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In the Middle Ages, Saint-Avit-au-Perche was a priory of the abbey of Saint-Calais, founded by Avit's companion. Today's church dates from the very beginning of the 12th century. It consists of a five-bay nave ending in a semicircular apse. It is covered with chestnut shingles. Several original windows remain; others have been reworked (including the first window, on the north side). This can be seen in the shape of the keystones. A walled-up side door to the south can be seen from the outside. It has an enormous mitre lintel. Inside, it has been transformed into a niche housing Our Lady of Lourdes. The apse is flanked by projecting buttresses. Those at the corners of the façade are from the 15th century. The western portal in a pointed arch is a 15th-century renovation that was completely redone at the end of the 20th century.

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The church has a very pretty Renaissance-style choir entrance. Certain stained glass windows, the woodwork of the choir, the altarpieces and the font are classified. The current church, rectangular in plan, replaced a 12th century building. The flat bedside and the north wall, equipped with Romanesque windows and slightly projecting buttresses, date from this period. It was rebuilt and probably enlarged in the first half of the 16th century. It was then covered with beautiful paneling, the beams of which bear the arms of the Vove, lords of Saint-Agil. The church is also flanked to the south by a seignorial chapel of two bays opening onto the nave with two molded semi-circular arches: its ribbed vaults, with eight ribs leading to the four peaks of a central diamond, are each decorated with four sculpted pendant keys, one of which also bears the arms of the Vove; the date 1547 can be read on its door. The church is currently preceded by a bell tower built in 1886 by Mr. Travaillard, an architect in Saint-Calais. A window to the south of the choir has preserved a partly restored 16th century stained glass window, representing Saint-Agil and Saint-Fiacre, and one of the windows of the seigneurial chapel has another, representing the Nativity, the Adoration of the Shepherds and the Adoration of the Magi; the other window of this chapel has a modern stained glass window retaining some old fragments in the speckles. The choir was decorated with woodwork including an entrance arcade surmounted by a crucifix, stalls, a communion table and an altarpiece, the latter dated 1734. We can also point out a font decorated with balusters and of a skull (1552), the poetic epitaph of Catherine-Geneviève de Verthamont (1740), a painting representing a martyr (17th century), a Louis XV console and a Venetian glass chandelier.”

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Around 1240, the Benedictines, who had a priory within the walls of the castle of Mondoubleau, having had to abandon it, settled near Choue. Of the buildings, only the chapel remains. The western gable is pierced with a double archivolt door in third point and projecting cord, chamfered. Above, a bay was flanked by two six-lobed oculi. On the western part of the southern gutter wall, a door gave access to a small room which could have been the lower room of a square tower, perhaps a bell tower. Inside, the walls were plastered.

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The Saint-Denis church in the commune of Mondoubleau is a 16th century building, significantly altered in the 19th century by Abbot Brisacier of Tours. Of the 16th century building, only the nave and the flat apse remain. In the 17th century, a chapel was established to the south, while in the 19th century, the choir and the western facade with its bell tower were added. Inside, the vaults and painted decoration date from the remodeling carried out by the Touraine architect.

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Latin cross church, built on the site of a very old chapel whose foundation is attributed to Saint-Julien. It was partly maintained, and sometimes restored, by the families of Coutances and Courtavel, lords of Baillou, whose coat of arms can be found in the church. The polygonal tower was built in modern times to provide easier access to the clock. There used to be frescoes which disappeared during the restoration of the building. Tiered bays with flamboyant tracery. Stained glass windows from the 16th century. The west gable opens with a Renaissance portal, probably of Italian inspiration, describing a basket-handle arch flanked by two pilasters with capitals carved with animals. It is surmounted by a sculpted entablature, and a shell niche in the shape of a hooked brace, accompanied by two pinnacles.

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It houses stained glass windows from the 16th century and a statue of a woman from the 17th century, works classified as historical monuments.

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Composed of a central nave ending at the apse with a straight wall pierced by an ogival window, and accompanied by side aisles at the end of one of which rises the 58 meter bell tower. The four upper bays are from the 15th century. The church being too small at the end of the 15th century, it was extended by three bays representing approximately 14 m of floor space. The Renaissance facade offers a beautiful sculpted door from the 16th century depicting four scenes from the life of the Holy Virgin, attributed by Abbot Froger to the sculptor Guillaume Le Houx (holly garland, cornucopias and his initials M.G.L.H.).

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