루모 최고의 라이딩 경로

생바스티앙에게 봉헌된 바뇰레의 교구 교회는 샤르트르 교구의 생플로랑탱 드 본느발 베네딕토회 수도원에 부속된 단순한 우선 수도원이었습니다. 이 우선 수도원의 설립은 870년 이전으로 거슬러 올라갑니다. 수도사들은 샤르트르의 비담의 보호를 받았습니다. 로마네스크 시대의 3칸짜리 신도석, 전실, 반원형의 돔형 천장을 가진 후진(11-12세기)이 남아 있습니다. 이 건물의 이 부분은 작은 석회암 조약돌로 된 벽돌 쌓기를 유지하고 있습니다. 13세기에 이 우선 수도원에 이루어진 많은 기부금은 매우 번성하게 만들었고, 새로운 공사의 계기가 되었을 가능성이 높습니다. 이 시기에 강력하고 특히 높은 종탑이 세워진 것으로 보이며, 이는 정교하게 쌓인 석재로 만들어졌고 인상적인 모서리 버팀목으로 지지되었습니다. 이전의 기초 위에 재건되었을 가능성이 높습니다. 15세기에는 신도석 북쪽에 3칸짜리 측면 예배당이 추가되었습니다. 외부에서 3개의 박공으로 이어지는 이 측면 예배당은 정교하게 쌓인 석재로 종탑과 조화를 이룹니다. 또한 15세기에는 측면 예배당의 창문과 같은 스타일로 종탑의 동쪽 벽에 화염형 장식과 2개의 기둥이 있는 큰 창문이 뚫렸습니다. 19세기 공사는 로마네스크 양식의 성가대 공간에 3면의 후진을 건설하는 것으로 이루어졌습니다. 측면 예배당의 세 번째 칸과 종탑 기초 사이의 분리벽은 당시 철거되어 측면 예배당의 시야를 확보했으며, 이는 1852년 7월 25일 부서의 측량사 계획으로 입증됩니다. 측면 예배당과 전실의 리브 볼트 «성가대와 낮은 신도석의 볼트는 석회암으로 만들어졌으며, 대각선 및 석재 리브로 장식되어 있습니다»를 언급하는 이 보고서는 당시 신도석이 «참나무 판자»로 덮여 있었으며, 현재는 석고로 덮인 벽돌 볼트로 덮여 있다고 명시합니다. 또한 파사드의 박공 벽에는 당시의 지붕 경사 흔적이 남아 있습니다. 교회의 파사드는 특히 시선을 사로잡습니다. 문 위에는 중앙에 4줄의 토러스 장식이 있습니다. 문은 박공 벽을 지지하는 두 개의 강력한 버팀벽으로 둘러싸여 있으며, 그 사이에는 후기 디자인으로 보이는 장미창이 자리 잡고 있습니다. 종탑의 남쪽 및 서쪽 파사드의 석회암 석재 마감재 수리, 성가대와 북쪽 예배당의 목재 구조 및 지붕 복구를 위해, 프랑스 예술 보존 재단은 1994년에 이 보호받지 못하는 교회에 10만 프랑을 지원했습니다.

The church consists of a single nave, extended by a single-bay choir, and a semicircular apse. Two canted chapels, forming a false transept, were added during this renovation. The church is dominated by a timber-framed bell tower that rises above the first bay of the nave. The gable of the western facade was rebuilt in the last century, an external wooden porch removed. The central axis of the current facade is punctuated by a semicircular door surmounted by an archivolt, a circular opening on the first level and a small window pierced in the upper part of the gable. On the north side, a highly raised stringcourse forming a cornice, resting on simple modillions, still survives in the upper part of the wall. Additional openings were added to the old, narrow, and uneven openings in the last century, in the nave, as well as in the choir and apse, to allow more daylight to enter the building. The interior of the church is covered with a paneled roof structure: the one covering the nave is believed to date from the 16th century. The entire structure has been given a coherent decoration, from the faux-stone plasterwork to the paneled vault, the furnishings, and the statuary. The church also boasts a 17th-century polychrome wooden statue of Saint Barbara. The Prunelé coat of arms appears at the bottom of the stained-glass window of Saint Louis and, outside, on a medallion on the apse wall. The Sauvegarde de l'Art Français (French National Art Protection Agency) granted €5,000 in grants in 2004 for masonry and roof repairs and the installation of drainage.

Saint-Pierre Church dates back to the 14th century. It is located in Nottonville itself, opposite the town hall. Its 17th-century timber-framed bell tower was restored following the 1999 storm.

It was at the request of the parishioners of Orgères that the decision was made to demolish the old church. Typically, this type of partial or total destruction comes from the religious hierarchy. The current church was rebuilt at the end of the 19th century. The reconstruction is quite successful, judging by the choice of materials and the proportions of the building. The stained-glass windows created by the master glazier Loire are perfectly integrated into this new ensemble.

The Saint-André church burned down in the middle of the 19th century. The priest, forced to celebrate mass in a barn, opened a subscription in 1864, the church was rebuilt in 1865, according to the original plan, plus a transept. Bell tower-porch.

The Sainte Christine church represents a heritage of the rural and religious world characteristic of Beauce, the "breadbasket" of France since the Middle Ages. The Romanesque nave dates from the 12th century and was given a bell tower in the 18th century. The spire then peaked at 28 meters high, visible from afar from the surrounding countryside. In 1835, a hurricane damaged the roof of the bell tower. In 1893, lightning ignited the spire which burned almost entirely. The traces are still visible today. It would take almost 25 years for the church to regain its bell tower, reduced by half to 17 meters in height. The heritage to be restored is in line with the many religious buildings in this area such as the Saint Sébastien church in Baignolet, listed as a Historic Monument.

Saint-Pierre-et-Saint-Paul Church is a Romanesque building that underwent some modifications following the partial destruction of the village during the war of 1870. The oriented nave ends with a semi-circular apse and adjoins, to the north, a side aisle. Access is located in the southwest part of the nave, protected by a long canopy. A sacristy was built outside the work and communicates directly, to the south, with the apse. The aisle opens onto the nave by two large arcades. At the entrance to the choir, stand two columns with primitive capitals intended to receive an arch that was probably never built. The nave and the choir are covered with a paneled vault. Two pointed arch bays light the nave to the south. The windows of the apse and the aisle are semicircular. The west gable also includes a semicircular bay. On this side of the church, the arch of the old portal, now walled up, is still visible. An oculus has been pierced in its upper part. The roof is made of slate, as is the bell tower, erected on the western part of the roof. Inside, the decor is especially remarkable for the wall paintings from the 12th and 13th centuries that were discovered in 1939, behind the altarpiece of the sanctuary, by Father Moriceau, the parish priest. Some of them are illegible, others have been perfectly identified. These are the scenes depicting the Descent from the Cross, the Holy Women at the Tomb, the Baptism of Christ, and the Meal at Herod's. Like those in the church of Lutz-en-Dunois and the chapel of Yron in Cloyes, these wall paintings are characteristic of the artistic creation of the upper Loir Valley in the Romanesque period. For the restoration of the plaster and the renovation of the south facade of the church and the porch, the Sauvegarde de l’Art français granted a subsidy of 35,000 F in 1998.

The Saint-Martin church dates from the 11th century. It was ravaged and burned by the Protestants, then restored at the end of the 16th century. It still retains remains of the Romanesque style, particularly in the nave which was rebuilt on the same plan, with stones and other debris from the fire.