가장 멋진 명소 20곳

This is the location of the Battle of Edgehill, a pitched battle of the First English Civil War occurring on Sunday 23rd October 1642. A detailed information board stands here describing how the event unfolded, offering a fascinating window into the area's past.

The Battle of Edgehill (or Edge Hill) was a pitched battle of the First English Civil War. It was fought near Edge Hill and Kineton in southern Warwickshire on Sunday, 23 October 1642. All attempts at constitutional compromise between King Charles and Parliament broke down early in 1642. Both the King and Parliament raised large armies to gain their way by force of arms. In October, at his temporary base near Shrewsbury, the King decided to march to London in order to force a decisive confrontation with Parliament's main army, commanded by the Earl of Essex. Late on 22 October, both armies unexpectedly found the enemy to be close by. The next day, the Royalist army descended from Edge Hill to force battle. After the Parliamentarian artillery opened a cannonade, the Royalists attacked. Both armies consisted mostly of inexperienced and sometimes ill-equipped troops. Many men from both sides fled or fell out to loot enemy baggage, and neither army was able to gain a decisive advantage.

She could have made a better bridge

National Trust property with expansive grounds and deer park.

Worth checking out if you have the chance

Nice lights in the grave yard

Great day out good for a picnic

The parish church of ST. MARY consists of a chancel with a small north vestry, nave, north and south transepts, south porch, and west tower. The building dates from about the middle of the 12th century, when it had a chancel and a nave of the present size. The west tower was the first addition, late in the same century. Early in the 13th century the chancel was rebuilt; its width and the thickness of its walls are doubtless those of the 12th century, but its length was increased. The north transept appears to have originated in the 13th century as a short aislechapel with an arcade of two 8 to 9 ft. bays, but the transept was apparently enlarged in the 15th century when the arcade was altered from two bays into one large bay with the re-use of the older material. Most likely the south transept was then added to complete the crossshaped plan, but it has been almost entirely rebuilt in modern times (1846 ?). The clearstory of the nave was a mid-late-14th-century addition but the roof shows no detail earlier than the 16th century. The top stage of the tower is a late-15th-century heightening and the south porch an early-16th-century addition. The church was restored in 1846, apparently rather drastically; further repairs were done in 1911, when the blocked tower archway was reopened and the nave roof opened out. The roof had to be repaired again in 1939 owing to the ravages of the death-watch beetle. The chancel (about 26½ ft. by 14½ ft.) has an east window of four cinquefoiled lights and tracery of 15thcentury character in a two-centred head with a hoodmould. Only the splays and the rear-arch are ancient. In the north wall are three 13th-century lancets, of one chamfer outside and with wide rubble splays with ashlar dressings and segmental rear-arches. The lower part of the middle window has been cut away for the modern doorway to the vestry. The south wall has two windows of c. 1500, each of two elliptical-headed lights under a square head. The external labels have return stops, above which are carved lozenges or squares. The masonry is greyer than that of the walling. Between them is a 13th-century lancet, and below this is a priest's doorway with jambs and pointed head of curiously unconventional mouldings, having quasicaps at the springing-level and a hood-mould with human heads carved above the return stops. There is another similar head carved on the sill of the lancet above it. The doorway has an elliptical rear-arch. Below the south-east window is a small 14th-century piscina with a trefoiled ogee head and remains of a round basin, and west of it are three sedilia with moulded stone seats at one level: the recesses have ogee heads and foiled panels above them under a square main head. The east half is ancient, probably 14th-century, the west half is modern, and the westernmost recess has a cinquefoiled head. In the west half of both side-walls, which are unusually thick for the 13th century, are four stall-recesses with hollow-chamfered jambs and plain pointed heads of the 13th century. The walls are of coursed ashlar in yellow Campden stone and without plinths. There is modern ashlar below the east window; probably the sill was lower than now. At the east angles are 15th-century diagonal buttresses. The east wall is gabled and has late-18th-century copings and modern kneelers. The gabled roof is hidden by a segmental plastered ceiling. It is covered with tiles and has eaves gutters. The chancel arch has a round head of three square orders towards the west and two towards the east. The chamfered innermost order of the responds is mostly modern; the other orders are carried on nook-shafts (restored) with the original 12th-century capitals: the outer northern on the west face is carved with a human mask, at the angle, and interlacing strap