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The Pertosa-Auletta Caves, also known as the Angel Caves, are one of the most fascinating speleological complexes in Campania, famous for their navigable underground river: the only one in Italy and one of the few in Europe. The cave system extends for over three kilometers beneath the Alburni Mountains, through immense chambers, ancient concretions, and natural light effects. For information on admission, guided tours, and opening hours, visit: https://fondazionemida.com/grotte-pertosa-auletta

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all correct, but the first photo is characteristic of Sant'Angelo le Fratte, the town of cellars, the second of Satriano di Lucania

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The large waterfall is one of the Savoia waterfalls, it is located in the Tuorno valley, a place of extreme beauty.

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Medieval village in the Lucanian Apennines, also known as the "Italian capital of murals". In fact, the city has over 400 works of art, hand painted on the walls of the buildings between the historic center and the suburbs, which make Satriano a real open-air art gallery. This initiative, which has been going on for decades, is a direct consequence of the cultural legacy left by the painter Giovanni De Gregorio, known as "Il Pietrafesa", who was born here at the end of the 16th century.

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The National Archaeological Museum of Volcei traces, through the exhibits, the long and fascinating history of the populations that over the centuries have inhabited the hills overlooked by the Alburni mountains. The Museum is dedicated to the memory of Marcello Gigante, an illustrious citizen of Buccino, a refined and sensitive philologist, Hellenist and papyrologist, founder, among other things, of the Center for the study of Herculaneum papyri, who always strongly hoped for the establishment of the Archaeological Museum . The Museum is housed in a fifteenth-century building formerly the Convent of the Eremitani di Sant'Agostino for a total area of about 1600 square meters distributed on the four levels through which the exhibition itinerary winds. http://ambientesa.beniculturali.it/BAP/?q=luoghi&luogo=Musei&provincia=Salerno&comune=Buccino&src=&ID=61

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That of Buccino represents a typical example of the baronial castle of the Salerno hinterland. The manor, although in a state of ruin, has recently been restored as part of the programs of the Ancient Volcei urban park. The various architectural elements have been preserved through which it is possible to read the chronological and functional evolution of the site. It is not excluded that the promontory guarding the underlying inhabited area was already used in Roman times, as evidenced by the various elements of reuse found in recent works. However, we must wait until the 12th century to have the first documentary information of the fief of Buccino, through which we know the names of the first dominus: Nicola di Principato, count (1128); Judge Aminabad (1141); Riccardo Philippi (1141). With the advent of the Swabians the castle had to lose importance, since it is not mentioned in the Statutum de reparatione castrorum imperialium. Even afterwards there is no news about the presence of castellans and servants inside the castle. From these data it can be deduced that the Buccinese castle did not play a particularly important role, from a military point of view, in the chessboard of the Kingdom's fortifications. In 1247 the castrum Buccino or Pulcini belonged to the feudal lord Tommaso di Fasanella. With the Angevins the castle was again assigned to important feudal lords, who changed the face of the manor according to the customs of the time. In 1269 the castle, together with those of Campagna, Eboli, Auletta and Quaglietta, was assigned to Roberto, eldest son of the Count of Flanders. Already in 1271 it was revoked from the Royal Curia, to be then assigned, until 1274, to Gualtiero de Sommerouse, soldier and executioner of the Kingdom. During the fifth summons of Charles I of Anjou (1276-1277) the castle was stolen from Tommaso Count of Marsico to be assigned to Guidone d'Alemagna, soldier, executioner, councilor, royal family, treasurer and fiscal receiver. In the following two centuries, the castle was in the possession of the d'Alemagna family, then passed to the Caracciolo and Di Sangro families. At present the castle structure is characterized by a mighty Norman square-plan keep which must have been the only existing structure, at least until the advent of the Angevins. The construction of a first courtyard dates back to the late 13th century, with related residential buildings, two circular towers at the corners and a large cistern, with an adjoining service area in the southern part. This first transformation is probably the work of the d'Alemagna family, in a crucial moment for the history of the Kingdom, characterized by the so-called war of the Vespers, which broke out in 1282 and which reached its peak in Campania at the end of the 13th century. In that period they began to build circular towers with escarpments at the base with an upper crown consisting of corbels and arches for the plumbing defense. Although the circular towers of the castle of Buccino are cut off, they fall within this type of construction, typical of Angevin castle architecture. In the first half of the 14th century, the castle underwent a new structural reorganization. The hill is equipped with a defensive system consisting of a moat with two other circular towers and a second wall. Some rooms and a stable included in the perimeter area of the external walls can still be ascribed to the Angevin age. Between the sixteenth and seventeenth centuries the castle underwent a gradual abandonment, as evidenced by the progressive filling layers of the moat and the levels of obliteration found in the environment identified as the stable. The resumption of intensive occupation of the hill takes place between the eighteenth and nineteenth centuries when the reorganization of the internal courtyard, occupied along the northern edge by a stable, and the creation of a water drainage system, defined a substantial change in the intended use of the spaces. During the nineteenth century. the castle assumes the appearance of a building witnessed by four large limestone, located along the northern slope of the hill, and by numerous lime extinguishing pits in the southern part. arch. Lucio Ganelli

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