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森の中は、この気温だと最も快適です

マイン川は、全長527キロメートルで、ライン川で最も長い右支流であり、ドイツで最も重要な河川の一つです。バイエルン州で2つの源流（ヴァイサー・マイン川とローター・マイン川）から始まり、特徴的なループを描きながら東から西へと流れます。その長い旅は、マインシュピッツェと呼ばれる場所で終わり、そこではギンズハイム＝グスタフスブルクとヴィースバーデンのマインツ＝コストハイム地区の間、マインツ旧市街の真向かいでライン川に合流します。

The Regional Park Tower is a 41-meter-high observation tower located near the visitor center of the Regional Park Portal at the Weilbach gravel pits, northeast of Weilbach in the Main-Taunus district of Hesse. In addition to the Regional Park Portal for the Rhine-Main Regional Park, which opened in 2011, the planning also included the construction of a highly visible landmark directly related to the Regional Park and its focus on nature. Thus, in 2012, the Regional Park Tower was erected according to the plans of architect Peter Karle. Its overall form is designed as a large sculpture, intended to evoke associations and interpretations of natural forms in the viewer, such as a blossom or a bud. The €500,000 project, which was even dubbed the "Tower of Evil" in advance due to the involvement of the Fraport Foundation,[1] was to be financed by Regionalpark-Pilot GmbH (€160,000), Regionalpark Ballungsraum GmbH (€170,000), the State of Hesse (€102,000), and Fraport AG (€68,000). In 2013, the Wiesbaden chapter of the Association of German Architects (BDA) awarded the Regionalpark Tower the Johann Wilhelm Lehr Plaque for outstanding architecture in Hesse.

The sculpture "The Circle" opens to the east, towards the light. Sculptor Thomas Link defines this direction by the axis from the sound stele in the center of the circle to the pair of steles outside. These cast long shadows, with a bright line at their center. The sound stele opposite opens to the wind, transforming the moving air into sound. The panoramic trail is part of the regional park's circular route and connects the Bad Weilbach park with the wine village of Wicker over a distance of almost 1.5 kilometers. On clear days, the view extends as far as the Odenwald forest. In the Middle Ages, the "Kasteler Landwehr," the border and defensive fortification protecting the territory of the Electorate of Mainz, ran along this route. In the summer of 1998, five artists created five large stone sculptures along the panoramic trail. The regional park society invited not only Thomas Link from Issing near Munich, who created the circle of stones from basalt, to this plein air sculpture symposium. Hubert Maier, Gerard Höweler, Georg Hüter, and Ingrid Hornef also used the six-week project period to create charismatic works. The goal of the international open-air artists' workshop was not only to enhance the inspiring surroundings with monumental objects. The public also had the opportunity to engage in conversation with the artists during the creative process. This participation and understanding of the artists' thoughts during the creation of the objects ensured the project's great success. Link, for example, explains: "What the eye sees in the surroundings—the movement of grasses and leaves—is simultaneously experienced by the viewer as a sound that swells and recedes with the breath of the wind." The spheres rest around a central point. They bear semi-circular depressions, whose positions indicate directions in space. "This sphere is dedicated to the earth, to the interplay of darkness and incoming light." Each sphere is part of the whole and yet stands alone. Beyond this, the view extends into the landscape, changing from place to place in a circular pattern. “The stones rest, gathered around the center,” they point to direction and space: “Into this structure, humankind enters and finds its place.” None of the stones, not even those of the other artists, are placed by chance along the path. All reflect the landscape in which and for which they were created. It is about knowledge and feeling, about culture and nature, about noise (including aircraft noise) and silence, about the hustle and bustle of life and about finding peace. [The following appears to be a separate, unrelated sentence fragment:] [The following appears to be a separate, unrelated sentence fragment:] [The following appears to be a separate, unrelated sentence fragment:] [The following appears to be a separate, unrelated sentence fragment:] None of the stones, not even those of the other artists, are placed by chance along the path. All of them reflect the landscape in which and for which they were created. It is about knowledge and feeling, about culture and nature, about noise (including aircraft noise) and silence, about hurried life and about finding peace. [The following appears to be a separate, unrelated sentence fragment:] ...

This is where the Flörsheimer Warte is located! It's an absolutely worthwhile destination, as the view is magnificent and you can also take a break up here with a glass of wine or other snacks.

There is a beautiful avenue of service trees here. A few other trees have now sneaked in, but it's still great.

Beautiful terrace, directly on the Main River https://www.xn--flrsheimer-bootshaus-49b.de/

On this side of the Rhine you have a fantastic view of Mainz and the cathedral.