ornament. The other capitals are of cushion type, two on the west face having cheveron line-ornament cut in the curves. The chamfered abaci are carried to the side walls as stringcourses and stop the ends of the grooved and chamfered hood-mould. In the north wall of the modern vestry is a re-used window of two trefoiled lights and tracery in a twocentred head, mostly 14th-century work. The nave (57½ ft. by 21½ ft.) has an archway of about 17 ft. span at the east end of the north wall opening into the transept. It has a two-centred order of two chamfered orders with small and medium voussoirs and plain chamfered hood-moulds on both faces, with head-stops under the west ends. The east respond is of two similar orders, the inner with a modern moulded capital. The west respond is an early-13thcentury round pillar set against the south-west angle of the transept and having a moulded base and capital. If the re-used material is indigenous the whole feature seems to have been a 15th-century remodelling of an earlier arcade of two narrow (8 to 9 ft.) bays. West of it—only 8 ft. from the respond—is a 12 in. round-headed window of the 12th century. The 12th century north doorway is a plain feature with a reset segmental head of two square orders, and grooved and chamfered abaci and hood-mould, carried on jambs also of two orders, the inner chamfered, the outer with a roll mould. The bottom of the doorway is walled up, the rest being converted into a window. On the south side is a wide pointed archway into the south transept, all modern; and west of it a 12th-century window like that opposite. In the west half of the wall is a window of c. 1330, of two trefoiled ogee-headed lights and a quatrefoil in a two-centred head. The south doorway, of the 12th century, was altered in the early 16th century, only the original outer order of the head and hood-mould being left in place. Both have zig-zag mouldings of the usual sections, the hood having pellets in the indents. It has been cut into two by an early 16th-century cinquefoiled ogee-headed niche for an image. This has side-pilasters with pinnacles; the head has crockets and a finial, all rather crudely cut. The doorway has jambs and depressed four-centred head of two orders, the outer hollowed. There are four steps down from the porch to the nave floor. The clearstory is lighted in each side by three windows of two trefoiled ogee-headed lights and foiled piercings in a square head without a label. The jambs are of two chamfered orders. The thick nave walls are of 12th-century irregular rubble in Campden stone with ashlar dressings at the west angles. The plinth, if any, is hidden by the higher ground of the churchyard. There are no buttresses. Inside the masonry has been revealed by the removal of the dado wall-lining: the original masonry is of large irregular rubble, but 3½ ft. west of the west angle of the north transept is a vertical break and a change to coursed and squared small rubble, probably of the date of the transept. The upper parts of the walls are plastered. At the base of the comparatively tall clearstory is an external weather-course, the face above setting back a few inches and being of roughly squared rubble. The plain parapets have a moulded coping and stringcourse. The roof was restored in 1939. It is low-pitched and divided into five bays by moulded tie-beams, probably of the 16th century, with wall-posts and curved braces. On the soffits of three are bosses carved from the solid, two with conventional rosettes and one with an ihs centre. The trusses are carried on stone corbels, some with plain shields. On the east face of the tower is the weather-course of the former steeply pitched gabled roof, its apex reaching to the top of the second stage. The north transept (about 20½ ft. square) has modern three-light traceried windows in the east and north walls. In both side walls are two 15th-century clearstory windows, each of two trefoiled pointed lights and tracery in a square head with an external label having square volute stops. The walls are built of coursed rough ashlar with a chamfered plinth. There are 15thcentury diagonal buttresses at the north angles, and at the south end of the east wall is a slight projection, probably the north-east angle of the original nave. The parapets are plain and have old copings and stringcourses differing from those of the nave. The north wall has a low-pitched gable. The roof has been much repaired but retains a 15th-century middle truss with a cambered tie-beam on wall-posts and curved braces. It has stone corbels and there are corbels for two other former trusses. The south transept (about the same size) is more or less a replica of the other. The windows are modern, except for the two clearstory windows in the west wall. The west wall and the south wall, excepting the gablehead, are of ancient yellow rubble, probably re-used material. Reset in the south-east angle inside is an incomplete vertical carved stone with a collared and chained bear squatting on its haunches and below it part of another beast, perhaps a dog. What purpose it served is not evident. The roof of two bays is modern. The south porch (8½ ft. square), of the early 16th century, has a four-centred entrance with a hollow mould outside and chamfer