베빌 르 콩트 주변 최고의 교통량 없는 자전거 라이딩 코스

샤르트르 순례길에 위치한 오르팽 교구는 몽포르, 프륀레 백작, 포르-루아얄, 샤르트르 주교령의 경계에 있었습니다. 네 개의 요새로 둘러싸인 이 마을은 보스의 밀밭에서 나는 금빛 밀에서 유래한 '오르팽'이라는 이름을 갖게 되었습니다. 생 모네공드 교회는 11세기에 세워졌고 16세기에 교구로 지정되었습니다. 골조는 1552년, 종은 1556년에 만들어졌습니다. 17세기의 다색 나무 조각상인 아빌라의 성녀 테레사 상이 성가대석 근처에 있습니다. 또한 기둥에는 몽포르의 사자를 나타내는 문장이 있습니다. 예배당과 종탑은 건물 나머지 부분보다 오래되었을 수 있습니다. 큰 신랑은 작은 측면 신랑의 확장으로 인한 것일 수 있습니다. 실제로 측면 신랑과 중앙 기둥은 교회의 다른 요소보다 오래된 것으로 보입니다. 교회는 19세기 말에 큰 화재로 큰 신랑의 볼트가 파괴되고 남쪽 벽이 손상되어 재건되었습니다. 현재의 스테인드글라스는 1914년 샤르트르의 유리 공예가인 샤를 로랭이 제작했습니다. 인물들은 기증자들의 모습으로 묘사되어 있습니다. 성수반은 16세기로 묘사되어 있지만 아마도 더 오래되었을 것입니다. 17세기와 19세기의 여러 그림이 교회 벽을 장식하고 있습니다. 주 제단과 성 요셉 제단은 1850년대에 만들어졌습니다.

The church of Bleury, dedicated to Saint Martin, probably dates from the end of the Middle Ages. It was remodeled and enlarged in the 16th century by the addition of a large chapel on the north side. The nave ends with a semicircular apse. The chapel to the north is extended by a square bell tower which once opened onto the nave through an arch that is now blocked but still visible. The chapel opens onto the nave through two pointed arches made of recently rendered clotted stone. It communicated with the ground floor of the courtyard through an arch that is now closed. Another filled-in arch appears on the wall between the chapel and the lower room of the courtyard. The church is covered with a paneled roof. A single beam is sculpted, the penultimate one on the west side. It supported, with the beam resting on the facade wall, a recently demolished gallery. Some of the nave's semi-circular windows are late, and the pointed arch openings have Gothic tracery. The square bell tower has a saddleback roof. It is pierced with pointed arch openings. Access to the building is from the south, under a modern porch that houses a portal surmounted by a shield with three fleurs-de-lis. A stone cornice runs under the roof to the south, supported by unsculpted modillions. Two 18th-century altarpieces were included in the Supplementary Inventory of Historic Monuments on June 17, 1975. 16th-century wall paintings depict the Mass of Saint Gregory. They were discovered in 1881 and classified as Historic Monuments on November 17, 1908. Their preservation is currently threatened by infiltration due to the poor condition of the roof structure. The Sauvegarde de l’Art Français provided aid of 75,000 F in 1994, thus contributing to the repairs undertaken to restore the framework, which will allow the walls to be cleaned up.

Don't be surprised if you spot flamingos 🦩 on the banks of the pond. They're still there, despite the park being closed for many years.

Unfortunately, the church was not accessible when I visited (mid-September 2024). You could only look in through a gate and the dance of death depictions on the left side were not really visible. In front of them were transparencies with skeleton drawings. Maybe those were the depictions...

Built at the beginning of the 20th century, it was consecrated in 1903. It replaced an old 12th century church, contemporary with a convent of which only the chapel dedicated to the three Marys remains today. It is decorated with stained glass windows by master glassmaker Lorin: three windows (on the right) are dedicated to the appearance of Christ to the Saints Mary and three windows (on the left) to the apparitions of the Virgin at La Salette in the Alps in Isère in 1846. The patron saints of the church, Saint Gervais and Saint Protais appear on the stained glass windows of the choir. In 2003 the centenary of the church was celebrated and in 2004, two glass roofs, made by the Petit workshops of La Bourdinière Saint Loup, were mounted on the second level of the nave: the resurrection of Lazarus and the healing of the paralytic. It preserves an organ from 1892, by the maker Louis Delierre, from Nantes. The church of Mignières receives pilgrims faithful to the three holy Marys of the Gospel (Marie-Jacobé, Marie-Magdeleine and Marie-Salomé) on May 22, July 22 and October 22.

Coming from Berchères la Maingot, Place Pasteur, the farm is on the left, you have to enter the courtyard, and it is again on the left.

Bench, greenery, river and shade for a bite to eat or a break.

Composed of a Romanesque nave with flat buttresses placed symmetrically on each side (typical of the end of the 11th century or the first half of the 12th century), it was completely remodeled in the 16th century and the end of the 20th century. The bays of the nave are from the 15th century, in flamboyant Gothic style, as is the rose window. The span of the bell tower and the choir, with ribbed vaults, date from the end of the 15th or beginning of the 16th century. As early as the 16th century, the bell tower had a clock, quite rare and expensive for the time. The pillars of the central bay are richly molded and crowned with thin bands of foliage serving as capitals. The windows are decorated with flamboyant tracery of varied designs. The Romanesque portal was also remodeled in the 16th century. The powerful central bell tower with buttresses [formerly had three bells named PIC DAN JON. There will only be one left after the Revolution, the other two having been melted down to make cannons and ammunition.