에쉬본 최고의 사이클링 경로

아름다운 땅과 성공적인 자연 복원의 훌륭한 본보기입니다! 본받아야 합니다!

My personal highlight of today's tour through new areas! The renaturalized Sulzbach stream in the tranquil park (despite being in the heart of Frankfurt and adjacent to the A66 motorway) is truly inviting and perfect for relaxing and taking a breather. It's always amazing what hidden gems Frankfurt has to offer!

The Main-Taunus Arboretum is a park-like woodland landscape of approximately 76 hectares located between Eschborn, Schwalbach, and Sulzbach. It was established in the early 1980s as compensatory reforestation for the expansion of Frankfurt Airport on the site of a former airfield. Today, over 600 species of trees and shrubs from the temperate regions of the Northern Hemisphere grow here. Instead of individual display trees, complete forest communities have been planted, allowing visitors to experience a small "botanical world tour" through forests from Europe, North America, and Asia along its walking paths. The freely accessible arboretum combines nature experiences, environmental education, and recreation and is considered one of the most important tree collection areas in the region – a tranquil, green contrast to the nearby metropolis of Frankfurt.

Especially during the summer months, and particularly on weekends, the paths along the Nidda river are very busy.

The Old Airfield (formerly Maurice Rose Airfield) in Frankfurt's Green Belt is a former American military airfield used until 1992. It covers an area of approximately 4.5 hectares and lies within the districts of Frankfurt-Bonames and Frankfurt-Kalbach-Riedberg. After its closure, it was transformed into a nature and recreation area in 2003/04 by the "Green Belt" project group and the GTL Landscape Architects office, for which they received the German Landscape Architecture Prize in 2005.

The sculpture "The Circle" opens to the east, towards the light. Sculptor Thomas Link defines this direction by the axis from the sound stele in the center of the circle to the pair of steles outside. These cast long shadows, with a bright line at their center. The sound stele opposite opens to the wind, transforming the moving air into sound. The panoramic trail is part of the regional park's circular route and connects the Bad Weilbach park with the wine village of Wicker over a distance of almost 1.5 kilometers. On clear days, the view extends as far as the Odenwald forest. In the Middle Ages, the "Kasteler Landwehr," the border and defensive fortification protecting the territory of the Electorate of Mainz, ran along this route. In the summer of 1998, five artists created five large stone sculptures along the panoramic trail. The regional park society invited not only Thomas Link from Issing near Munich, who created the circle of stones from basalt, to this plein air sculpture symposium. Hubert Maier, Gerard Höweler, Georg Hüter, and Ingrid Hornef also used the six-week project period to create charismatic works. The goal of the international open-air artists' workshop was not only to enhance the inspiring surroundings with monumental objects. The public also had the opportunity to engage in conversation with the artists during the creative process. This participation and understanding of the artists' thoughts during the creation of the objects ensured the project's great success. Link, for example, explains: "What the eye sees in the surroundings—the movement of grasses and leaves—is simultaneously experienced by the viewer as a sound that swells and recedes with the breath of the wind." The spheres rest around a central point. They bear semi-circular depressions, whose positions indicate directions in space. "This sphere is dedicated to the earth, to the interplay of darkness and incoming light." Each sphere is part of the whole and yet stands alone. Beyond this, the view extends into the landscape, changing from place to place in a circular pattern. “The stones rest, gathered around the center,” they point to direction and space: “Into this structure, humankind enters and finds its place.” None of the stones, not even those of the other artists, are placed by chance along the path. All reflect the landscape in which and for which they were created. It is about knowledge and feeling, about culture and nature, about noise (including aircraft noise) and silence, about the hustle and bustle of life and about finding peace. [The following appears to be a separate, unrelated sentence fragment:] [The following appears to be a separate, unrelated sentence fragment:] [The following appears to be a separate, unrelated sentence fragment:] [The following appears to be a separate, unrelated sentence fragment:] None of the stones, not even those of the other artists, are placed by chance along the path. All of them reflect the landscape in which and for which they were created. It is about knowledge and feeling, about culture and nature, about noise (including aircraft noise) and silence, about hurried life and about finding peace. [The following appears to be a separate, unrelated sentence fragment:] ...

a romantic view of the Nidda in the former Buga area in the current Niddapark

PANORAMIC TRAIL: CIRCLES OF STONES, EAST STELE / FLÖRSHEIM The sculpture "The Circle" opens to the east, toward the light. Sculptor Thomas Link defines this direction by creating an axis from the sound stele inside the circle to the pair of steles outside. These cast long shadows, forming a bright line at their center. The sound stele opposite opens to the wind, transforming the moving air into sound. The panoramic trail is part of the Regional Park Circular Route and, stretching almost 1.5 kilometers, connects Bad Weilbach Park with the wine-growing town of Wicker. On clear days, the view extends as far as the Odenwald Forest. In the Middle Ages, the "Kasteler Landwehr," the border and defense fortification protecting the territory of the Electorate of Mainz, ran here. In the summer of 1998, five artists created five large stone objects along the panoramic trail. The Regional Park Society invited not only Thomas Link from Issing near Munich, who formed the circle of basalt stones, to this open-air sculpture symposium. Hubert Maier, Gerard Höweler, Georg Hüter, and Ingrid Hornef also used the six-week project period to create charismatic works. The goal of the international open-air artists' workshop was not only to enhance the inspiring surroundings through the monumental objects. Citizens also had the opportunity to engage in conversation with the artists during the creation process. This presence and insight into the thoughts behind the work on the objects ensured the project's great popularity. Link, for example, explains: "What the viewer sees in the surrounding area, the movement of the grass and leaves, is simultaneously experienced by the observer as a sound that rises and falls with the breath of the wind." The spheres rest around a center. They bear half-shell circular depressions, whose positions indicate directions in the space. "This sphere is dedicated to the earth, the field of tension between darkness and incident light." Each sphere is part of the whole and at the same time separate. Beyond it, the view extends into the landscape forms, changing from place to place in a circle. "The stones rest, gathered, around the center," they point to direction and space: "Humans enter this structure and find their place." None of the stones, including those of the other artists, are placed by chance along the path. All reflect the landscape in which and for which they were created. It is about knowledge and sensation, about culture and nature, about noise (including aircraft noise) and silence, about hurried life and about finding peace.