군스키르헨 최고의 사이클링 경로

수위와 상관없이 이곳에서는 두 강의 뚜렷한 색상 차이를 볼 수 있습니다. 훨씬 짧은 산악 강인 알름은 두 개의 큰 호수를 이미 통과한 트라운보다 훨씬 더 맑고 따라서 더 밝습니다.

수위와 관계없이 두 강의 뚜렷한 색상 차이를 이곳에서 분명히 볼 수 있습니다. 훨씬 짧은 산악 강인 Alm은 일반적으로 2개의 큰 호수를 통과한 Traun보다 훨씬 더 맑고 따라서 더 밝습니다.

유량식 수력 발전소, 1980년 건설, 발전 용량 42MW

Würting Castle has changed hands and is just emerging from its slumber! Worth seeing!

The building has been beautifully renovated, and the park is also tidy. It's a house that has stood here since the 16th century. Interestingly, this castle once belonged to the Duchy of Brunswick. Marie Valerie, the fourth daughter of Emperor Franz Joseph I, who was born in Hungary, also lived here with her family for a while. The house is very well maintained. Today, there are apartments inside that can be rented. It's a shame that there is a large electrical plant right in front of it. But the whole complex radiates a very peaceful atmosphere. It used to be a moated castle, but there is no trace of that anymore. Nevertheless, it is worth seeing just from the outside.

Arch. Highlight and great to look at...

a destination for the whole family for a short trip by bike or car.

The Baroque pilgrimage church of Stadl-Paura rises on a hill near the right bank of the Traun River and was built between 1714 and 1724 by Johann Michael Prunner and Francesco Messenta. An earlier chapel dedicated to St. Blaise stood on the same site and was already mentioned in the early Middle Ages. The Trinity Church is considered Johann Michael Prunner's masterpiece. It is a creation of the highest perfection, both architecturally and theologically. Of particular note is that it was planned and constructed as a symbolic building with many allusions to the Holy Trinity. Francesco Borromini was an artistic role model for many architects of the time, including Johann Michael Prunner. Recognizable Borromini influences include the sweeping and receding exterior walls and towers, and the interior floor plan with the semicircular altar niches (in the towers), which respond to the circular central space. And the indirect light that streams in from above and from the sides, illuminating the altarpieces and the small fresco in the lantern. The wall openings behind the altars, the use of indirect light, and the church furnishings are all the work of Francesco Messenta in his role as interior designer.