래드웨이 주변 최고의 워킹 & 하이킹 경로

Jacobs Ladder is a flight of stone steps up to Edge Hill. Great views across Warwickshire from the top.

The path is difficult to see on this section of the walk. It is definitely there and hasn't been obliterated by plants and weeds growing on or through it. However, the foliage on either side of the path has grown over it. Extra care needs to be taken as the path is also very narrow where it runs along the edge of the escarpment and it's difficult to identify the edge. One false step and it would be a steep and dangerous tumble down the hill.

Edgehill Castle (Tower) which is now a rather nice pub/restaurant. The castle was built in the 18th Century as a 'sham' castle reputedly on the exact spot where Charles I raised his standard before the Battle of Edgehill during the first English Civil War. Apparently Cromwell got there too late for the battle.

strange 'castle', with nice views.

The Waterloo Obelisk, situated to the north of Edge Hill Tower, was erected in 1854 to commemorate Fiennes Miller's gallantry at the battle of Waterloo. It's located in a picturesque spot next to a pond and overlooking the beautiful surrounding countryside of Warwickshire, so pause for a moment and enjoy the views.

This is the location of the Battle of Edgehill, a pitched battle of the First English Civil War occurring on Sunday 23rd October 1642. A detailed information board stands here describing how the event unfolded, offering a fascinating window into the area's past.

Upton House & Gardens is a National Trust-owned country mansion located in the northern tip of the Cotswolds in Warwickshire. You can catch glimpses of the stunning grounds and building for free, but to enter the house and gardens fully, and to see the impressive art collection that resides inside, you'll have to pay a fee. There is more information about this here https://www.nationaltrust.org.uk/visit/warwickshire/upton-house-and-gardens

On the walk you can walk through the farm land, but it will not bring you into the NT grounds. You'll come out through the car park. If you have a NT membership you can stop in, but there is lots to see there too.

Beautiful scenery and well maintained path parts may be slippery in wet weather

Small stream crossing. There hadn’t been much recent rain when we were there so it was fairly easy to cross but perhaps different in winter.

The Battle of Edgehill (or Edge Hill) was a pitched battle of the First English Civil War. It was fought near Edge Hill and Kineton in southern Warwickshire on Sunday, 23 October 1642. All attempts at constitutional compromise between King Charles and Parliament broke down early in 1642. Both the King and Parliament raised large armies to gain their way by force of arms. In October, at his temporary base near Shrewsbury, the King decided to march to London in order to force a decisive confrontation with Parliament's main army, commanded by the Earl of Essex. Late on 22 October, both armies unexpectedly found the enemy to be close by. The next day, the Royalist army descended from Edge Hill to force battle. After the Parliamentarian artillery opened a cannonade, the Royalists attacked. Both armies consisted mostly of inexperienced and sometimes ill-equipped troops. Many men from both sides fled or fell out to loot enemy baggage, and neither army was able to gain a decisive advantage.

Upton House managed by the National Trust is an example of a 1930s country retreat with a wonderful garden designed by Kitty Lloyd-Jones. Café garden and house is open every day from 10:00 - 17:00 although the house closes a little before everything else.

Fab food. Friendly service.Will definitely revisit.

Views over the Warwickshire plains, edge hill was one of the battles in the English Civil war

"This obelisk is the most ambitious element in the local sculpture trail. It was constructed to mark the Millennium by the first female apprentice stonemason in the history of Hornton Quarry". The inscription around the top has on one face the letters MM, the year 2000 in Roman numerals. The other three faces bear the names of the villages in the parish: Ratley, Edgehill and Upton.

