フローシャイムのおすすめツーリングルート

森の中は、この気温だと最も快適です

マイン川は、全長527キロメートルで、ライン川で最も長い右支流であり、ドイツで最も重要な河川の一つです。バイエルン州で2つの源流（ヴァイサー・マイン川とローター・マイン川）から始まり、特徴的なループを描きながら東から西へと流れます。その長い旅は、マインシュピッツェと呼ばれる場所で終わり、そこではギンズハイム＝グスタフスブルクとヴィースバーデンのマインツ＝コストハイム地区の間、マインツ旧市街の真向かいでライン川に合流します。

The sculpture "The Circle" opens to the east, towards the light. Sculptor Thomas Link defines this direction by the axis from the sound stele in the center of the circle to the pair of steles outside. These cast long shadows, with a bright line at their center. The sound stele opposite opens to the wind, transforming the moving air into sound. The panoramic trail is part of the regional park's circular route and connects the Bad Weilbach park with the wine village of Wicker over a distance of almost 1.5 kilometers. On clear days, the view extends as far as the Odenwald forest. In the Middle Ages, the "Kasteler Landwehr," the border and defensive fortification protecting the territory of the Electorate of Mainz, ran along this route. In the summer of 1998, five artists created five large stone sculptures along the panoramic trail. The regional park society invited not only Thomas Link from Issing near Munich, who created the circle of stones from basalt, to this plein air sculpture symposium. Hubert Maier, Gerard Höweler, Georg Hüter, and Ingrid Hornef also used the six-week project period to create charismatic works. The goal of the international open-air artists' workshop was not only to enhance the inspiring surroundings with monumental objects. The public also had the opportunity to engage in conversation with the artists during the creative process. This participation and understanding of the artists' thoughts during the creation of the objects ensured the project's great success. Link, for example, explains: "What the eye sees in the surroundings—the movement of grasses and leaves—is simultaneously experienced by the viewer as a sound that swells and recedes with the breath of the wind." The spheres rest around a central point. They bear semi-circular depressions, whose positions indicate directions in space. "This sphere is dedicated to the earth, to the interplay of darkness and incoming light." Each sphere is part of the whole and yet stands alone. Beyond this, the view extends into the landscape, changing from place to place in a circular pattern. “The stones rest, gathered around the center,” they point to direction and space: “Into this structure, humankind enters and finds its place.” None of the stones, not even those of the other artists, are placed by chance along the path. All reflect the landscape in which and for which they were created. It is about knowledge and feeling, about culture and nature, about noise (including aircraft noise) and silence, about the hustle and bustle of life and about finding peace. [The following appears to be a separate, unrelated sentence fragment:] [The following appears to be a separate, unrelated sentence fragment:] [The following appears to be a separate, unrelated sentence fragment:] [The following appears to be a separate, unrelated sentence fragment:] None of the stones, not even those of the other artists, are placed by chance along the path. All of them reflect the landscape in which and for which they were created. It is about knowledge and feeling, about culture and nature, about noise (including aircraft noise) and silence, about hurried life and about finding peace. [The following appears to be a separate, unrelated sentence fragment:] ...

The "Poet's House" is one of the most playful landscape artworks in the Rhine-Main Regional Park. But: Anyone who approaches this project, ostensibly dedicated to Goethe, nestled in a tall ginkgo grove, will find profound insights on many levels—how could it be otherwise, given that it is a symbol of poetry rendered in stone? A house without exterior walls, a (writing) pen like a weathervane in the wind, inscribed metal plates like windblown leaves, a former gravel pit transformed into a landfill and now overgrown with greenery: Many associations immediately spring to mind. Thoughts on the ephemeral nature of art, perhaps, especially poetry. The ever-open, yet also vulnerable house, perched alone high on a hill. Below it, the deep, transformative foundation. Interpreters will find great joy here—but one can also simply sit on the roughly twelve-meter-high mound without any ulterior motives, enjoying the view and the gentle summer breeze. Summer? Yes, because this place tastes like a summer's day. It has something cheerful and serene about it. And that would certainly have pleased the driving force behind the place immensely. While the house, with its cruciform central wall and eleven-meter-diameter roof, is dedicated to all poets, it is dedicated to the great Goethe even more so. And not only because of its proximity to his birthplace, Frankfurt, but also because one of his many journeys took him to the Flörsheim region in 1814. His journey was to the Rhine, Main, and Neckar rivers—rivers that, at that time, were the object of the young Romantics' hearts—true places of longing. And Goethe? He was inspired to write his most famous cycle of poems, the West-Eastern Divan. This also includes the famous poem about the ginkgo tree. It deals with the distinctive shape of its leaf, which is so symbolically divided. Anyone who wants to know what the inspiring tree looks like only needs to go to the house with the "book walls": A ginkgo grove has been planted around it.

This is where the Flörsheimer Warte is located! It's an absolutely worthwhile destination, as the view is magnificent and you can also take a break up here with a glass of wine or other snacks.

There is a beautiful avenue of service trees here. A few other trees have now sneaked in, but it's still great.

Beautiful terrace, directly on the Main River https://www.xn--flrsheimer-bootshaus-49b.de/

On this side of the Rhine you have a fantastic view of Mainz and the cathedral.