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The original Marian shrine "La Salette," which is referred to in this patronal feast, is located in the French Alps (Grenoble district) and is an important Marian shrine, even if it has not achieved the same level of fame as other pilgrimage sites honoring the Mother of God—such as Lourdes in the French Pyrenees or Fatima in Portugal. The hiking highlight "La Salette" can be found on komoot at the following link =>> https://www.komoot.com/de-de/highlight/1861054

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The church dedicated to Saint Christopher was under the patronage of the Abbey of Saint-Père de Chartres in the 12th century. Of Romanesque origin, the building was extensively enlarged and remodeled during the 16th and 19th centuries; it is currently undergoing a general restoration. This church owes its fame to the automobile pilgrimage held on the last Sunday in July. The single-aisled building, preceded by a porch, consists of a nave and a choir with a recessed flat chevet. To the south are the bell tower and a chapel. The use of traditional materials in this part of Normandy—flint and grison, a locally quarried ferruginous stone—indicates that the oldest parts of the building are of medieval origin. The nave is built of rubble masonry (grison and flint) set in mortar. In dressed stone, Grison was used to form, on one side, the corners of the exposed gable of the nave and, on the other, the corner buttresses, to frame the small arched openings, since walled up but still visible on the north and south walls, as well as the pointed arch of the portal. The same approach is found in the choir. The elevations are finished with a quarter-round cornice, part of which is also made of Grison stone. The use of brick corresponds to the 19th-century interventions, in two phases of work whose completion date is unknown. An examination of the construction reveals a first phase of repairs to the openings, particularly in the choir and nave, where large rectangular openings with curved lintels were created, the bricks of which are light in color. This was followed by further interventions with pointed arched openings framed in purplish brick, some of which replaced the rectangular openings of the previous phase. The porch features an ornate gable of light-colored, rendered brickwork, flanked by brick and chipped flint pilasters, and pierced by a central bay framed in brick and topped with a niche; the side sections are timber-framed on a masonry base. The southern flank of the building was added during the 16th century to a vast chapel and a bell tower, made of rubble blockwork, in which bays are pierced, framed in limestone, with curved profiles in the case of the bell tower. Restoration work has revealed several molded courses on the south face of the chapel, corresponding to a bay removed during later restorations, which confirm the dating of this part of the building. This chapel opens onto the nave through a large arcade adorned with several rows of moldings, resting on simple square piers devoid of decoration, with animal figures (reused?) at their bases, unearthed during the restoration work. The interior is remarkably simple, with whitewashed walls and geometric stained-glass windows. Only the choir is more ornate; its entrance is marked by a stone arch resting on hexagonal piers with historiated capitals, where a sculpted frieze of foliate ornaments, figures, and a coat of arms unfolds. The church has a painted faux-marble altarpiece, above which are visible traces of incomplete wall paintings depicting draperies. The rafter frame forming a truss was straightened and reinforced by restoring the removed or weakened kingposts and tie beams. According to tradition, the carpenters left the mark of their work by sculpting a scalloped ... The bell tower's belfry has also undergone a complete restoration. For this restoration, designed to strengthen the church and enhance its architecture, the Sauvegarde de l'Art Français (French Art Protection Agency) granted €10,000 in 2005.

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The church of Cintray has been listed as a historical monument since June 15, 1920. This building contributes to the beauty of the Eure landscapes and the richness of France's heritage. Over the centuries, the buildings that have been grafted or agglomerated in the surrounding area have been built within the framework of a social structure: the parish. These buildings constitute references in terms of local architecture, because they are often made with local materials: tiles or slates (from the 19th century), stones (flint, Grison, Seine Valley, sandstone, etc.), bricks or cob, lime plaster and nearby sand or earth. This gives colors that often range from beige to brown or red, and volumes perfectly suited to the Normandy climate (roof slopes, etc.). These churches have been the subject of specific analysis because their surroundings are not completely urbanized. The empty spaces or breathing spaces nearby help preserve their setting. The site of the church is very interesting because, located between the Iton and the very refined village square, it offers, to the south, large visual openings onto the monument. These spaces, little or not urbanized, must be preserved.

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The church was built in 1865 by Father Migorel, who supposedly had three visions of a church to be built on a hilltop at the junction of three roads. It was consecrated in 1867 and opened for worship. The octagonal tower, erected in 1871, is decorated with polychrome bricks and topped with four turrets housing statues of archangels.

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Located in the center of the village, it is dedicated to two twin brothers, Saint Gervais and Saint Protais, who were martyred in the 2nd century in Milan. Its construction dates from the 12th century. At that time, it included the flat-saddle nave and the choir. In the 15th and 16th centuries, it was completed by the south aisle and the ceiling covering. The south aisle was listed in July 1932, and the entire church has been listed since September 2011.

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Église Saint Madeleine is a church where beautiful various statues of Saints, famous and less famous. The reason for so many different statues is that the school of sculpture was established here.

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Possibility of taking a walk in the park adjoining this beautiful ruin.

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Town hall of the small village of Lande sur Eure with its small war memorial

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