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最終更新日: 9月 13, 2026
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The patronage of this shrine, dedicated to the Madonna, refers to the town of Loreto. This is one of the great and important Marian pilgrimage sites in Europe, along with Lourdes in the French Pyrenees and Fatima in Portugal. Unlike the other two places mentioned, however, Loreto is not known for apparitions of the Mother of God. Here, pilgrims can find something very tangible: Mary's childhood home in Nazareth (Israel). Her parents—not mentioned by name in the biblical writings of the New Testament—are mentioned in apocryphal traditions: Saint Anne and Saint Joachim are thus the grandparents of Jesus Christ (their common feast day in the calendar of saints is July 26). Crusaders likely dismantled the venerated building in Nazareth and brought it to Europe when the era of the Christian kingdoms in the Holy Land came to an end towards the end of the 13th century. But this very sober assumption is countered by a much more interesting legend: According to this, four angels carried out the translation and flew the house over the Mediterranean.
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A church in the Lombard Gothic style.
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A memorial to the laundresses. Thanks to Willem VS for his excellent descriptions!
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The Chiesuolo della Madonna di Loreto was built in three successive phases: The rural aedicule from the 15th century with an image of the Virgin of Loreto. The ancient oratory in brick from the 17th century, also dedicated to the Madonna di Loreto. The current church, dating from 1781. Architecture: The church has a single nave with a protiro (covered entrance) and is built of exposed brickwork. Inside there are frescoes and an altarpiece with the Madonna di Loreto. Significance: The Chiesuolo is also called ‘Il Chiesuolo’ and is dedicated to the Madonna of Loreto. It is an important historical testimony and a place of devotion. https://www.lombardiabeniculturali.it/architetture/schede/PV240-01108/
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Inside you will see a raised choir with mosaic floors and striking sculpted capitals. The apse contains a beautiful 15th century fresco* (crowning of Mary). The left transept contains the precious 10th century Crucifix of Teodote, made of silver plates.
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This masterpiece in Lombardy-Romanesque style was built in the 12th century on the remains of an older church, where the coronation of the Lombard kings took place. This tradition continued in the new building and it was here that Frederick Barbarossa was awarded the Iron Crown of the Kingdom of Italy in 1155. The importance of the building explains its façade** of light sandstone (and not the then usual brick), remarkably balanced and varied in its sculpted decoration. On the right is a Romanesque door. On the door lintel, Christ gives Paul a papyrus scroll and Peter the keys to the church.
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This imposing brick castle was built between 1360 and 1365 by order of Galeazzo Visconti and served as a fortification and residence. The north wing of the castle was destroyed at the battle of Pavia (1525) between the French and the Spanish. Petrarch loved the building and assembled a rich library there, which later moved to France. The large courtyard has arcades and an ornate loggia with twin windows.
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According to legend, some pilgrims wanted to attend midnight mass in the city on Christmas Eve in 999, but due to the thick fog their boats could not cross the river. Suddenly, a man dressed in red arrived and promised that he would immediately build a bridge in exchange for the first soul to cross the bridge. The man in red was the devil, and only the Archangel Michael, who had come from the nearby church, recognized him. Michael pretended to agree to the deal, but once the bridge was built, a goat crossed it first. The bridge is therefore also known as the Ponte del Diavolo ("Devil's Bridge").
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