The house was built on the site of the hamlet of Upton, which was destroyed in about 1500 when the land was cleared for pasture. The estate passed through various hands until the early 16th century when it was bought by Sir William Danvers. It remained with the Danvers family until 1688 when Sir Rushout Cullen purchased the estate for £7,000 (equivalent to £1,270,000 in 2019). Cullen built the house for himself in about 1695. In 1757 the house was bought by banker Francis Child for use as a hunting lodge and it remained in the Jersey family until the end of the 19th century when it was held by George Child Villiers, 5th Earl of Jersey. In 1927 the estate was acquired by Walter Samuel, 2nd Viscount Bearsted, who owed his fortune to the fact that his father Marcus Samuel was the founder of the oil company Shell Transport & Trading. His wife Lady Bearsted worked with "Kitty" Lloyd Jones to transform the house's garden during the early 1930s. Kitty would visit and send letters to Lady Bearstead about her gardens. The letters include lists of plants that Lady Bearstead would approve before the gardener, Mr Tidman, planted them. Kitty is credited today with the soft colours and strong colours of the gardens at Upton Houses. She takes particular credit for converting some marshland into the bog garden which she envisaged based around a natural spring in the garden. Lord Bearsted donated the house, gardens and art collection to the National Trust in 1948. Lord Bearsted's son, the 3rd Viscount, lived at Upton from 1948 until his death in 1986 and added to the gift to the National Trust the collection of fine porcelain. On the death of the 3rd Viscount, the furniture and other items on view in the rooms were offered to the nation by his daughter, Hon. Mrs. R. Waley-Cohen, through the "in lieu" system, on condition that they remain at Upton and on view to the public. Mrs. Waley-Cohen continued to live in the house until 1988, when the family moved to another property on the estate. In October 1991, she offered for sale by public auction, a large number of items which were considered surplus to requirements. The sale, by Christie's, took place at the house, in a total of 1083 separate lots, and included pictures, furniture, porcelain, silver, objects and carpets.

The Battle of Edgehill (or Edge Hill) was a pitched battle of the First English Civil War. It was fought near Edge Hill and Kineton in southern Warwickshire on Sunday, 23 October 1642. All attempts at constitutional compromise between King Charles and Parliament broke down early in 1642. Both the King and Parliament raised large armies to gain their way by force of arms. In October, at his temporary base near Shrewsbury, the King decided to march to London in order to force a decisive confrontation with Parliament's main army, commanded by the Earl of Essex. Late on 22 October, both armies unexpectedly found the enemy to be close by. The next day, the Royalist army descended from Edge Hill to force battle. After the Parliamentarian artillery opened a cannonade, the Royalists attacked. Both armies consisted mostly of inexperienced and sometimes ill-equipped troops. Many men from both sides fled or fell out to loot enemy baggage, and neither army was able to gain a decisive advantage.

Obelisk erected 1854 on a hillside adjacent to a pond in the former Radway Grange estate. To commemorate Fiennes Miller's gallantry at the battle of Waterloo. Location is north of Castle Wood and to the north of Edgehill Tower (now the Castle Inn) in Edgehill village. Obelisk. Dated 1854. Erected for Charles Chambers. Ironstone ashlar. High stepped and moulded plinth. Tall pedestal with moulded cornice. The inscription records that it was erected to commemorate the Battle of Waterloo and Colonel F.S. Miller’s gallantry in commanding the VIth Inniskilling Dragoons. It stands on a rise below Edgehill, visible from Radway Grange. Erected in 1854 in local ironstone and surrounded by several ancient lime trees by Charles Chambers in honour of his neighbour and cousin by marriage, Fiennes Miller, for his gallantry at the battle of Waterloo in 1815. (Page 30 details his part in the battle). Situated above a pool created as part of a landscaping project on the Radway Grange estate in mid 17th century by Sanderson Miller, the grandfather of Fiennes Miller. The pedestal of the obelisk bears an inscription that reads: This obelisk was erected by / Charles Chambers Esqre. R.N. / in 1854 to commemorate the / Battle of Waterloo / where the VIth. Inniskilling Dragoons / were commanded by / Lieut. Col.F.S.Miller / who, for his gallant conduct / during the action, in which he was / very severely wounded, / was made a Commander of the Most / Honourable Order of the Bath. The VIth Inniskilling Dragoons were a heavy cavalry regiment based for many years at Ballinaslo, Ireland. At Waterloo on the 18th of June 1815 they fought in two actions which brought about the defeat of the French under Napoleon Bonaparte. They were led by Miller when his fellow squadron commanders were disabled. Miller himself suffered various wounds including a shattered thigh. He was still recovering in Brussels in 1816, probably attended by Chambers, a naval surgeon, long after the Inniskillings had returned to England, where they were fêted as the deciding force at Waterloo. Charles Chambers died in 1854. The obelisk is his touching, last tribute to Miller. The two men were friends, neighbours and cousins by marriage. The site of the obelisk was originally a water feature designed to be seen from Radway Grange, the family home, below. It was formed in the eighteenth century by Miller's grandfather, the landscape gardener Sanderson Miller. The slender obelisk, probably constructed with locally-quarried 'ironstone', is dwarfed by towering lime trees.

