아이마빌 최고의 사이클링 경로

Pila는 해발 약 1,800미터에 위치한 산악 지역으로, 아오스타 위에 있으며 겨울 스포츠와 여름 활동으로 모두 유명합니다. 그 위치 덕분에 전망이 뛰어난 곳입니다. 맑은 날에는 몽블랑에서 체르비노, 몬테 로사까지 발도스타 알프스 산맥의 상당 부분을 조망할 수 있습니다.

그레산은 아오스타 관문에 있는 코무네로, 도라 발테아의 오른쪽 지형에 위치하며 계곡의 더 높은 고도로 향하는 다양한 등반로로 가는 접근 지점입니다. 이곳에서부터 이 지역에서 가장 지속적인 오르막길 중 하나가 시작되며, 규칙적인 헤어핀 커브와 일정한 경사가 특징입니다.

아오스타에서 몇 분 거리에 있는 계곡 바닥 접근 지점으로, 도라 발테아 강과 부티에르 개울이 합류하는 곳 근처에 있습니다. 이곳에서 주변 경사면으로 가는 여러 오르막길이 시작됩니다.

The vineyards of Aymavilles (Aosta Valley) grow on Alpine terraces, where viticulture is considered heroic due to the manual labor required. Native grape varieties such as Petit Rouge, Fumin, and Petite Arvine, as well as international varieties, are cultivated here. This produces local DOC wines such as Torrette and Fumin, appreciated for their quality and distinctive character. The wineries offer tastings and tours, combining wine culture with breathtaking Alpine views.

Seen only from the outside, very very beautiful!

Simply spectacular!

An open-air museum 💪😀

Immersed in the greenery of the Favret meadows, the small church of Santa Maria Maddalena dates back to the 12th century, when it was an autonomous parish dependent on the Chapter of the Cathedral of Aosta. Its apse and bell tower, characterized by an evocative "spur" that supports the structure, preserve intact the imposing sobriety of the primordial Romanesque. Between 1460 and 1463 the church experienced a second artistic splendor: the nave was enlarged and both the external part (facade) and the interior were decorated with a rich cycle of frescoes by Giacomino da Ivrea and his itinerant workshop. The façade features lively scenes: the Mass of Saint Gregory with the blood of Christ filling the chalice; Saint George facing the dragon; Saint Christopher ferrying the Baby Jesus; and, crowning all, Saint Martha, Saint Mary Magdalene and Saint Lazarus. Inside, in the apse, a majestic Christ Pantocrator is revealed surrounded by the symbols of the four evangelists, while on the side walls the twelve Apostles can be distinguished. Under the arch that divides the choir and the nave, fourteen panels tell the stories of Mary Magdalene. The works of the fifteenth century were commissioned by the noble De Villa (or La Tour de Villa), lords of Gressan, or by Giacomo dei Challant, lord of Aymavilles, whose family appears in the frescoed symbols. The building maintained the status of parish until 1786, when it was incorporated into Santo Stefano, thus becoming a simple chapel. In 1938, the church was the subject of passionate restoration: the paintings, covered with lime for centuries, were recovered and brought back to their ancient splendor.