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Most people who pass by such a war memorial commemorating the victims will not have experienced the horrors of war firsthand. A dialogue invented by the writer Paul Harding might help. It is from a medieval detective novel, and the following exchange takes place: "Tell me, brother, when you went to war in France with your little brother, were you happy?" Athelstan felt his heart leap. "Of course." He smiled thinly. "I was young then. My blood was boiling, and I longed for great adventures." "And when you found your brother dead and cold as ice on the battlefield and returned to England... what was there?" Athelstan looked out into the courtyard; it was slowly getting dark. "In the Gospel, Sir John, Christ says that at the end of the world, the heavens will shake, and the planets will fall to earth in blazing fire." Athelstan closed his eyes. He felt Francis's spirit quite clearly. “When I found my brother dead in the field,” he continued, “it was as if heaven had fallen to earth for me.” (Source: “The House of the Red Butcher” by Paul Harding)

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30mins after low tide

These sound mirrors were created in the late 1920s, the period between the two world wars. Although today they remind the walker passing by of a modern sculpture, they were not planned and built as works of art, but rather had a military background: the inward-curved surface was intended to capture the sounds coming from the sea - like a radio telescope - and thus provide early warning of surprise enemy aircraft attacks.

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The Boardwalk at Folkestone Seafront is a striking feature constructed from reconditioned railway sleepers. It stretches 800 meters across the shingle beach, linking the Harbour Arm and Station with the Lower Leas Coastal Park. This pathway not only connects various parts of the seafront but also brings visitors closer to the water’s edge. Along the route, you’ll find public artworks from the Folkestone Triennial, such as AK Dolven’s suspended bell ‘Out of Tune’ and Lubaina Himid’s ‘Jelly Mould Pavilion’. The Boardwalk is part of a larger regeneration project aimed at revitalizing the harbour area, making it a vibrant space with new restaurants, bars, cafes, and pathways. The use of old railway sleepers ties the new development to the harbour’s historical roots, while the landscaping and design ensure durability against the marine environment.

As a memorial to the many dead, such monuments - usually called "war memorials" in English - are still very important today. "Now, Lord, you let your servant depart in peace, as you have said..." says the so-called "Hymn of Simeon" (Luke 2, verse 29). However, the people who are remembered here did not depart in peace, but became victims of war and tyranny. Therefore, instead of the previously most common "war memorial", the term "fallen memorial" is now sometimes used in German to emphasize the aspect of remembering the victims. In addition, each of these countless memorials has a timeless, permanently valid message: to remind our current and all future generations - again and again - to keep the peace.

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These sound mirrors were created in the late 1920s, the period between the two world wars. Although today they remind the walker passing by of a modern sculpture, they were not planned and built as works of art, but rather had a military background: the inward-curved surface was intended to capture the sounds coming from the sea - like a radio telescope - and thus provide early warning of surprise enemy aircraft attacks.

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One of the most important and impressive fortifications in Britain, the Western Heights are a series of strong points linked by miles of ditches