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Its location, near the city walls and an old city gate, corresponds to that of a primitive sanctuary, predating Christianity, probably a temple dedicated to Jupiter. A first cathedral was built during the 4th century, dedicated to Saint Saturninus. The building disappeared when Clovis captured Angoulême in 508, after he drove out the Visigoths following the victory at Vouillé in 507. Clovis and then King Charibert ordered the cathedral's reconstruction in honor of Saint Peter.[2] This second cathedral was consecrated in 566 by Saint Germain, Bishop of Paris, and Saint Euphronius, Bishop of Tours, and is mentioned in Gregory of Tours' History of the Franks.[Note 1] It was burned down, probably by the Normans. The third cathedral was the work of Grimoard of Mussidan, Bishop of Angoulême (991-1018). He was also Abbot of Brantôme in Périgord and used the abbey's revenues to finance its construction. Begun around 991 and consecrated in 1015, it lasted only a century, its dimensions being too small. Only the north wall remains in the second and third bays of the nave, beneath the windows.

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Peaceful and relaxing place

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The biblical accounts of the New Testament, which describe the events in the life of Jesus and his disciples, paint a very nuanced picture of the Apostle Peter (Saint-Pierre), to whom the church of Angoulême is dedicated: On the one hand, he is a convinced and determined disciple of Jesus, but also not free from human weakness and fear. In the Garden of Gethsemane, he falls asleep (like the other disciples) when Jesus turns to God the Father after the Last Supper and asks the disciples to pray as well; and after Jesus' arrest, Peter denies three times that he even knows him. But he also weeps over his weakness and, upon encountering the risen Christ, professes his love and loyalty to him. His real name is Simon, but Jesus gives him the name Peter (which means rock), upon which the church is to be built, and he gives him—according to the account of the Evangelist Matthew—the "keys to the kingdom of heaven."

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It's still very beautiful

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Beautiful little town center

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Path that is part of the Coulée Verte. Pleasant to follow.

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The parish church of Notre-Dame is Romanesque and dates from the 12th century. It has a Romanesque bell tower with two floors of arched bays and a conical spire. A dome is at the crossing and the capitals are decorated with sculptures. On the gable of the façade, bas-reliefs depict Christ between evangelical symbols. Its façade was damaged during the Revolution, and heavily restored in the 19th century10. It was classified as a historic monument on July 12, 1886 https://www.angouleme-tourisme.com/patrimoine-culturel/eglise-notre-dame-de-trois-palis/ A little history of the town of Trois Palis by following this link: http://trois-palis.fr/histoire-et-patrimoine/

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Notre Dame de Trois-Palis is a small church located in the center of the town of Trois-Palis. From the Romanesque period, it was listed as a historic monument in 1886. The conical spire covered with pine cone scales that rises above the square bell tower can be seen from afar. It dominates a small Romanesque building located in the heart of the town. Its façade is divided into three floors: At the top, in the triangular gable wall, Christ in Majesty is surrounded by the tetramorph (set of four symbolic representations of the evangelists: the bull of Saint Luke; the eagle of Saint John; the lion of Saint Mark; the angel of Saint Matthew). This theme is directly inspired by the Saint-Pierre cathedral in Angoulême. The central space, between the gable and the portal, is occupied by modern high reliefs representing Christ surrounded by the Virgin and Saint John. On the ground floor, the sculpture made of foliage and animals is present on the arches of the portal. Restored in 1891 century, the small church of Notre-Dame has undergone major modifications. A semicircular apse replaced a flat chevet and the nave was vaulted. Inside, the building consists of a single nave, split into three bays. The walls of the nave are clad with large pointed arches. The south wall of the nave is pierced by three bays, while the north wall is blind. In the extension of the nave, a bay under a bell tower deserves attention. The columns arranged in this space are all endowed with a rich sculpted program that develops in the capitals. They are all historiated and represent the themes frequently deployed near the sanctuary: original sin and the fight between Good and Evil. The semicircular apse replaced a flat chevet in the 19th century. It has a cul-de-four vault. Listed as a Historic Monument in 1886. Open every day from 9 a.m. to 5:30 p.m.

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