RoutesRoad cycling routesFranceCentre-Val de LoireVendômeSaint-Agil
Château de Montmirail – Montmirail Castle loop from Saint-Agil
RoutesRoad cycling routesFranceCentre-Val de LoireVendômeSaint-Agil
Château de Montmirail – Montmirail Castle loop from Saint-Agil
Moderate
3
riders
Château de Montmirail – Montmirail Castle loop from Saint-Agil
02:38
52.5km
460m
Road cycling
Moderate road ride. Good fitness required. Mostly well-paved surfaces and easy to ride. The starting point of the route is right next to a parking lot.
Last updated: April 20, 2026
Tips
Includes a segment that goes up or down a series of steps
You may need to carry your bike.
After 32.0 km for 10 m
Waypoints
A
Start point
Parking
Get Directions
1
35 m
Saint Fiacre Church
Highlight • Other
The church has a very pretty Renaissance-style choir entrance. Certain stained glass windows, the woodwork of the choir, the altarpieces and the font are classified.
The current church, rectangular in plan, replaced a 12th century building. The flat bedside and the north wall, equipped with Romanesque windows and slightly projecting buttresses, date from this period. It was rebuilt and probably enlarged in the first half of the 16th century. It was then covered with beautiful paneling, the beams of which bear the arms of the Vove, lords of Saint-Agil. The church is also flanked to the south by a seignorial chapel of two bays opening onto the nave with two molded semi-circular arches: its ribbed vaults, with eight ribs leading to the four peaks of a central diamond, are each decorated with four sculpted pendant keys, one of which also bears the arms of the Vove; the date 1547 can be read on its door. The church is currently preceded by a bell tower built in 1886 by Mr. Travaillard, an architect in Saint-Calais.
A window to the south of the choir has preserved a partly restored 16th century stained glass window, representing Saint-Agil and Saint-Fiacre, and one of the windows of the seigneurial chapel has another, representing the Nativity, the Adoration of the Shepherds and the Adoration of the Magi; the other window of this chapel has a modern stained glass window retaining some old fragments in the speckles. The choir was decorated with woodwork including an entrance arcade surmounted by a crucifix, stalls, a communion table and an altarpiece, the latter dated 1734. We can also point out a font decorated with balusters and of a skull (1552), the poetic epitaph of Catherine-Geneviève de Verthamont (1740), a painting representing a martyr (17th century), a Louis XV console and a Venetian glass chandelier.”
The current church, rectangular in plan, replaced a 12th century building. The flat bedside and the north wall, equipped with Romanesque windows and slightly projecting buttresses, date from this period. It was rebuilt and probably enlarged in the first half of the 16th century. It was then covered with beautiful paneling, the beams of which bear the arms of the Vove, lords of Saint-Agil. The church is also flanked to the south by a seignorial chapel of two bays opening onto the nave with two molded semi-circular arches: its ribbed vaults, with eight ribs leading to the four peaks of a central diamond, are each decorated with four sculpted pendant keys, one of which also bears the arms of the Vove; the date 1547 can be read on its door. The church is currently preceded by a bell tower built in 1886 by Mr. Travaillard, an architect in Saint-Calais.
A window to the south of the choir has preserved a partly restored 16th century stained glass window, representing Saint-Agil and Saint-Fiacre, and one of the windows of the seigneurial chapel has another, representing the Nativity, the Adoration of the Shepherds and the Adoration of the Magi; the other window of this chapel has a modern stained glass window retaining some old fragments in the speckles. The choir was decorated with woodwork including an entrance arcade surmounted by a crucifix, stalls, a communion table and an altarpiece, the latter dated 1734. We can also point out a font decorated with balusters and of a skull (1552), the poetic epitaph of Catherine-Geneviève de Verthamont (1740), a painting representing a martyr (17th century), a Louis XV console and a Venetian glass chandelier.”
Translated by Google •
Tip by
2
3.77 km
Church of Our Lady of the Assumption-Nativity
Highlight • Religious Site
The church, which remained in the diocese of Chartres in the 18th century, belonged to the Abbey of Saint-Calais. Built in the 12th century, it consists of a single nave continued by a semicircular apse. The semicircular portal is surmounted by a consecration cross. Several pointed bays were pierced in the 15th century. In the 16th century, the church was enriched with paneling with exposed beams.
In the sacristy behind the high altar, a beam sculpted with nails, crowns of thorns, fighters, monsters and coats of arms supports the altarpiece. It dates from the 16th century and most likely comes from a half-timbered house.
In the sacristy behind the high altar, a beam sculpted with nails, crowns of thorns, fighters, monsters and coats of arms supports the altarpiece. It dates from the 16th century and most likely comes from a half-timbered house.
Translated by Google •
Tip by
3
5.78 km
Église de Notre Dame Saint Louis de Arville
Highlight • Other
This church was originally supposed to be a simple chapel of the commandery, founded in the 12th century by the Templars, forming one side of the courtyard that groups the buildings. The monumental 15th century porch is flanked by two brick towers. The nave ends with a semi-circular apse covered in a cul-de-four.
