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The church dates from the 12th century and was remodeled in the 15th or 16th century, its buttresses and bell tower date from the 19th century. It houses a wrought iron communion table from the 18th century.

In 1960, Father Jacques Lepage, then vicar in the city center, was sent to prospect and begin to bring the Christian Community to life in the new Rottes district. A plot of land was found and an architect was chosen, Mr. Michel Marconnet. On October 19, 1962, the temporary chapel, the current Jacques Lepage hall, was opened. First baptism, on October 21, 62. There would be 10 more at the end of the calendar year and a hundred or so each year that followed. The population of the district was very young and growing. In 1966, while in the city center the 2 parishes of the Trinity and the Madeleine were merged, that of NDR was erected. Father Lepage became the first priest. The church was not finished. The interior design was entrusted to a local artist, Prix de Rome, Mr. Louis Leygue, who expressed himself in the choir, the baptismal font, the chapel of the Blessed Sacrament and the crypt. Mrs. Anne Huet created the stained glass windows. Father Lepage would make a large part of them in his garage. At Christmas 1967, the first mass was celebrated. On May 12, 1968, Bishop Joseph Goupy came to consecrate the altar and bless the building. Work would continue and the history of the church did not end there.

This is a church dating from the 12th and 15th centuries. The nave of the church was paneled in the 15th century. A statue representing Saint Martin on horseback, sharing his cloak, was placed in a niche above the portal.

The Saint-Barthélémy church dates from the 12th century but was restored and enlarged in the 17th and then in the 19th century. The elegant bell tower, formed of a square tower, becomes octagonal at 20 m high. Small loophole-type windows light the belfry. It is topped by a dome, itself topped by a campanile and a lantern. It is considered a case study by schools of architecture. This church also contains several movable objects classified as Historic Monuments including Christ on the Cross, a polychrome wooden statue from the 17th century, two oils on canvas from the 17th century, a funerary plaque from 1674 by Michel de Verthamon, Knight of Malta, in stone and marble (epitaph in Latin and coat of arms) and a bronze bell, tuned in F, from 1580.

The church of Notre-Dame de l’Assomption stands on a hill, a little away from the village of Chauvigny from which it is separated by the cemetery. It is built on the site of a former priory dependent on the abbey of Marmoutier, founded between 1116 and 1136 by Barthélemy de Vendôme. In 1342, Marmoutier abandoned the priory to the bishop of Chartres while retaining the appointment to the parish. It is a large church, whose initial core, probably from the 12th century (?), was considerably enlarged in the 16th, then in the 19th century. Originally, it consisted of a single nave supported by buttresses, whose flat chevet was later pierced by a large window with a pointed arch axis. In the 16th century, a first aisle was added to the south, separated from the central nave by four semicircular arches resting on circular pillars. In the 17th century, the choir was shortened by the erection of the large altarpiece of the high altar which isolates the space of a sacristy. Finally, in 1860-1863, the church was again enlarged by the construction of a north aisle, identical to the one that existed to the south. The district architect Édouard Marganne, responsible for this enlargement, also designed a new western façade in order to harmonize the gable walls of the three naves. The church is distinguished by a large set of paneling covering the walls of the three sanctuaries. Seventy-seven sculpted panels from the 16th and 17th centuries are inserted there, representing biblical characters and scenes from the life of Christ. As indicated by an inscription in the south chapel, they were donated to the parish in 1938, after the destruction of the chapel of the Château de la Gaudinière, which stood in the Fréteval forest. They were apparently brought back from Menton in 1867 by the Duke of La Rochefoucauld to adorn his château, which was then under construction. The church also preserves a small stone group from the 16th century representing the education of the Virgin, a painted wooden Saint Gildéric from the 17th century, and a beautiful portrait of Mgr Fleuriau d’Armenonville, Bishop of Orléans, commemorating his solemn entry into the city of Orléans in 1707. To participate in the restoration of the church roof, the Sauvegarde de l’Art français granted a donation of €5,000 in 2011.

In 1133, Geoffroi, Viscount of Châteaudun, founded a priory dependent on the abbey of Tiron, in the diocese of Chartres, in this place. When he died, his wife, Helvise de Mondoubleau, built the church around 1140. The church is formed of a long nave ending in a semicircular apse. It has retained several narrow bays, with a semicircular arch, very flared towards the inside. In the 16th century, a chapel was added to the south of the church, a paneling with exposed tie beams above the nave and the choir, and a mass of carpentry to the west which supports the spire of the bell tower on pointed arches. The choir has a trefoiled piscina from the 14th century. In 1660, Jean Gry, a carpenter from Vendôme, executed the altarpiece and the following year, Pierre Janvier, a painter from Mondoubleau, painted the Resurrection which decorates it. The church houses two funerary slabs, one of a priest who died in 1658, the other of François Leboulx, Lord of Chauvellières, who died in 1691.

The Saint-Denis church in the commune of Mondoubleau is a 16th century building, significantly altered in the 19th century by Abbot Brisacier of Tours. Of the 16th century building, only the nave and the flat apse remain. In the 17th century, a chapel was established to the south, while in the 19th century, the choir and the western facade with its bell tower were added. Inside, the vaults and painted decoration date from the remodeling carried out by the Touraine architect.

It was Saint Thuribe in the 5th century who dedicated the oratory that preceded the current church to Saint Pierr. Tradition reports that Saint Thuribe, Bishop of Le Mans, ordained on September 30, 490, came to preach Christianity in the region of Saint-Calais where he dedicated other oratories to Saint Peter. In Berofacium (Berfay), he would have "gone down" to a certain Gaïanus, holder of property or exercising military command. The roussard stone buttresses and the walled semi-circular bay bear witness to 11th or 12th century architecture. The Saint Pierre church was originally supposed to consist of a simple nave extended by a straight apse. Like many churches in the surrounding area, it was redeveloped in the 16th century (addition of the north side aisle) and restored around 1876, with the addition of the south side aisle. The work was carried out thanks to a bequest from Mrs. Mercent to the factory, an organization responsible at the time for managing the church's property. The exterior walls were re-coated in 1924.