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Close to Lichére, a short detour to the unmissable village of Aunac sur Charente, a relaxing break with all shops: bakery, pastry shop, bar, restaurant, general food with local products, butcher, delicatessen, camping, canoeing, guinguette!!

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Pleasant break on the Charente, don't leave before having had an ice cream at the tavern.

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A Gallo-Roman theater, which is located on the territory of the commune of Saint-Cybardeaux. The ruins of the Gallo-Roman theater of Bouchauds are at the heart of a natural concavity.

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Imposing in this small village, the abbey is easy to find. Built in the 11th century, this abbey was not finally completed until 1170 by Eleanor of Aquitaine. If you are interested in Roman architecture, visit the local museum to learn about the origins of this abbey.

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An imposing sight within this small village, the abbey is easy to find. Built in the 11th century, this abbey was only finally completed in 1170 by Eleanor of Aquitaine. If you are interested in Roman architecture, visit the local museum to learn about the origins of this abbey.

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I haven't tested this swimming spot, but passing by there were a few people swimming there. It seemed calm

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The early 12th century church has all but disappeared, itself and the reconstructions have suffered from the military conflicts that have punctuated the centuries. You enter through an open portal in a facade which very well announces the architectural juxtapositions. These last give a particular charm to the building by their inconsistencies. They arouse curiosity and ultimately offer the visitor a certain degree of privacy. An organ with the original story has been installed. It is the ultimate work of Ivan Peychès (1906-1978), a genius scientific researcher but also a visual artist, musician and composer. Brilliant innovator in the field of applied sciences, he will build this instrument in his living room in ten years during his retirement.

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Former priory linked to Saint-Amand-de-Boixe, given to the abbey by Guillaume IV, count of Angoulême, before 1030. A campaign of works is attested in the 17th century and restorations in the 19th. The building has retained traces of its original 11th century architecture: drop walls of the nave crisscrossed with arches, intended to receive a light structure. The nave is under frame after having received a ceiling. Around 1120, the building increased with a bay under a bell tower, vaulted with a dome on horns carried by pillars with a cruciform core, flanked by columns with ball capitals and an apse. A north transept arm and its oriented apse, correspond to a third campaign of work (late 12th century?). The church underwent some transformations at the time of the Hundred Years' Wars: raising of the nave above the cornice and use of the bell tower (murderer with viewfinder).

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