クロンベルクのおすすめツーリングルート

Here you will find the office building of the construction yard and other historical buildings that were reconstructed at the beginning of the 19th century when the Roman fort was rebuilt.

A woven—or rather, wrapped—willow sculpture was erected as part of the 1250th anniversary celebrations of the town of Eschborn. The cornucopia was adorned with fresh strawberries, and the seed tray was filled with seeds. Attaching these to the body of the "sower" was a bit tricky at first, as was calculating the entire statics, explains Irmgard Wissing. The willow artist from Bad Bevensen is proud that her woven figure, which was originally intended to be erected last year for the 1250th anniversary, could finally be unveiled. It now stands in the Oberwiesen meadows, next to the extended Dörnweg path near Steinbacher Straße.

From the place you have a great view towards the skyline

On the cycle path you have a really great view towards the skyline

From the cycle path you have a really great view of Frankfurt

Be sure to stop here for a while and enjoy nature!

The title "The Promise" refers to an announcement in the past. The group of figures, reminiscent of a gathering of dignitaries, embodies the present. The future is hinted at in the development of the egg-shaped object, which promises the fulfillment of the promise. None of the figures exhibits curious, impatient waiting. Rather, their anticipation is characterized by caution and reserve, and perhaps even perplexity. An exchange of ideas about the nature and possibilities hidden within the oversized egg seems to be developing in the room.

These elements, as well as the only hints of facial features, lend each individual figure its own distinct character. In their withdrawn and sometimes contemplative expression, the seven human figures develop a silent and enigmatic presence. Their gaze directions cannot always be precisely determined. At times, they appear to be gazing into the distance outside the circle, while simultaneously perceiving the egg object at the center of the circle. The figures communicate with each other not through their gestures and facial expressions, but through their postures, head turns, and positions in space. The viewer can enter this field of communication.