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A church in the Lombard Gothic style.

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The crypt of this cathedral has a soothing atmosphere!

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A memorial to the laundresses. Thanks to Willem VS for his excellent descriptions!

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The village was built in the fourteenth century and developed around the castle. Belgioioso is located in the southern Pavese area, not far from the left bank of the Po and has a recent origin compared to the other towns (2011) of the province. According to popular tradition, Brüsacrist was the nickname given to the inhabitants in the past, in connection with the popular uprising of 1776 against the Curia of Pavia, which was delayed in appointing a new priest. The village was built in the fourteenth century and developed around the castle. Since 1986, Belgioioso has hosted every year "Officinalia", the market exhibition of organic food and household ecology. https://www.viefrancigene.org/it/resource/poi/belgioioso/

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The church of San Michele Arcangelo is in an excellent state of conservation thanks to recent restorations. The façade shows a typical style of the 17th century and is divided into two parts by a horizontal brick frame. At the bottom, there are three portals flanked by slender pilasters. Above the central portal is a fresco dedicated to the saint. The upper half is framed by two curly volutes and two hollow niches that enclose a central window. The façade is crowned by a slightly projecting tympanum with a cross and three columns. The colours of the façade, a delicate balance between white and brown, give a foretaste of the opulence and wealth inside.

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The Castello di Belgioioso, has a rich and fascinating history. The castle was originally built in the 14th century by the Belgioioso family. It served as a fortified residence to protect the surrounding area and as a symbol of power and prestige. In the 16th century, the castle underwent important renovations and extensions. The architecture was influenced by the Renaissance style, with elegant loggias, arcades and beautiful frescoes. In the 18th century, Antonio Barbiano obtained the elevation of Belgioioso to a principality in 1796 and expanded and rebuilt the medieval castle, enriched with extensive gardens and greenhouses in neoclassical style by the architect Leopold Pollack. In the 19th century, the castle became a meeting place for artists, writers and philosophers. It was a breeding ground for creativity and intellectual exchange. Today, the Castle of Belgioioso is managed by the Ente Fiera dei Castelli di Belgioioso e Sartirana. It organizes exhibitions and events that highlight the history, art and culture of the region.

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This beautiful square is simply called Piazza Grande by the locals: it is the lively centre of the city and a shopping district. It is surrounded by arcades full of cafés and shops. On the south side, towards the Duomo, stands the Broletto, the 12th century former town hall; behind one of the windows of the old building watches over the beloved statue of the Madonna di Piazza Grande (1604)

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The heart of Pavia

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Place of cultural, artistic, historical and tourist interest Via Dante Alighieri, 1, 27011 Belgioioso PV https://www.belgioioso.it/ 0382970525

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If you are looking for a bar in Pavia, here it is 🍾🤣

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The Parco del Ticino is a beautiful nature reserve that extends across the regions of Lombardy and Piedmont in Italy. The Ticino River extends for a total length of 248 kilometers, from the Passo di Novena in Switzerland to its confluence with the Po. Within the park, the stretch from Sesto Calende (VA) to the Ponte della Becca (PV) covers a length of 110 kilometers. The park is crossed by more than 750 kilometers of cycling and walking paths, of which more than 100 kilometers are along the banks of the canals.

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Inside you will see a raised choir with mosaic floors and striking sculpted capitals. The apse contains a beautiful 15th century fresco* (crowning of Mary). The left transept contains the precious 10th century Crucifix of Teodote, made of silver plates.

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This masterpiece in Lombardy-Romanesque style was built in the 12th century on the remains of an older church, where the coronation of the Lombard kings took place. This tradition continued in the new building and it was here that Frederick Barbarossa was awarded the Iron Crown of the Kingdom of Italy in 1155. The importance of the building explains its façade** of light sandstone (and not the then usual brick), remarkably balanced and varied in its sculpted decoration. On the right is a Romanesque door. On the door lintel, Christ gives Paul a papyrus scroll and Peter the keys to the church.

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Construction of this gigantic cathedral, crowned with one of the largest domes in Italy, began in 1488. Bramante and Leonardo da Vinci are said to have worked on the design. Because of the complexity of the dome, it was not completed until 1887. The facade is 19th century.

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The Statua della Lavandaia in Pavia is one of the symbols of the city. This beautiful sculpture, created by local artist Giovanni Scapolla in 1981, recalls the time when the banks of the Ticino River were populated by women who washed clothes in the river. Giovanni Scapolla was inspired by his mother, a famous washerwoman named 'Sciura Teresina', who always wore a traditional 'caplina' on her head. Names of the washerwomen: The washerwomen often had nicknames related to physical characteristics. The most famous was 'Angiuleta', but there were others such as 'Marieta dai pe tort' (with crooked feet) and 'Gianina la culona' (the plump one). Method: The women worked all day on the riverbank. The clothes were soaked overnight in large concrete containers and then washed by the river using a wooden board (‘a scägn’). Men and children collected the washed clothes and delivered them throughout the city. It was hard and unprofitable work, with only one or two lira each. Singing and entertainment: To pass the time, the washerwomen often sang. One of their favorite songs was “La donna è mobile” from Verdi's opera Rigoletto. They even adapted the text: 'La dona l'è UN MOBIL da met in sala, l'om l'è un asin da met in stala', referring to the fact that men walked around all day while the women stood still to to wash.

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fundamental stage; the interior, the crypt and the exceptional works of painting and sculpture are also worth visiting

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The statue depicts a washerwoman intent on washing clothes in Ticino, a practice that was widespread in ancient times. It was created in 1981 by the Borghigiano sculptor Giovanni Scapolla.

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beyond the bridge extends the Borgo Ticino, the former quarter of the fishermen and washerwomen, as illustrated by the statue of the pale star on the shore.

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The statue of the washerwoman is one of the symbols of Pavia and it is a bronze work by the sculptor Giovanni Scapolla created in 1981, which is located along the characteristic Via Milazzo. It was placed in this place in memory of the many women who went along the banks of the river to wash clothes. On one of the marble slabs of the statue's base is engraved a poem in the Pavia dialect by the poet Dario Morani.

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The history of the cathedral begins in August 1487 when the citizens asked for the construction of a new cathedral to replace the medieval buildings. Cardinal Ascanio Sforza received permission from Pope Innocent VIII in 1488 to demolish the ancient cathedral and supervise the project. The architecture of the cathedral follows a central plan with arms converging under a large central dome, influenced by structures such as the cathedral of Santa Maria del Fiore in Florence and the studies of Leonardo da Vinci. Donato Bramante initially led the project, while subsequent architects made some changes while maintaining Bramante's original ideas. The construction of the dome was resolved at the end of the nineteenth century by Carlo Maciachini, who chose a masonry dome with a Greek cross plan. The Cathedral of Pavia, completed in 1885, has an imposing façade surmounted by a dome and a loggia inside. The interior has a Greek cross structure with four arms divided into three naves. The dome is supported by eight elaborately shaped pillars, while all the other pillars have the same design. The presbytery is illuminated by high windows with frescoes and an image of the Assumption. The completion of the Cathedral involved several construction phases, including the addition of a reinforced concrete transept in the 20th century by several architects and engineers.

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