メリート・ディ・ナポリのおすすめウォーキング＆ハイキングルート

Piazza Municipioは、ヨーロッパで最も広大な広場の一つであり、ナポリの行政中心地を表しています。市庁舎であるPalazzo San GiacomoとCastel Nuovo（Maschio Angioino）に挟まれ、Stazione Marittimaの港湾エリアまで広がっています。この広場は最近、地下鉄工事中に発見された古代ローマ港の遺跡を統合した新しい建築的構成になりました。記念碑的な中心部、港、そしてVia Toledo通りを結ぶ重要な結節点となっています。

ナポリ王宮はプレビシート広場に面しており、1600年にスペイン副王の邸宅として設立され、その後ブルボン家とサヴォイア家の本拠地となりました。 建物内には、バロック様式と新古典主義様式で装飾された部屋がある歴史的アパルトメントと国立図書館があります。主なファサードは、ナポリの歴代君主を描いた外側のニッチにある8体の彫像で有名です。ウンベルト1世ガッレリアとサンカルロ劇場から徒歩圏内にあり、街の記念碑的な中心部の中心となっています。見逃せないもう一つの見どころです！

Via Toledo is one of the most important historical and commercial arteries of Naples, over 1 km long, connecting Piazza Dante to Piazza Trieste e Trento (near the Plebiscito). Created in 1536 by the viceroy Pedro de Toledo, it is today a pedestrian area famous for its shopping, noble palaces, and the "Toledo" metro station, considered among the most beautiful in Europe.

Via Toledo is one of the most important historical and commercial arteries of Naples, over 1 km long, connecting Piazza Dante to Piazza Trieste e Trento (near the Plebiscito). Created in 1536 by the viceroy Pedro de Toledo, it is today a pedestrian area famous for its shopping, noble palaces, and the "Toledo" metro station, considered among the most beautiful in Europe.

A vast collection of paintings spanning from the Middle Ages to the early 20th century. A must-see for anyone who appreciates sacred art and wants to discover the great Italian, Flemish, and Neapolitan painters. However, the museum's layout isn't always ideal: the labels for each work are often placed too low and printed in far too small a font, forcing visitors to get very close and bend down. Furthermore, the museum entrance isn't signposted; you have to guess where to go. Finally, we would have appreciated some wayfinding within the exhibition: there are so many rooms that it's easy to lose track of where you are and risk missing out on certain works.

A vast collection of paintings spanning from the Middle Ages to the early 20th century. A must-see for anyone who appreciates sacred art and wants to discover the great Italian, Flemish, and Neapolitan painters. However, the museum's layout isn't always ideal: the labels for each work are often placed too low and printed in far too small a font, forcing visitors to get very close and bend down. Furthermore, the museum entrance isn't signposted; you have to guess where to go. Finally, we would have appreciated some wayfinding within the exhibition: there are so many rooms that it's easy to lose track of where you are and risk missing out on certain works.

A square where two immense churches face each other and where the tourist office is located.

Never done the metro, it's not far