inside, both with broach base-stops. In the side walls are unglazed square-headed windows of two lights. The walls are of largish coursed yellow ashlar and have a moulded plinth and plain parapets. At the angles are diagonal buttresses. The lowpitched south gable has a shield carved on the parapet, charged with four bends. There are stone benches inside. In the east wall is an ogee-headed stoup with a shallow basin. The west tower (about 15 ft. north to south by 13 ft. inside) is of four stages, the three lower diminishing outside and divided by plain weather-courses. The lowest stage is of coursed yellow ashlar in medium-large stones, some of which still show the original diagonal tooling, and has a low moulded and splayed plinth. At its west angles are shallow clasping buttresses and at the east similar buttresses, but the sides are flush with the east wall. Between them in all three walls are narrower buttresses. All are tabled back at the lowest stringcourse level, except the south-west containing the stairvice, which rises to the top of the third stage. The masonry of the second and third stages is of similar but somewhat smaller courses. The 15thcentury top stage is of larger and smoother yellow ashlar and has a moulded base-course and an embattled parapet of greyer stone. The parapet string-course has a middle gargoyle in each face. Above each was originally a pinnacle, of which only the V-shaped pilaster remains in the parapet: there were also angle-pinnacles. The stair-vice in the south-west angle is approached by a right-angled passage from a square-headed doorway at the south end of the west wall inside and is lighted by west loops. The steps are badly worn. The very plain archway from the nave has responds and round head of four continuous chamfered orders towards the nave and three towards the tower: the arch has pressed the responds out of perpendicular. The west and south walls have original round-headed windows, 18 in. wide, piercing the intermediate buttresses: below the western was a 17th-century doorway with a square head, now blocked. The next story has a similar west window and in the east wall is a round-headed doorway, now mostly restored inside with brickwork, with steps up through it on to the nave roof: it opened originally into the earlier gabled roof-space; north of it inside is an old locker rebated for a door. Another window in the south wall is now blocked. This chamber has an ancient floor, open-timbered below. The third stage, the original bell-chamber, had each wall pierced by a wider window, now indicated only by straight joints in the masonry. The fourth stage, the late-15th-century bell-chamber, has a window in each wall of two trefoiled ogee-headed lights and a quatrefoil in a straight-sided four-centred head without a hood-mould. The jambs and head have large external splays. There is no floor between this chamber and the older chamber below. The lowpitched, almost flat, roof is apparently of modern repair. The font has a plain octagonal bowl with a hollowed under edge in a chamfer; it is probably of the early 16th century, but the upper half of the stem is a curious and rather clumsy attempt at quasi-Norman decoration by cutting engrailed, indented, and foiled edges in faces diminishing downwards, the lower half being splayed and the base chamfered. The altar is a small early-18th-century table with shaped cabriole legs. In the tower is a 16th-century iron-bound chest with a half-round coved lid which has been restored: it has three locks. A badly worn stone effigy is that of a priest in mass vestments, probably of the early 15th century: the head rests on a cushion, the feet on a dog. It now stands upright in the tower. On the east wall of the north transept is a plain panelled stone tablet with a pedimental head, set up by John Palmer to his father Richard, died 1582, and to his own wife Frances daughter of Nicholas Overbury of Borton, died 1601, with her only son Richard. There are three shields of arms. On the same wall is a brass plate to members of the Brent family, starting with William, lord of Stoke and Admington, 1595, and Elizabeth his wife, and continuing to 1666. There are also four detached shields charged with a wyvern. On the west wall of the transept is a tablet, like that opposite, to Giles Palmer eighth son of John and Eleanor (Rouse), died 1665, placed by his widow Elizabeth daughter of Henry Jones of Chastleton. Also a small brass to Edmund sixth son of Henry Jones, 1667(8); and another to Dorothy widow of Giles Palmer and daughter of Humphrey Lyttelton, 1763. There are uninscribed floor slabs, two with brass shields with the Brent wyvern. There are grave-slabs in the nave to Joan wife of Richard Canning of Foxcote, 1685, to Apolonia wife of Frances Canning, 1712(13), and to Thomas Canning son of Richard, 1716. There are five bells by Henry Bagley, 1641. The communion-plate includes an Elizabethan chalice with a cover bearing the date 1571; and a flagon given by Michael Sparke in 1640. The registers begin in 1588. In the churchyard is a stone carved with a crucifix on one side—perhaps the base of a 15th-century cross. There are also several 17th-century tombstones, and one to Hutton Corbet, who died in 1706, aged 106 years, 9 months, and 11 days.

