샬랑-생-빅토르 최고의 사이클링 경로

Brusson is a renowned mountain resort, renowned for its tranquil atmosphere and Alpine landscapes. Its heart is the lake, an easily accessible body of water perfect for relaxing walks, picnics, and outdoor activities. In winter, the town becomes a hub for cross-country skiing.

Hill with gentle slopes and a short climb

Origins and reconstruction The first evidence of the church dates back to the 12th century, with a mention in a papal bull of Alexander III in 1176. The original building, from the Gothic era, was oriented on the east-west axis and had an apse structure facing east. Over the centuries, the church underwent several modifications, until a complete reconstruction between 1870 and 1873, designed by the architect Giuseppe Lancia. During the restoration work in 2010, the foundations and perimeter walls of the ancient church emerged, visible today through a glass window in the crypt. Architecture and decorations The facade of the church is distinguished by a large central portico with a pointed arch, surmounted by a triangular tympanum. Above the main portal, a large fresco depicts San Maurizio dressed as an Egyptian general. The two lateral sections of the facade house niches with statues of saints. Inside, the single nave is decorated by the Artari brothers of Verrès, well-known local artists. The church preserves four wooden altars from the 18th century, coming from the ancient structure, and a reliquary from the 15th century. Particularly significant is the statue of the Pietà, in carved and painted wood, dating back to the 16th century. The pulpit, carved in panels, dates back to the first half of the 19th century. The high altar and the organ The high altar houses an altarpiece dedicated to San Maurizio, made in 1931 by the painter Carlo Morgari, known for his works in numerous churches in the Aosta Valley. The wooden choir is a 19th-century work by Reirosa d'Ivrea, while the organ, built in 1896 by the Vegezzi-Bossi company of Turin, is composed of about 1000 pipes and is used during concerts and celebrations. The view from the churchyard Looking out from the churchyard, the view opens onto a wide and suggestive panorama. Brusson stretches gently into the valley below, framed by the larch and fir woods that cover the slopes. In the distance, the peaks of the Val d’Ayas dominate the horizon, often snow-capped even in spring.

Be careful, the old road that leads to Bard is blocked by a landslide, but they made a variant with a climb of about 100m with a gradient that reaches 30% (at least the Garmin reported this)

Beautiful bridge connecting Hone to Bard. Magnificent view of the fort.

Going up from Saint Vincent, a pleasant climb with glimpses of the valley below, stock up on water at the start of the climb 💪

While traveling along the Via Francigena, on the stretch from Arnad to Bard, you cross this characteristic three-arched pedestrian bridge. On the left orogr. area with a bench for rest.

The Chiesa del Santissimo Salvatore in Quincinetto, Italy, is a beautiful parish church located in the center of the village, near the bell tower. Although there are reports of medieval origins since 1297, the church was rebuilt in 1770 in the current late Baroque style, according to the design of architect Bella. The church is 35 meters long and has three chapels on each side. The facade is decorated with beautiful frescoes by the famous painter Carlo Cogrossi from Treviglio. The facade has two marker bands that divide it into registers. The lower registers contain six niches with statues of saints, while the upper register shows an altar icon of the Redeemer in relief. The church has a spacious and bright single-nave space with twelve windows that illuminate the interior. The walls are decorated with frescoes of the Via Crucis, altars and decorative floral motifs. The presbytery is crowned with a red canopy and houses an impressive altar in brick and imitation marble. Four frescoes in the presbytery show scenes from the life of Jesus. The church also contains a unique painting of Jesus as the Redeemer. The walls of the choir are decorated with biblical scenes set after the Resurrection of Christ, painted by Carlo Antonio Cogrossi.