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4.8
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36
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21.0km
01:24
150m
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22.5km
01:27
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5.0
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21.0km
01:28
130m
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25.5km
01:36
160m
160m
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27.1km
02:03
200m
200m
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The **Steinerkirchen an der Traun Parish Church** is an important religious building in the municipality of **Steinerkirchen an der Traun**, located in the **Wels-Land** district of **Upper Austria**. Here are some interesting facts about the church: 1. **History**: - The church is dedicated to the **Roman Catholic Parish** of **Saint Martin** and has a long tradition in the region. 2. **Architecture**: - The parish church is a **listed monument** and is distinguished by its architectural features, which reflect the history and style of the region. 3. **Parish Life**: - The parish is led by **Mag. P. Alois Mühlbachler**, who supports the parish in spiritual and organizational matters. 4. **Activities**: - The parish regularly hosts **worship services**, **events**, and **community activities** that promote the social life of the community. 5. **Contact Information**: - The parish church is a central location for the faithful and provides information on events and activities of importance to the community. The parish church of Steinerkirchen an der Traun is therefore an important part of the cultural and spiritual life of the region.
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The Baroque pilgrimage church of Stadl-Paura rises on a hill near the right bank of the Traun River and was built between 1714 and 1724 by Johann Michael Prunner and Francesco Messenta. An earlier chapel dedicated to St. Blaise stood on the same site and was already mentioned in the early Middle Ages. The Trinity Church is considered Johann Michael Prunner's masterpiece. It is a creation of the highest perfection, both architecturally and theologically. Of particular note is that it was planned and constructed as a symbolic building with many allusions to the Holy Trinity. Francesco Borromini was an artistic role model for many architects of the time, including Johann Michael Prunner. Recognizable Borromini influences include the sweeping and receding exterior walls and towers, and the interior floor plan with the semicircular altar niches (in the towers), which respond to the circular central space. And the indirect light that streams in from above and from the sides, illuminating the altarpieces and the small fresco in the lantern. The wall openings behind the altars, the use of indirect light, and the church furnishings are all the work of Francesco Messenta in his role as interior designer.
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