マムジャダ/マモイアーダ周辺のアトラクション＆必見スポット - トップ20

Feels like 100 curves to the top

The statue of the Redeemer is a bronze work placed on a peak of Mount Ortobene near Nuoro, at a height of 925 metres above sea level.

The small campsite directly behind the hotel in the dark forest is very rudimentary and can only be recommended to a limited extent. It seems to be run rather reluctantly (it is not advertised anywhere). The hotel itself is upscale and well attended, especially at weekends. Hikers can park in front of the hotel grounds.

From 1903 to 1917 there was a bloody family feud (disamistade) in Orgosolo. According to tradition, the trigger was the dispute over the inheritance of the richest Orgolese, Diego Moro, who died in 1903. The feud divided the population into two hostile halves and in these years more than 50 people fell victim to the blood feud. After reconciliation seemed to have been achieved through trials in 1917, the disamistade broke out again after about 30 years. The threat of blood revenge, but also the occupation by the Carabinieri and the arbitrary arrests of the “mainland” authorities once again drove men to hide in the mountains and thus often become bandits. They were usually assured of support from the village population against the hated carabinieri. Orgosolo was declared a “bandits’ nest”. “The headquarters of the outlaws, where people suck in hatred with their mother’s milk” was written in Italian newspapers.

In 1894, 500 armed Orgolese stormed and plundered the town of Tortolì in order to steal the assets of a large landowner; many of them died in the process. The raids by Sardinian mountain dwellers known as Bardanas are documented from Roman times to the 19th century.

In the resistance against the numerous conquerors of Sardinia, a bandit culture was formed, which also became the subject of criminological studies in the 19th century. Alfredo Niceforo, a follower of Cesare Lombroso, created the myth in his book Crime in Sardinia that Sardinians were predestined for crime.

As a small suggestion, you might want to offer a book or pamphlet that explains each image.

History According to legend, the Sanctuary was born thanks to an archaic wooden statue found by a shepherd in the 17th century, who miraculously healed the city from the plague. The ancient sacred building was built in 1670, thanks to the project by Nicola Ruiu Manca, then replaced by a church in 1946. Since 1957, the icon of the Madonna delle Grazie has been kept in the new Sanctuary, next to the church. The Sanctuary The new Sanctuary was designed in the 1950s by the architect Don Verri and is characterized by a high facade, in polished granite, decorated with mosaics representing the fifteen Mysteries of the Rosary. Of the ancient Sanctuary we can only notice the facade, consisting of an ornate portal and a trachyte rose window, derived from the older church of Nuoro. The Sanctuary, as a whole, is formed by a very simple architectural scheme: an elongated room, covered by a barrel vault, which ends in a square presbytery. Inside we can admire two superimposed altars where, in the upper altar, the Virgin of Grace is kept. The small wooden sculpture represents a young woman holding the Child to her breast with her left hand and who, in turn, holds the world in the palm of her hand. To appreciate the cycle of seventeenth-century frescoes that outline the figures of the twelve Apostles with other Saints. Noteworthy is the imposing bell tower, which was also part of the previous Sanctuary. Source: https://www.vaticano.com/turismo/scheda_19_santuario-di-nostra-signora-delle-grazie.html