The church stands directly on the east side of the main road from Banbury to Warwick at the top of a steep gradient and the village lies mostly to the northeast of it at a lower level. The parish church of ST. MICHAEL, or ST. NICHOLAS, consists of a chancel, north chapel with a priest’s chamber above it, nave, north and south aisles and porches and a west tower. The nave dates from the 12th century; no detail is left to indicate its original date but it was of the proportion of two squares, common in the early 12th century. A north aisle was added first, about the middle of the 12th century, with an arcade of three bays; a south aisle followed, near the end of the 12th century, also with a three-bay arcade. After about a century a considerable enlargement was begun and continued over a period of half a century or more; the nave was lengthened eastwards about 10 ft. and a new chancel built. The extra length of the side walls added to the nave perhaps remained unpierced at first. Although there is a general sameness in the Hornton stone ashlar walling throughout, all the various parts—chancel, chapel, aisles, and tower—have different plinths, &c., and there is a great variation in the elevations and details of the windows, showing constant changes from the 14th century, when there was much activity, onwards, probably because of decay and need for repair caused by the church’s exposed position on the brow of a hill. The south aisle was widened to its present limits about 1290, on the evidence of the wide splays and other details of its windows; but an early-13th-century doorway was re-used. It is possible that the east part of the north aisle followed soon afterwards, c. 1300, as a kind of transeptal chapel, on the evidence of its east window, which differs from the other aisle windows. From c. 1330–40 much was done. The chancel arch was widened, new bays to match were inserted in the east lengths of the nave walls, making both arcades now of four bays, the widening of the whole of the north aisle was completed with the addition of the north porch. The 12th-century north arcade, which seems to have lost its inner order, was probably rebuilt. There is a curious distortion about both aisles, perhaps only explained by the widenings being made in more than one period; the north aisle tapers from west to east and the south aisle tapers from east to west, about a foot each, as compared with the lines of the arcades. The south porch was probably added about 1330. About 1340 came also the addition of the chapel with the priest’s chamber above it. The north wall of the chancel, probably of the 13th century and thinner than any of the other walls, was kept to form the south wall of the chapel, but the other walls were made unusually thick, as though it was at first intended to raise a higher superstructure than was actually carried out, perhaps even a tower. If such was the intention it was quickly abandoned and the west tower was begun about 1340–5 and carried up to some two-thirds of its present height. There was not much room above the road-side and it had to encroach 2 or 3 ft. into the west end of the nave. The top stage was added or completed in the 15th century. With the addition of the chapel, alterations were made to the chancel windows, but its south wall had to be rebuilt in the 15th century, when new and larger windows were inserted and the piscina and sedilia constructed. There have been many repairs and renovations, notably in 1867 to the chancel and 1871 for the rest of the church, and others since then. The roofs have been entirely renewed, though probably more or less of the original forms of the 14th or 15th centuries. The chancel (about 30½ft. by 16½ft.) has an east window of four trefoiled pointed lights and modern tracery of 14th-century character in a two-centred head with an external hood-mould having head-stops. The jambs and arch, of two moulded orders, and the hood-mould are early-14th-century. In the north wall is a 14th-century doorway into the chapel with jambs and ogee head of three moulded orders and a hoodmould with head-stops, the eastern a cowled man’s, the western a woman’s. It contains an ancient oak door, with stout diagonal framing at the back and hung with plain strap-hinges. At the west end of the wall are two windows close together; the eastern, of c. 1340, of two trefoiled ogee-headed lights and cusped piercings in a square head with an external label having decayed head-stops. It has a shouldered internal lintel which is carved with grotesque faces. The western is a narrower and earlier 14th-century window of two trefoiled ogee-headed lights and a quatrefoil, &c., in a square head with an external label. The window at the west end of the south wall is similar. The other two are 15th-century insertions, each of two wide cinquefoiled three-centred lights under a square head with head-stops, one a cowled human head, the other beast-heads. The jambs and lintel of two sunk-chamfered orders are old, the rest restored. The rear lintel is also sunk-chamfered and is supported