4.2
(341)
11,041
ライダー
365
ライド
ロードサイクリングは、イタリアのヴェネト州に位置するサンタ・マリア・ディ・サーラ周辺では、平坦な平野と広大な運河網が特徴です。地形は高低差がほとんどなく、さまざまなペースや距離でのサイクリングに適しています。農耕地と伝統的な農家が景観の大部分を占め、見晴らしの良い開けた景色と静かな道を提供しています。一方、ブレンタ川や歴史的なブレンタ・リヴィエラのような水路は、風光明媚なルートを提供しています。
最終更新日: 8月 27, 2026
25
ライダー
48.1km
02:03
90m
90m
中程度のロードライド. ある程度のフィットネスレベルが必要です。 全般的に舗装状態が良好で走行しやすい道です。
16
ライダー
26.7km
01:06
40m
40m
中程度のロードライド. あらゆるフィットネスレベルに適しています。 ツアーの一部に、未舗装のため走行が難しい箇所があるかもしれません。

無料新規登録
5.0
(1)
24
ライダー
25.5km
01:04
30m
30m
中程度のロードライド. あらゆるフィットネスレベルに適しています。 ツアーの一部に、未舗装のため走行が難しい箇所があるかもしれません。
9
ライダー
38.8km
01:31
50m
50m
初級者向けロードバイクライド. あらゆるフィットネスレベルに適しています。 全般的に舗装状態が良好で走行しやすい道です。
5
ライダー
31.1km
01:10
30m
30m
初級者向けロードバイクライド. あらゆるフィットネスレベルに適しています。 全般的に舗装状態が良好で走行しやすい道です。
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ミラは、ヴェネツィア大都市圏にあるコムーネで、歴史的にヴェネツィア貴族の保養地として有名なリヴィエラ・デル・ブレンタ沿いに位置しています。水との不溶の関係が、ブレンタ運河が流れ、壮大な貴族の邸宅が点在する都市景観全体を特徴づけています。その中でも、アンドレア・パッラーディオが設計した建築の傑作であり、ユネスコ世界遺産にも登録されている有名なフォスカリ邸(「ラ・マルコンテンタ」として知られる)が際立っています。その並外れた歴史的・芸術的豊かさに加え、ミラは、ポルト・マルゲーラ近郊で20世紀に発展した歴史的な化学・工業の中心地としての重要な経済的重要性も誇っています。今日、この町は、邸宅文明の記憶、ヴェネツィアのラグーンへの戦略的な近さ、そして活気ある生産活動を融合させ、この地域の重要な文化的・経済的結節点となっています。
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リヴィエラ・デル・ブレンタ沿いのミラ・ターリョにあるパラッツォ・ボンリーニ(ヴィラ・ボンリーニとしても知られる)複合施設は、16世紀末から17世紀初頭にかけて建てられた歴史的なヴェネツィアの邸宅です。18世紀の有名な版画、コロンネッリとコスタの作品に描かれているこの邸宅は、かつて主屋、記念碑的なバルケッサ(農家の付属建物)、カジノ、礼拝堂(これらは現在失われています)を含み、すべて壮大な庭園に囲まれていました。 建築的価値に加えて、この場所は産業考古学においても大きな重要性を持っています。そのバルケッサは、マラズキーノの製造で世界的に有名な歴史あるダルマチアの企業、有名なドリオリ蒸留所のミラでの最初の拠点となりました。今日、数世紀にわたって部分的に改築されたこの宮殿は、Opera Pia Casa Paternaが所有しています。
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Piazza dei Signori, Padua For the people of Padua, a stroll to the squares of the historic center, such as Piazza della Frutta, Piazza delle Erbe, and Piazza dei Signori, means immersing oneself in the markets that traditionally enliven the city every morning. Shopping is simultaneously a pleasure, a social occasion, a kind of daily ritual. But it's also worthwhile to look up and admire the architecture of the houses, balconies, and historic buildings that frame them. Piazza dei Signori is surrounded on its two main sides by two wings with colonnades, elegantly enhanced by terraces with antique wrought-iron balconies. The two shorter sides are bordered by the Church of San Clemente and the Palazzo del Capitanio with its clock tower, whose colonnade leads to the Corte Capitaniato and the nearby square of the same name. Here once stood the Castello dei Carraresi, which today houses the University of Padua with its Faculty of Literature and Philosophy and the rooms painted by Altichiero. On the south side of the square stands the elegant Loggia del Consiglio, or Gran Guardia, the 16th-century building where the city's Maggior Consiglio (Great Council) used to meet. The wide staircase leading to the loggia and the council chamber on the main floor are particularly worth seeing. Text / Source: Turismo Padova https://www.turismopadova.it/de/orte/piazza-dei-signori/
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Palazzo della Ragione, Padua The Salòn, or Palazzo della Ragione, the former seat of Padua's municipal courts, is one of the largest column-free halls in Europe. Considered one of the most famous civic monuments in Europe from the time of the Communes, the building was begun in 1218. Between 1306 and 1308, Fra Giovanni degli Eremitani transformed the three large rooms into a single hall and designed a roof in the shape of an inverted ship's hull. Giotto and his workshop were commissioned to paint the walls with frescoes; however, the