If you take a walk to the end of the Recreation Ground furthest from the town centre and then carry on over the little bridge over the stream, you will shortly see Lucy’s Mill Bridge ahead of you. This version of the bridge was built in 1934 but there has been a bridge of one kind or another here since 1599. Perhaps one reason for walking this far down the river is that, having seen the bridge, you can now cross over, turn right and head towards Holy Trinity Church, the RSC theatre and then back to Waterside and the town centre. A nice circular walk

A concrete footbridge erected in 1934; but a stone let into one of the side piers records the existence of a bridge on the site in 1599. Information exists for the bridge in the 17th century. The old bridge was apparently a wooden structure resting on stone piers. It was rebuilt in 1812 and in 1827 the passage was widened by the removal of one of the piers. It was again rebuilt in 1867.

Views over the Warwickshire plains, edge hill was one of the battles in the English Civil war

The Battle of Edgehill (or Edge Hill) was a pitched battle of the First English Civil War. It was fought near Edge Hill and Kineton in southern Warwickshire on Sunday, 23 October 1642. All attempts at constitutional compromise between King Charles and Parliament broke down early in 1642. Both the King and Parliament raised large armies to gain their way by force of arms. In October, at his temporary base near Shrewsbury, the King decided to march to London in order to force a decisive confrontation with Parliament's main army, commanded by the Earl of Essex. Late on 22 October, both armies unexpectedly found the enemy to be close by. The next day, the Royalist army descended from Edge Hill to force battle. After the Parliamentarian artillery opened a cannonade, the Royalists attacked. Both armies consisted mostly of inexperienced and sometimes ill-equipped troops. Many men from both sides fled or fell out to loot enemy baggage, and neither army was able to gain a decisive advantage.

St Mary’s is a Grade I-listed church in the heart of Ilmington. The church dates to the early 12th century and was modified over the following 500 years. The church has 19th-century stained glass, 16th-century brasses, 15th-century effigies, plus more.

St Lawrence's is a picturesque parish church with a distinctive tower in Mickleton village. The Grade I-listed church was built in the 12th century, the west tower was added in the 14th century and the chancel was added in the 15th century. Inside, you can observe a Jacobean pulpit, a 12th-century stone crucifix, and a 17th-centuy octagonal stone font.

Nice church really pretty.