in the middle by a shaped stone bracket from the mullion. The 14th-century priest’s doorway has jambs and two-centred ogee head of two ovolo-moulded orders and a cambered internal lintel; it has no hood-mould. Below the south-east window is a 15th-century piscina with small side pilasters that have embattled heads, and a trefoiled ogee head enriched with crockets. The sill, which projects partly as a moulded corbel, has a round basin. West of it are three sedilia of the same character with cinquefoiled ogee heads also crocketed and with finials. At the springing level are carved human-head corbels: the cusp-points are variously carved, an acorn, a snake’s head, a skull, and foliage. The two outer are surmounted by crocketed and finialled gables and all are flanked and divided by pilasters with embattled heads and crocketed pinnacles. The east wall is built of yellow-grey ashlar with a projecting splayed plinth; the gable-head has been rebuilt. At the south-east angle is a pair of square buttresses of two stages, probably later additions, as the plinth is not carried round them. Another at the former north-east angle has been restored. The south wall is of yellow ashlar but has a moulded plinth of the 15th century. The eaves have a hollow-moulded course with which the uprights of the 15th-century window-labels are mitred. The 14th-century chancel arch has responds and pointed head of two ovolo-moulded orders interrupted at the springing line by the abacus. The roof with arched trusses is modern and is covered with tiles. The north chapel (about 12 ft. east to west by 17 ft. deep) is now used as the vestry, and dates from c. 1340. In its south wall, the thin north wall of the chancel, is a straight joint 3¼ft. from the east wall probably marking the east jamb of a former 13th-century window, and below it is the remnant of an early stringcourse that is chamfered on its upper edge. The east wall is 3 ft. 10 in. thick and the north wall 4 ft. 6 in. In the middle of each is a rectangular one-light window with moulded jambs and head of two orders and an external label; the internal reveals are half splayed and part squared at the inner edges and have a flat stone lintel. The lights were probably cusped originally. In the west wall is a filled-in square-headed fire-place, perhaps original. Partly in the recess of the east window and partly projecting is an ancient thick stone altarslab showing four of the original five crosses cut in the top. It has a hollow-chamfered lower edge and is supported by moulded stone corbels. South of it in the east wall is a piscina with a trefoiled ogee-head and hood-mould and a quatrefoil basin. The stair-vice that leads up to the story above is in the south-west angle, its doorway being splayed westwards to avoid the doorway to the chancel. In it is an ancient oak door with one-way diagonal framing on the back. The turret projects externally to the west in the angle with the chancel wall; it is square in the lower part but higher is broadened northwards with a splay that is corbelled out below in three courses, the lowest corbel having a trefoiled ogee or blind arch cut in it. The top is tabled back up to the eaves of the chapel west wall. A moulded string-course passes round the projection and there is another half-way up the tabling. The doorway at the top of the spiral stair leading into the upper chamber has an ancient oak door hung with three strap-hinges. The upper priest’s chamber has an east window of two plain square-headed lights, probably altered. In the north wall is a rectangular window that was of two lights but has lost its mullion. Outside it has a false pointed head of two trefoiled ogee-headed lights and leaf tracery, all of it blank, and a hood-mould with human-head stops, one cowled. Apparently this treatment was purely for decorative purposes, like the square-headed windows at Shotteswell and elsewhere. The south wall is pierced by a watching-hole into the chancel, which is fitted with an iron grill and oak shutter: it has been reduced from a larger opening that had an ogee head and hood-mould. There is a square-headed fire-place in the west wall and in the splayed north-west angle is the entrance to a garderobe or latrine, which is lighted by a north loop. The walls are of yellow ashlar and have a plinth of two courses, the upper moulded, a moulded stringcourse at first-floor level, and moulded eaves-courses at the sides. The north wall is gabled and has a parapet with string-course and coping. At the angles are diagonal buttresses of two stages; the lower stage is 2½ft. broad up to the first-floor level, above this the upper stage is reduced to about half the breadth. They support square diagonal pinnacles with restored crocketed finials. The west wall is unpierced but above it is a plain square chimney-shaft with an open-side hood on top. Internally the walls are faced with whitish-brown ashlar. The gabled roof is modern and of two bays. The nave (about 41½ft. by 16½ft.) has north and south arcades of four bays. The easternmost bay on each side, with