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Cute village church with interesting exhibits in the basement

The beautiful and strikingly modern town hall of the Mezières district. The adjacent forecourt was traffic-calmed a few years ago. There's also a drinking water fountain in the southwest corner of the square.

The original stained glass windows disappeared during bombings in 1815, 1870 and 1918. Today the basilica has an exceptional collection of contemporary stained glass windows, created between 1954 and 1979 by René Dürrbach, a friend of Picasso. Over 25 years, this artist has created a colossal set of 68 stained glass windows, unique in Europe, which honor the former 'Black Virgin' and the 'Virgin of Light' by referring to the universal symbols of colors, shapes and numbers, inspired through his collaboration with Henri Giriat. Since 2018, the former sacristy of the church has housed the Trésor d'art sacré des Ardennes, which contains around fifty masterpieces (ancient statues, precious relics, etc.) that were previously inaccessible to the public.

The construction of the Basilica of Notre-Dame-d'Espérance took more than a century between 1499 and 1615. The work was interrupted several times, for example during the siege of Mézières in 1521. The building is listed as a monument and is a masterpiece of the flamboyant gothic. However, the main portal and the tower break with the Gothic style and are built in Renaissance style, recognizable by the round arch and the coffers in the vault. The bell tower was built in the 19th century. The south portal is particularly opulent. King Charles IX and Elisabeth of Austria, grandniece of Charles V, entered through this door in 1570 for their wedding ceremony, even though the construction of the church had not yet been completed. The choice of Méeières had a strong symbolic value: reconciliation could be achieved through this strategic alliance.

Attention here is drawn to the mechanical giant - Grand Marionnettiste - located between the Musée de l'Ardenne and the Institut International de Marionnette. This mechanical clock plays an excerpt from the Ardennes legend of the Four Heemskinderen every hour between 10:00 and 21:00.

The bright colors of the local materials can be seen on the facades that were previously painted: yellow for the natural stone from Dom-le-Mesnil, red for the bricks and purple-white for the Ardennes slate. The whole falls under monument protection.

Place Ducale is the central and historic main square of Charleville, the northern part of Charleville-Mézières. The square is a copy of the Place des Vosges, the oldest square in Paris. The only big difference is that the square in Paris was designed by Louis Métezeau and that of Charleville by Clément Métezeau, so brothers. The square is a feast for the eyes with 28 monumental buildings, built in the same Baroque style. In the center of the square there is a fountain and a classic merry-go-round. The Place Ducale became the beating heart of the city and still is. The symmetrical lines, the chessboard pattern, the arcades and the facades in red and yellow stone now regularly form the backdrop to events for which the city is known. The square was founded by its ambitious founder, the Italian prince Charles de Gonzague, who had a completely new city built in the 17th century. The square is 126 by 90 meters and the current buildings on the edge of the square all date from the 17th century.

The street-art collective Créative color, under the guidance of artists Mehdi Amghar and Antoine Maquet, has undertaken a new fresco on the west facade of the Parc clinic, in Charleville-Mézières. The fresco, which represents the profile of a caregiver wearing a mask, can be seen from Cours Briand.