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This beautiful stone bridge, known as Ponte dei Sassi, is located along the Via dell'acqua, a path that runs along the Rujo stream.

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Beautiful sculpture by Matalar, worth seeing while touring the Revine lakes.

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A captivating work by Marco Martalar. Impressive and realistic.

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Easy bike ride. Lots of pedestrians. Some horseback riders. Picnic areas, playground, barbecue area,

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If possible, choose a weekday, because weekends are too crowded.

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Located in the Prosecco Hills of Conegliano and Valdobbiadene in Fratta di Tarzo, it is a historic symbol of Venetian identity. Made from over 3,000 pieces of tree roots felled by Storm Vaia, it is the largest wooden lion in the world, standing over 7 meters tall and 10 meters long. The work embodies the values of strength, protection, and justice of the Serenissima Republic. A long-standing emblem of the lagoon city and the entire Veneto region, the winged lion is linked not only to the figure of Saint Mark, patron saint of Venice, but also to the region's cultural tradition. It is no coincidence that it is the central element of the flag, first of the Serenissima and now of the Veneto region. The 2018 Storm Vaia, which struck the Alps and vast areas of Northern Italy, left a profound scar on the landscape and local communities. Artist Marco Martalar chose to salvage fallen wood, transforming it into a work that bridges past and present: what was destroyed is reborn as a symbol of resilience and hope. To strengthen the connection with the land, the artist used scrap wood from the vineyards of the World Heritage Hills to create the lion's mane, thus generating a symbolic fusion between nature and local culture. This work is also a reflection on the fragility of nature and the need to protect it. The use of materials recovered from devastation evokes the idea that even destruction can give rise to something extraordinary and powerful. The sculpture initiates a dialogue between ancient and contemporary, reviving a traditional symbol in a context of strong environmental and social relevance. In this sense, the winged lion becomes an emblem of adaptation, capable of addressing the challenges of the present, including climate change and biodiversity loss. Its presence recalls the regenerative power of nature and the landscape. The work, located in the municipality of Tarzo, was desired and commissioned by the Association for the Heritage of the Prosecco Hills of Conegliano and Valdobbiadene.

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Monumental.

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Serravalle, a beautiful medieval village, is an important hub and link between the plains and the mountains.

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immersed in the vineyards

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Worth a stop if you're passing through.

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An enchanting place, immersed in a unique context.

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There is a dilapidated bench for lunch.

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Nice lake with easy to navigate paths.

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The crossroads opens onto beautiful routes: to the left of the shrine of Sant'Antonio begins the climb to Collagù, to the right Via Croda is the start of a cycle-pedestrian path that accompanies the waters of the Soligo and then continues towards Follina.

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At the foot of the climb to San Gallo, another example of a 14th century building that marks the territory. Behind it, take a look at the old building, now used as a hotel space

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Unfortunately, today it is not possible to drive directly along the water due to flooding of the path

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Along the picturesque streets of Tarzo, Fratta and Colmaggiore you will find murals painted over the years by various Venetian artists. These works tell popular traditions, history and local folklore in a simple and direct language.

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Nice quiet place on Lake Lago with seating and pedal boats, a jetty was sunken when I was there.

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Built on a previous Benedictine structure from the 12th century, the current basilica has the typical Latin plan design with the façade facing west and the apse facing east, just as the Cistercian symbolism predicted. With the arrival of the Cistercians the monastery reached its peak of splendor and power, above all thanks to the relationship with the Da Camino family. However, from the mid-14th century a period of decline began, which culminated with the suppression of the monastery two centuries later under the dominion of the Serenissima. Since 1915, the Servants of Mary have settled in the monastery of Follina and still live there today. Inside the basilica there are various valuable works including: the fresco by Francesco da Milano depicting the "Madonna with Child between two Saints" dating back to 1527, a notable wooden crucifix dating back to the Baroque age and above all the sandstone statue of the Madonna of the Sacred Chalice (perhaps of Nubian origin from the 6th century) kept in the neo-Gothic wooden altarpiece which has always been the object of veneration and pilgrimage by the faithful from all over Italy. The splendid cloister of the abbey, older than the rest of the structure and perfectly preserved, was completed in 1268, at the time of the settlement of the Cistercian monks. Arranged in a square, it has the traditional fountain in the centre. The escape of the columns is full of movement: twisted, paired, simple or knotted, they have capitals of varied designs and a multiplicity of friezes. Various rooms open onto the cloister: the sacristy, the chapter room and the large refectory, now a war memorial. The complex is completed by the bell tower dating back to the time of the thirteenth-century church: with a square plan according to the Lombard scheme, it has a large mullioned window with white stone columns on each side of the belfry. The Abbey of Follina can be visited every day from 7.00 to 12.00 and from 14.30 to 19.00.

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The Isola dei Morti is a small strip of land lapped by the Piave river, included within the municipality of Moriago della Battaglia. It is so called because, during the First World War, it was a disputed area which caused huge losses on both fronts, where the Piave current dragged numerous bodies of fallen soldiers. Originally it was a plot of land divided into 16 lots, known as Isola Verde, divided between as many families who could receive compensation for wood and hay. After the war it became the property of the Water Authority and then of the Forestry Unit, until today. October 27, 1918 saw the assault of the Arditi who conquered Moriago, marking the beginning of the decisive Battle of Vittorio Veneto which led the Italian Army to victory on November 4. Since the end of the conflict, the place was dedicated to popular memory and piety, struck by the continuous emergence of remains, weapons and soldiers from the river gravel. All the routes inside the large wooded oasis, named after the regiments that fought on the Piave, converge on Piazzale Ragazzi del '99, where relics and commemorative monuments are located, including: - the pyramidal memorial stone, built with river stones welded in lime, erected in memory of the fallen who today rest in the nearby Nervesa Ossuary. On the top of the barbed wire he draws a cross intertwining with a helmet, while on the sides four plaques show some verses of the poem "La Sernaglia" by Gabriele D'Annunzio; - the small votive church dedicated to the Madonna del Piave, completed in 1965 based on a design by the architect Alberto Alpago Novello and consecrated on 29 June of the same year by the then Bishop of Vittorio Veneto, Monsignor Albino Luciani, who later became Pope with the name of Giovanni Paul. The Sanctuary was later embellished with furnishings and sacred objects. In 1969 the wooden portals were carved by the sculptor Mussner based on a design by Enrico Tonello from Moriago, the bas-relief was placed by the sculptor Giardina based on a design by Bepi Modolo from Santa Lucia di Piave, two artistic wrought iron chandeliers were donated, one representing the three caravels, the 'another helmet with holes in it. Also an iron lectern made from barbed wire residues, a crucifix made from a hand grenade and many others including the artistic stoup, one of a kind, which depicts a soldier with a helmet in his hand. Some historical relics are also collected in a display case. The fifteenth century bell was donated by the “Ragazzi del '99” association in 1968; - a stele dedicated to E. A. Mario, author of the verses of the song "The legend of the Piave", inaugurated in the 1960s; - the monument “Life for Peace”, inaugurated on 16 June 1991, the work of the sculptor Mario Balliana from Fontigo. Today the Isle of the Dead is an evocative monumental area that extends for approximately 100 hectares, immersed in a natural environment made up of walks, large trees and meadows. The area is organized into streets named after the regiments and soldiers, where the pleasantness of the landscape brings to mind the image of a vast cemetery.

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