the first pillar, is of the same detail and date as the chancel arch. They vary in span, the north being about 9 ft. and the south about 10 ft., and in both cases the span is less than those of the older bays. Those on the north side are of 11–12 ft. span and date from the middle of the 12th century. The pillars are circular, the west respond a half-circle, with scalloped capitals, 6 in. high and square in the deep-browed upper part and with a 4½in. grooved and hollowchamfered abacus. The bases are chamfered and stand on square sub-bases. The arches are pointed and of one square order with a plain square hood-mould, The voussoirs are small. The middle parts of the soffits are plastered between the flush inner ends of the voussoirs, suggesting a former inner order, abolished perhaps in a rebuilding of the heads. The same three bays of the south side are of 11 ft. span and of late-12th-century date. The round pillars are rather more slender than the northern, and the capitals are taller, 12 in. high, with long and shallow scallops, and have 4 in. abaci like the northern. The bases are taller and moulded in forms approaching those of the 13th century, on chamfered square sub-bases. The pointed arches are of one chamfered order and their hood-moulds are now flush with the plastered wall-faces above. The half-round west responds of both arcades have been overlapped on the nave side by the east wall of the tower. High above the 14th-century south-east respond is a 15th-century four-centred doorway to the former rood-loft. The stair-vice leading up to it is entered by a four-centred doorway in the east wall of the south aisle. The north aisle (11½ft. wide at the east end and 12½ft. at the west) has an uncommon east window of c. 1300. It is of three plain-pointed rather narrow lights; above the middle light, which has a shorter pointed head than the others, is a circle enclosing a pierced five-pointed star, all in a two-centred head with an external hood-mould having defaced head-stops, and with a chamfered rear-arch. Set fairly close together at the east end of the north wall are two tall windows of c. 1340, each of two trefoiled round-headed lights and foiled leaf-tracery below a segmental-pointed head with an ogee apex, the tracery coming well below the arch. The jambs are of two orders, the outer sunk-chamfered. The lights are wider and the splays of ashlar are more acute than those of the east window. The third window near the west end is narrower and shorter and of two plain-pointed lights and an uncusped spandrel in a two-centred head: it is of much the same date as the east window. The jambs and head are of two hollow-chamfered orders and the fairly obtuse plastered splays have old angle-dressings. The segmental-pointed rear-arch is chamfered. The north doorway, also of c. 1340, has jambs and two-centred head without a hood-mould; the segmental rear-arch is of square section. In it is an 18th-century oak door. The three-light window in the west wall has jambs and splays like those of the north-west but its head has been altered; it is now of three trefoiled ogee-headed lights below a four-centred arch. The chamfered reararch is elliptical. The walls are yellow ashlar with a chamfered plinth and parapets with moulded string-courses and copings that are continued over the east and west gables. Below the sills of the two north-east windows is a plain stringcourse. At the east angle is a pair of shallow square buttresses and a diagonal buttress at the west, all ancient. White ashlar facing is exposed inside between the two north-east windows only, the remainder being plastered. The gabled roof of trussed-rafter type is modern and covered with tiles. The south aisle (13 ft. wide at the east end and 12 ft. at the west) has an east window of three plain-pointed lights, and three plain circles in plate tracery form, in a two-centred head with an external hood-mould having mask stops. The yellow stone jambs and head of two chamfered orders and the wide ashlar splays are probably of the late 13th century; the grey stone mullions and tracery are apparently old restorations but are probably reproductions of the original forms. There are two south windows: the eastern is of two wide cinquefoiled elliptical-headed lights under a square main head with an external label with return stops. The jambs are of two moulded orders, the inner (and the mullion) with small roll-moulds, probably of the 13th century re-used when the window was refashioned in the 15th century. The wide splays are of rubble-work and there is a chamfered segmental reararch. The western is a narrower opening of two trefoiled-pointed lights, with the early form of soffit cusping, and early-14th-century tracery in a twocentred head: the jambs are of two chamfered orders and the wide splays are plastered, with ashlar dressings: the chamfered rear-arch is segmental pointed. The reset south doorway has jambs and pointed head of two moulded orders with filleted rolls and undercut hollows of the early 13th century, divided by a three-quarter hollow more