20의 산 다미아노 알 콜레가지 명소 & 주요 장소

Castello di Cigognola(종종 Cicognola로 검색됨)와 그 유명한 벨베데레(Belvedere)는 Oltrepò Pavese에서 가장 상징적인 역사적 및 경관적 단지 중 하나입니다. Cigognola(Pavia) 자치구의 해발 309m에 위치한 이 단지는 Valle Scuropasso가 평원으로 이어지는 입구를 전략적으로 내려다보고 있습니다. 맑은 날에는 공공 벨베데레에서 Pavia에서 Milan까지 이어지는 놀라운 전망을 감상할 수 있으며, 알프스 산맥 전체와 Monte Rosa까지 볼 수 있습니다.

The patronage of this shrine, dedicated to the Madonna, refers to the town of Loreto. This is one of the great and important Marian pilgrimage sites in Europe, along with Lourdes in the French Pyrenees and Fatima in Portugal. Unlike the other two places mentioned, however, Loreto is not known for apparitions of the Mother of God. Here, pilgrims can find something very tangible: Mary's childhood home in Nazareth (Israel). Her parents—not mentioned by name in the biblical writings of the New Testament—are mentioned in apocryphal traditions: Saint Anne and Saint Joachim are thus the grandparents of Jesus Christ (their common feast day in the calendar of saints is July 26). Crusaders likely dismantled the venerated building in Nazareth and brought it to Europe when the era of the Christian kingdoms in the Holy Land came to an end towards the end of the 13th century. But this very sober assumption is countered by a much more interesting legend: According to this, four angels carried out the translation and flew the house over the Mediterranean.

The Chiesuolo della Madonna di Loreto was built in three successive phases: The rural aedicule from the 15th century with an image of the Virgin of Loreto. The ancient oratory in brick from the 17th century, also dedicated to the Madonna di Loreto. The current church, dating from 1781. Architecture: The church has a single nave with a protiro (covered entrance) and is built of exposed brickwork. Inside there are frescoes and an altarpiece with the Madonna di Loreto. Significance: The Chiesuolo is also called ‘Il Chiesuolo’ and is dedicated to the Madonna of Loreto. It is an important historical testimony and a place of devotion. https://www.lombardiabeniculturali.it/architetture/schede/PV240-01108/

dedicated to Saint Augustine (whose tomb is in Pavia in San Pietro in ciel d'oro), one of the 4 fathers of the Church, patron saint of Spessa, whose feast occurs on the last Sunday of August; beautiful image on the outside on the facade and statue inside.

The origins of this church date back to the 14th century. At that time it was considered an oratory dependent on the parish of San Zenone Po. Later, in the 16th century, it was further expanded and renovated in the Renaissance style. The facade of the church is characterized by four slender pilasters resting on a plinth. The central field contains the main portal, framed by a simple frame. Above the entrance is a painting of Sant'Agostino, after which the church is named. An undecorated architrave separates the two floors, forming a triangular space with a central circular element. Inside, the church has a single nave with a flat ceiling decorated in panels.

Vicobarone, of Roman origins, takes its name from a 'Vicus Varroni' of the imperial era and has been known as "Vici Baruni" since the year 833. Possession of the monastery of Bobbio and considered one of the first organized communities in the area, it expanded thanks to the numerous and important monastic cells of the Bobbio monastery, present in the area. The transformation of the castle dates back to the end of the seventeenth century, carried out by the Marquises Malvicini Fontana who made it an elegant residence with large and well-kept cellars. A final renovation was recently carried out by the current owners who adapted the building to accommodate tourists without altering its architectural characteristics and recovering the thousandth tower in which the "blade well" from the feudal era was located.

The Borgonuovo oppidum was founded in 1196 by the Municipality of Piacenza to defend the western border of its territories, equipped with a fortress, towers and city walls with an escarpment and fortified entrances. In the current complex, built entirely of bricks, the fortress and the receptacle can clearly be distinguished. These buildings together with the church and the pilgrims' hospital once formed the village of Calendasco. The body of the fortress has typical elements of fourteenth-century Po Valley castles, such as the sawtooth motif combined with the crowning of small windows with segmental arches. The deep moat, the entrance, once equipped with a drawbridge as can be seen from the recesses of the ravelin, and the pusterla, or small door, with drawbridge access are still visible. To the south is a semicircular tower much higher than the rest of the building; the north-east wing, equipped with a scarp and with a rustic appearance and lack of homogeneity, dates back to a later period. The entrance hall, covered by a cross vault decorated with sixteenth-century frescoes, leads into the courtyard where a portico with three arches is visible. The receptacle, a rustic body with small arched windows and a decorative sawtooth motif, is outside the moat, near the bridge-beater.

Fortress of Borgonovo Valtidone The Borgonuovo oppidum was founded in 1196 by the Municipality of Piacenza to defend the western border of its territories, equipped with a fortress, towers and city walls with an escarpment and fortified entrances. In the current complex, built entirely of bricks, the fortress and the receptacle can clearly be distinguished. These buildings together with the church and the pilgrims' hospital once formed the village of Calendasco. The body of the fortress has typical elements of fourteenth-century Po Valley castles, such as the sawtooth motif combined with the crowning of small windows with segmental arches. The deep moat, the entrance, once equipped with a drawbridge as can be seen from the recesses of the ravelin, and the pusterla, or small door, with drawbridge access are still visible. To the south is a semicircular tower much higher than the rest of the building; the north-east wing, equipped with a scarp and with a rustic appearance and lack of homogeneity, dates back to a later period. The entrance hall, covered by a cross vault decorated with sixteenth-century frescoes, leads into the courtyard where a portico with three arches is visible. The receptacle, a rustic body with small arched windows and a decorative sawtooth motif, is outside the moat, near the bridge-beater.