cycle was destroyed by fire in 1420. The frescoes were restored by the Paduan Nicolo’ Miretto in collaboration with Stefano da Ferrara and other painters, based on the studies of Pietro d’Abano, a wealthy scholar of his time. The fresco cycle is one of the very few medieval astrological cycles to have survived to this day. The connection between the paintings and the function of the place explains the presence of animal figures representing the insignia of the courts, whose function is also linked to the allegories of Justice, Law, the Community in Rule, and the frescoes depicting the Judgment of Solomon and the court scene. In the great hall is the "Pietra del Vituperio," or Stone of Shame, upon which insolvent debtors, clad only in a shirt, had to sit three times (the custom is the origin of the expression "to stay in one's shirt"), while repeating the Latin phrase "cedo bonis" (roughly translated as "I will pay the bill"). Also located there is the large wooden horse, crafted by Annibale Capodilista for a tournament and donated to the city by the family. Today, the great hall serves as a venue for exhibitions and cultural events. Not to mention that "Sotto il salone" is the oldest cooperative in the world, dating back 700 years. Text / Source: Turismo Padova https://www.turismopadova.it/en/the-palazzo-della-ragione/
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Basilica of Saint Anthony of Padua / Basilica of Saint Anthony, Padua The Basilica of Saint Anthony, known as "the Saint," is the city's most important religious center and attracts thousands of pilgrims every year, especially on June 13, the saint's feast day. The basilica was built in 1232 to protect the tomb of the Franciscan friar Anthony, who died in Padua in 1231. The large building presents a complex structure with a fusion of styles: Romanesque elements in the façade, Gothic elements in the ambulatory, Byzantine elements in the eight domes covered with lead, and Moorish elements in two tiers. The Church of Saint Anthony holds numerous reminders of the Carrara Signoria. In 1350, Cardinal Guido de Boulogne came to the cathedral to acknowledge the saint's miracle and was greeted by Jacopo II da Carrara and Bishop Hildebrand. Members of the Carraresi family, such as the Lupi di Soragna and the Conti, chose the basilica as the site for their own mausoleums. The Chapel of the Black Madonna now stands on the site of the earlier church, dedicated to Santa Maria, Mother of the Lord. The polychrome Madonna is by Rinaldino di Francia and dates from 1396. Rinaldino is also likely the artist of the shield bearing the portrait of Stefano da Carrara, now in the city museums. A funerary monument to Raffaele Fulgioso, a renowned jurist from the University of Padua, is located to the left of the chapel. The Chapel of Blessed Luca reveals even closer ties to the Carraresi family: it was built between 1380 and 1382 by Naimerio and Manfredino Conti, executing the will of Fina Buzzaccarini. They commissioned Giusto de'Menabuoi, a painter from the Carraresi court, to create the frescoes. The stories of Saints Philip and James, arranged on the chapel walls, reveal a surprising new sense of spaciousness. In the center, within the lunette, are portraits of the patrons: Saint Anthony, Blessed Luke, Saint Francis, and Saint Louis of Toulouse, as they are presented to the Virgin. Text / Source: Turismo Padova https://www.padua.info/de/padua/was-zu-sehen-ist/details/basilica-di-santantonio
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他の地域の最高のロードサイクリングルートを見てみましょう。