typical of a later period, and all are stopped on a single splayed base. The hoodmould has defaced shield-shaped head-stops. There are four steps down into the church through this doorway. The window in the west wall is like that in the east but the three lights are trefoiled and the three circles in the two-centred head are quatrefoiled: the head is all restored work. The jambs are ancient and precisely like those of the square-headed south window, and the wide splays are of rubble-work. The walls are of yellow fine-jointed ashlar and have plinths of two splayed courses, the upper projecting like that of the east chancel-wall, and plain parapets with restored copings. At the angles are old and rather shallow diagonal buttresses. There are three scratched sundials on the south wall, one, a complete circle, being on a west jambstone of the south-east window. The gabled roof is modern like that of the north aisle. The south porch is built of ashlar like that of the aisle but the courses do not tally and it has a different plinth, a plain hollow-chamfer. The gabled south wall has a parapet with a restored coping. The pointed entrance is of two orders, the inner ovolo-moulded, the outer hollow-chamfered, and has a hood-mould of 13thcentury form. There are side benches. The roof is modern but on the wall of the aisle are cemented lines marking the position of an earlier high-pitched roof at a lower level than the present one. The north porch is of shallower projection. It has a gabled front with diagonal buttresses and coped parapet and a pointed entrance with jambs and head of two chamfered orders, the inner hollow, and a hood-mould with head-stops. The west tower (about 9½ft. square) is of three stages divided by projecting splayed string-courses: it has a high plinth, with a moulded upper member and chamfered lower course, and a plain parapet. The walls are of yellow ashlar, that of the two upper stages being of rather rougher facing and in smaller courses than the lowest stage. At the west angles are diagonal buttresses reaching to the top of the second stage. There are no east buttresses but in the angle of the north wall with the end of the nave is a shallow buttress against the nave-wall. In the south-west angle, but not projecting, is a stair-vice with a pointed doorway in a splay, and lighted by a west loop. The archway to the nave has a two-centred head of two chamfered orders, the inner dying on the reveals, the outer mitring with the single chamfered order of the responds. It has large voussoirs. The wall on either side of the archway is of squared rough-tooled ashlar. The 14th-century west doorway has jambs and pointed head of two wave-moulded orders divided by a three-quarter hollow, and a hood-mould with return stops. The head of the tall and narrow 14th-century west window is carried up into the second stage, its hood-mould springing from the string-course. It is of two trefoiled ogee-headed lights and a quatrefoil in a two-centred head: the jambs are of two chamfered orders. There are no piercings in the second stage, but on the north side is a modern clock face. The bell-chamber has 15th-century windows, each of two lights with depressed trefoiled ogee heads and uncusped tracery in which the mullion line is continued up to the apex of the two-centred head. The jambs are of two chamfered orders and there is no hood-mould. The font is circular and dates probably from the 13th century. It has a plain tapering bowl, a short stem with a comparatively large 13th-century moulding at the top: a short base is also moulded. In the vestry is an ancient iron-bound chest. There are three bells, the first of 1811, the second of 1616, and the tenor of 1602 by Edward Newcombe. The registers begin in 1636.

The oldest parts of the Church of England parish church of Saint John the Baptist are the nave and the arcade of the north aisle, both of which were built late in the 12th century. They are in the transitional style between Norman and Early English. In the 13th century the nave and north aisle were extended westwards by the addition of a fourth bay. In the 14th century a clerestory and a two-bay south aisle were added to the nave and most of the doors and windows were remodelled. Also in the 14th century the interior was decorated with wall paintings including a Pietà, a Saint George and a Doom. The bell tower was built around 1400 and the present Perpendicular Gothic east window of the chancel was added in the 15th century. Many of the wall paintings were painted over with limewash after the English Civil War. The tower has a ring of five bells, all cast by Henry III Bagley of Chacombe in 1741. They are currently unringable because the fourth bell is cracked. St. John's is now one of eight ecclesiastical parishes in the Ironstone Benefice. Non-conformist groups in Hornton included Baptists in the 17th century and Quakers in the 17th and 18th centuries. Hornton had a Primitive Methodist congregation by 1836, which had built its own chapel by 1842. Hornton's present Methodist church was built in 1884.