20의 산 다미아노 알 콜레가지 명소 & 주요 장소

The patronage of this shrine, dedicated to the Madonna, refers to the town of Loreto. This is one of the great and important Marian pilgrimage sites in Europe, along with Lourdes in the French Pyrenees and Fatima in Portugal. Unlike the other two places mentioned, however, Loreto is not known for apparitions of the Mother of God. Here, pilgrims can find something very tangible: Mary's childhood home in Nazareth (Israel). Her parents—not mentioned by name in the biblical writings of the New Testament—are mentioned in apocryphal traditions: Saint Anne and Saint Joachim are thus the grandparents of Jesus Christ (their common feast day in the calendar of saints is July 26). Crusaders likely dismantled the venerated building in Nazareth and brought it to Europe when the era of the Christian kingdoms in the Holy Land came to an end towards the end of the 13th century. But this very sober assumption is countered by a much more interesting legend: According to this, four angels carried out the translation and flew the house over the Mediterranean.

The Chiesuolo della Madonna di Loreto was built in three successive phases: The rural aedicule from the 15th century with an image of the Virgin of Loreto. The ancient oratory in brick from the 17th century, also dedicated to the Madonna di Loreto. The current church, dating from 1781. Architecture: The church has a single nave with a protiro (covered entrance) and is built of exposed brickwork. Inside there are frescoes and an altarpiece with the Madonna di Loreto. Significance: The Chiesuolo is also called ‘Il Chiesuolo’ and is dedicated to the Madonna of Loreto. It is an important historical testimony and a place of devotion. https://www.lombardiabeniculturali.it/architetture/schede/PV240-01108/

dedicated to Saint Augustine (whose tomb is in Pavia in San Pietro in ciel d'oro), one of the 4 fathers of the Church, patron saint of Spessa, whose feast occurs on the last Sunday of August; beautiful image on the outside on the facade and statue inside.

The origins of this church date back to the 14th century. At that time it was considered an oratory dependent on the parish of San Zenone Po. Later, in the 16th century, it was further expanded and renovated in the Renaissance style. The facade of the church is characterized by four slender pilasters resting on a plinth. The central field contains the main portal, framed by a simple frame. Above the entrance is a painting of Sant'Agostino, after which the church is named. An undecorated architrave separates the two floors, forming a triangular space with a central circular element. Inside, the church has a single nave with a flat ceiling decorated in panels.

The Rocca di Pianello is believed to have been built towards the end of the fourteenth century, perhaps adapting a pre-existing 10th century fortress, destroyed by Federico Barbarossa in 1164. The reconstruction probably took place following the Visconti investiture of Jacopo Dal Verme in 1378. The irregular plan of the The building is perhaps due to the need to place a late medieval extension to the only tower of which we traditionally have memory. The owners made important changes in the 17th century, transforming it into a private home; today the building houses the Municipality of Pianello and the Archaeological Museum of Val Tidone, which houses the fundamental evidence that emerged from excavations in the area.

The Borgonuovo oppidum was founded in 1196 by the Municipality of Piacenza to defend the western border of its territories, equipped with a fortress, towers and city walls with an escarpment and fortified entrances. In the current complex, built entirely of bricks, the fortress and the receptacle can clearly be distinguished. These buildings together with the church and the pilgrims' hospital once formed the village of Calendasco. The body of the fortress has typical elements of fourteenth-century Po Valley castles, such as the sawtooth motif combined with the crowning of small windows with segmental arches. The deep moat, the entrance, once equipped with a drawbridge as can be seen from the recesses of the ravelin, and the pusterla, or small door, with drawbridge access are still visible. To the south is a semicircular tower much higher than the rest of the building; the north-east wing, equipped with a scarp and with a rustic appearance and lack of homogeneity, dates back to a later period. The entrance hall, covered by a cross vault decorated with sixteenth-century frescoes, leads into the courtyard where a portico with three arches is visible. The receptacle, a rustic body with small arched windows and a decorative sawtooth motif, is outside the moat, near the bridge-beater.

The Rocca di Pianello is believed to have been built towards the end of the fourteenth century, perhaps adapting a pre-existing 10th century fortress, destroyed by Federico Barbarossa in 1164. The reconstruction probably took place following the Visconti investiture of Jacopo Dal Verme in 1378. The irregular plan of the The building is perhaps due to the need to place a late medieval extension to the only tower of which we traditionally have memory. The owners made important changes in the 17th century, transforming it into a private home; today the building houses the Municipality of Pianello and the Archaeological Museum of Val Tidone, which houses the fundamental evidence that emerged from excavations in the area.

Fortress of Borgonovo Valtidone The Borgonuovo oppidum was founded in 1196 by the Municipality of Piacenza to defend the western border of its territories, equipped with a fortress, towers and city walls with an escarpment and fortified entrances. In the current complex, built entirely of bricks, the fortress and the receptacle can clearly be distinguished. These buildings together with the church and the pilgrims' hospital once formed the village of Calendasco. The body of the fortress has typical elements of fourteenth-century Po Valley castles, such as the sawtooth motif combined with the crowning of small windows with segmental arches. The deep moat, the entrance, once equipped with a drawbridge as can be seen from the recesses of the ravelin, and the pusterla, or small door, with drawbridge access are still visible. To the south is a semicircular tower much higher than the rest of the building; the north-east wing, equipped with a scarp and with a rustic appearance and lack of homogeneity, dates back to a later period. The entrance hall, covered by a cross vault decorated with sixteenth-century frescoes, leads into the courtyard where a portico with three arches is visible. The receptacle, a rustic body with small arched windows and a decorative sawtooth motif, is outside the moat, near the bridge-beater.