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A church in the Lombard Gothic style.

A memorial to the laundresses. Thanks to Willem VS for his excellent descriptions!

Montalto Pavese stands in a dominant position on the first hills above Casteggio, the beautiful castle (one of the best preserved in the region) with its Italian garden and its wine production.

Inside you will see a raised choir with mosaic floors and striking sculpted capitals. The apse contains a beautiful 15th century fresco* (crowning of Mary). The left transept contains the precious 10th century Crucifix of Teodote, made of silver plates.

This masterpiece in Lombardy-Romanesque style was built in the 12th century on the remains of an older church, where the coronation of the Lombard kings took place. This tradition continued in the new building and it was here that Frederick Barbarossa was awarded the Iron Crown of the Kingdom of Italy in 1155. The importance of the building explains its façade** of light sandstone (and not the then usual brick), remarkably balanced and varied in its sculpted decoration. On the right is a Romanesque door. On the door lintel, Christ gives Paul a papyrus scroll and Peter the keys to the church.

According to legend, some pilgrims wanted to attend midnight mass in the city on Christmas Eve in 999, but due to the thick fog their boats could not cross the river. Suddenly, a man dressed in red arrived and promised that he would immediately build a bridge in exchange for the first soul to cross the bridge. The man in red was the devil, and only the Archangel Michael, who had come from the nearby church, recognized him. Michael pretended to agree to the deal, but once the bridge was built, a goat crossed it first. The bridge is therefore also known as the Ponte del Diavolo ("Devil's Bridge").

The covered bridge has its origins in Roman times. The current one was constructed in the 14th century and covered in 1583. Upstream of the bridge you can still see pillars of the original bridge, reconstructed after the Second World War. A memorial stone on the bridge tells that Albert Einstein stayed in Pavia for several months and loved the place.

The Statua della Lavandaia in Pavia is one of the symbols of the city. This beautiful sculpture, created by local artist Giovanni Scapolla in 1981, recalls the time when the banks of the Ticino River were populated by women who washed clothes in the river. Giovanni Scapolla was inspired by his mother, a famous washerwoman named 'Sciura Teresina', who always wore a traditional 'caplina' on her head. Names of the washerwomen: The washerwomen often had nicknames related to physical characteristics. The most famous was 'Angiuleta', but there were others such as 'Marieta dai pe tort' (with crooked feet) and 'Gianina la culona' (the plump one). Method: The women worked all day on the riverbank. The clothes were soaked overnight in large concrete containers and then washed by the river using a wooden board (‘a scägn’). Men and children collected the washed clothes and delivered them throughout the city. It was hard and unprofitable work, with only one or two lira each. Singing and entertainment: To pass the time, the washerwomen often sang. One of their favorite songs was “La donna è mobile” from Verdi's opera Rigoletto. They even adapted the text: 'La dona l'è UN MOBIL da met in sala, l'om l'è un asin da met in stala', referring to the fact that men walked around all day while the women stood still to to wash.