4.3
(94)
2,017
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83
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마지막 업데이트: 3월 6, 2026
5.0
(2)
153
자전거 타는 사람
50.2km
03:45
1,190m
1,190m
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5.0
(2)
110
자전거 타는 사람
41.4km
03:10
950m
950m
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5.0
(1)
31
자전거 타는 사람
32.9km
02:13
530m
530m
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5.0
(1)
27
자전거 타는 사람
33.0km
02:31
850m
850m
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5.0
(1)
22
자전거 타는 사람
20.9km
01:53
500m
500m
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이미 komoot 계정이 있나요?
투어 추천은 다른 사람들이 komoot에서 완료한 수천 개의 활동을 바탕으로 구성되어 있습니다.
Brusson is a renowned mountain resort, renowned for its tranquil atmosphere and Alpine landscapes. Its heart is the lake, an easily accessible body of water perfect for relaxing walks, picnics, and outdoor activities. In winter, the town becomes a hub for cross-country skiing.
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Main entrance to the Oasi Zegna, from which many paths start, including the "Bosco del Sorriso" path and others
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Origins and reconstruction The first evidence of the church dates back to the 12th century, with a mention in a papal bull of Alexander III in 1176. The original building, from the Gothic era, was oriented on the east-west axis and had an apse structure facing east. Over the centuries, the church underwent several modifications, until a complete reconstruction between 1870 and 1873, designed by the architect Giuseppe Lancia. During the restoration work in 2010, the foundations and perimeter walls of the ancient church emerged, visible today through a glass window in the crypt. Architecture and decorations The facade of the church is distinguished by a large central portico with a pointed arch, surmounted by a triangular tympanum. Above the main portal, a large fresco depicts San Maurizio dressed as an Egyptian general. The two lateral sections of the facade house niches with statues of saints. Inside, the single nave is decorated by the Artari brothers of Verrès, well-known local artists. The church preserves four wooden altars from the 18th century, coming from the ancient structure, and a reliquary from the 15th century. Particularly significant is the statue of the Pietà, in carved and painted wood, dating back to the 16th century. The pulpit, carved in panels, dates back to the first half of the 19th century. The high altar and the organ The high altar houses an altarpiece dedicated to San Maurizio, made in 1931 by the painter Carlo Morgari, known for his works in numerous churches in the Aosta Valley. The wooden choir is a 19th-century work by Reirosa d'Ivrea, while the organ, built in 1896 by the Vegezzi-Bossi company of Turin, is composed of about 1000 pipes and is used during concerts and celebrations. The view from the churchyard Looking out from the churchyard, the view opens onto a wide and suggestive panorama. Brusson stretches gently into the valley below, framed by the larch and fir woods that cover the slopes. In the distance, the peaks of the Val d’Ayas dominate the horizon, often snow-capped even in spring.
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Going up from Saint Vincent, a pleasant climb with glimpses of the valley below, stock up on water at the start of the climb 💪
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ancient building astride the road designed to shelter wayfarers. Finally being renovated
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Rectangular shaped vertical stone plaque with black engravings forming part of a small monument located at the beginning of the bridge that allows entry into San Paolo Cervo
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