Construction periods:
12th century, 13th century, 15th century
Construction periods:
12th century, 13th century, 15th century
Translated by Google •
Tip by
4
14.0 km
Saint Anne Church
Highlight • Religious Site
The parish church dedicated to Saint Anne, perhaps more anciently to the Virgin, depended on the diocese of Chartres. This former possession of Ganelon, treasurer of Saint-Martin de Tours in the 11th century, was undoubtedly part of the important donation made by his descendants Eudes and Rahier de Montigny for the benefit of the chapter of Chartres Cathedral around 1160.
This Romanesque building, 35 m long, with a single nave and flat apse, reinforced with buttresses and lit by round-arched windows splayed internally and simply chamfered towards the outside, was never vaulted in stone: it is covered with 'a paneled vault. The masonry is entirely made of Grison stone, including the frames, giving an austere appearance specific to this region of Perche.
We enter to the west through a semi-circular door with a double arch into the lower room of a bell tower-porch established later inside the original nave. The upper part of this bell tower was pierced with semi-circular bays. The eastern one was obstructed during the installation of the high roof of the nave and the bells were placed above in a belfry under a frame. The interior of the building was in fact covered as a whole by a paneled vault with molded beams and punches from the 16th century.
In the 17th century, the entire back of the choir was decorated with a large altarpiece with columns and pilasters, paintings and sculptures, of great decorative effect. A curious set of carpentry from the same period presents above a confessional a paneled pulpit surmounted by a large sounding board. Note in the furniture a carved Gothic canopy from the beginning of the Renaissance and on the glory beam a carved wooden calvary from the same period. The 19th century. added a gallery, repainted the vault and provided the windows with stained glass.
This Romanesque building, 35 m long, with a single nave and flat apse, reinforced with buttresses and lit by round-arched windows splayed internally and simply chamfered towards the outside, was never vaulted in stone: it is covered with 'a paneled vault. The masonry is entirely made of Grison stone, including the frames, giving an austere appearance specific to this region of Perche.
We enter to the west through a semi-circular door with a double arch into the lower room of a bell tower-porch established later inside the original nave. The upper part of this bell tower was pierced with semi-circular bays. The eastern one was obstructed during the installation of the high roof of the nave and the bells were placed above in a belfry under a frame. The interior of the building was in fact covered as a whole by a paneled vault with molded beams and punches from the 16th century.
In the 17th century, the entire back of the choir was decorated with a large altarpiece with columns and pilasters, paintings and sculptures, of great decorative effect. A curious set of carpentry from the same period presents above a confessional a paneled pulpit surmounted by a large sounding board. Note in the furniture a carved Gothic canopy from the beginning of the Renaissance and on the glory beam a carved wooden calvary from the same period. The 19th century. added a gallery, repainted the vault and provided the windows with stained glass.
Translated by Google •
Tip by
5
31.7 km
Church of Our Lady of the Assumption of Montmirail
Highlight • Religious Site
The Romanesque nave is the oldest part of the church. The choir has a stone vault with ribbed ribs, divided into two bays, in the upper part of the main altar. The stained glass window is from the beginning of the 16th century, it represents the marriage, in 1505, of Marie de Melun and John of Bruges with, behind the two figures, Saint John and the Virgin.
The Gothic style sink dates from the 16th century, with a main shelf hollowed out by two round bowls. On the sides are two columns with small carved capitals.
In 1625, addition of a side nave. In the 19th century, construction of the castle chapel and the sacristy, then modification of the choir. In 1505 John of Bruges had the choir rebuilt for his wedding.
The Notre-Dame de l'Assomption church dates from various periods. The church was built in the 15th and 16th centuries.
Originally dependent on the bishopric of Chartres, the parish of Montmirail was only attached to the bishopric of Le Mans in 1801.
The Gothic style sink dates from the 16th century, with a main shelf hollowed out by two round bowls. On the sides are two columns with small carved capitals.
In 1625, addition of a side nave. In the 19th century, construction of the castle chapel and the sacristy, then modification of the choir. In 1505 John of Bruges had the choir rebuilt for his wedding.
The Notre-Dame de l'Assomption church dates from various periods. The church was built in the 15th and 16th centuries.
Originally dependent on the bishopric of Chartres, the parish of Montmirail was only attached to the bishopric of Le Mans in 1801.
Translated by Google •
Tip by
6
31.9 km
Château de Montmirail
Highlight • Castle
The castle of Montmirail is a striking example of the castles of the region. The good news is that you can stay there if you wish, as the castle is now open to the public as a hotel. Make it a weekend run or just appreciate its beauty as you pass by.
Translated by Google •
Tip by
7
31.9 km
Montmirail Castle
Highlight • Castle
The castle of Montmirail is a striking example of the castles of the region. The good news is that you can stay there if you wish, as the castle is now open to the public as a hotel.
Translated by Google •
Tip by
B
52.5 km
End point
Parking
Way Types & Surfaces
Way Types
50.9 km
1.55 km
< 100 m
< 100 m
Surfaces
28.6 km
23.8 km
< 100 m
< 100 m
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Elevation
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Highest point (240 m)
Lowest point (110 m)
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Weather
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Monday 25 May
33°C
16°C
0 %
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Max wind speed: 5.0 km/h
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