the 14th century; the apse wall was decorated with paintings at the end of the 19th century, the chapels were then redeveloped and equipped with new stained glass windows. The keystones of the large nave were made from casts taken from the figurines which adorn the Thesis Room of the University of Orléans, built in 1411. The bell tower, located to the north of the choir, would be an old watchtower. Its pinnacles and eight openings were made after the Wars of Religion. The four bells were melted in 1868. The largest was cracked by a Prussian shell in 1870 and was recast in 1871. Since that year, Ernestine (809 kg, 1 m 12 in diameter at the base, sounding the F), Gabrielle (550 kg, 0.981 m in diameter, sounding the ground), Anne (398 kg, 0.573 m in diameter) and Marie (222 kg, 0.724 m in diameter, sounding the C) give rhythm to the daily life of the small town of Patay, old Beauceron railway junction. On August 15, 1944, an ammunition train was blown up at Patay station. The station was blown up, except for the carriage shed, and all the windows in the town were shattered. Luckily, a providential storm limited the damage. The only two stained glass windows that survived the explosion are those on the right side aisle which date from 1930 and relate the communion of Joan of Arc in the Patay church in 1429. The church was listed as a Historic Monument in 1925 by decree of October 6, 1925.