Anglican Parish Church. C12 Nave, C13/14 nave extended west and aisles rebuilt on a larger scale, C14 west tower. C15 chancel and clerestory to nave, C17 south porch. Restored 1868 by Frederick Preedy. Nave and chancel ashlar with side and angle buttresses respectively. South aisle coursed limestone rubble with angle buttresses. All under tile roof with slightly stepped coping and upright cross finials. South porch ashlar with flat roof. W tower squared limestone with angle buttresses and ribbed, broached spire with 4 pinnacles on the broaches. Plan: Nave, with north and south aisle, the latter with south porch attached towards west. West tower and chancel. South porch: 2 storeys, South wall 3-windowed. 2-light, flat chamfered king mullioned windows, with trefoil heads. 2 and 3-light stone mullioned casements and single, round-headed window, to west wall. All windows to porch have metal casements and leaded panes, some with original glass. Continuous band over ground and first floor windows. 2 identical doorways one blocked, in south wall with round heads, keystones, imposts and carved spandrels. Flat, moulded hoods over. South aisle: two, 2-light windows in south wall one 5-light window at east end, with original decorated tracery. Chancel: two 3-light C19 windows with perpendicular style tracery in north and south walls. The windows in the south wall flank a studded, plank door in 4-centred arched surround with decorative stops. 5-light, east window with original decorated tracery. Three 3-light windows with decorated tracery in north wall of north aisle. 2 stage W tower with C19 paired arched doorway in W wall. 2-light belfry windows and lucarnes, all with limestone slate louvres. Interior: Nave with C15 clerestory and oak panelled ceiling. Organ gallery at west end c1931. 2 bays of late C12 nave with still leaf capitals and extra W bay of c1300. Aisles beyond have C19 timbered roofs with arched braces, rising to collar with King post, linked with decorative iron straps. Step up to chancel through C19 pointed arch. Furniture: C15 bound parish chest below organ gallery. C19 pews incorporating some linenfold panelling from former pews. Carved Jacobean pulpit in north-east corner. North aisle: font at west end with C15 pedestal and octagonal bowl of c1661. C18 stone decorated wall tablet on west wall to Thomas Woodward by his grandson Edward Woodward of Campden. Late C18 decorated tablet right. 4 hatchments on north wall of north aisle, 3 C18 decorated stone tablets one large decorated with 10 paired heraldic shields by Edward Woodward. 2 C19 marble tablets all commemorating members of the Graves family. C18 memorial urn, commemorating Utrecia Smith in niche in east wall of north aisle. Another to Danvers Graves C12 stone crucifix below window. S aisle: C19 memorial tablet and C19 marble monument and tablet on E wall. 3 C19 wood plaques recording charities on S wall. Chancel N wall: C18 stone monument with barley twist columns. C17 stone tablet inset in wall, to John Bonner. 3 oval stone monuments one above the other, far right, commemorating 3 Edwards of the Fisher family. Chancel S wall. From left to right. C17 stone tablet to the Rev. Henry Hurst. One C18 and one C19 decorated wall tablet. 2 C19 marble tablets. The urn commemorating Ultrecia Smith is referred to by the poet Shenstone in "Ophelia's Urn." (David Verey. The Buildings of England: The Cotswolds, 1979)

Good stopping point ...

The Lucy family owned the land since 1247. Charlecote Park was built in 1558 by Sir Thomas Lucy, and Queen Elizabeth I stayed in the room that is now the drawing room. Although the general outline of the Elizabethan house remains, nowadays it is in fact mostly Victorian. Successive generations of the Lucy family had modified Charlecote Park over the centuries, but in 1823, George Hammond Lucy (High Sheriff of Warwickshire in 1831) inherited the house and set about recreating the house in its original style. Charlecote Park covers 185 acres (75 ha), backing on to the River Avon. William Shakespeare has been alleged to have poached rabbits and deer in the park as a young man and been brought before magistrates as a result. From 1605 to 1640 the house was organised by Sir Thomas Lucy. He had twelve children with Lady Alice Lucy who ran the house after he died. She was known for her piety and distributing alms to the poor each Christmas. Her eldest three sons inherited the house in turn and it then fell to her grandchild Sir Davenport Lucy. In the Tudor great hall, the 1680 painting Charlecote Park by Sir Godfrey Kneller, is said to be one of the earliest depictions of a black presence in the West Midlands (excluding Roman legionnaires). The painting, of Captain Thomas Lucy, shows a black boy in the background dressed in a blue livery coat and red stockings and wearing a gleaming, metal collar around his neck. The National Trust's Charlecote brochure describes the boy as a "black page boy". In 1735 a black child called Philip Lucy was baptised at Charlecote. The lands immediately adjoining the house were further landscaped by Capability Brown in about 1760. This resulted in Charlecote becoming a hostelry destination for notable tourists to Stratford from the late 17th to mid-18th century, including Washington Irving (1818), Sir Walter Scott (1828) and Nathaniel Hawthorn (c 1850). Charlecote was inherited in 1823 by George Hammond Lucy (d 1845), who married Mary Elizabeth Williams of Bodelwyddan Castle, from whose extensive diaries the current "behind the scenes of Victorian Charlecote" are based upon. GH Lucy's second son Henry inherited the estate from his elder brother in 1847. After the deaths of both Mary Elizabeth and Henry in 1890, the house was rented out by Henry's eldest daughter and heiress, Ada Christina (d 1943). She had married Sir Henry Ramsay-Fairfax, (d 1944), a line of the Fairfax Baronets, who on marriage assumed the name Fairfax-Lucy. From this point onwards, the family began selling off parts of the outlying estate to fund their extensive lifestyle, and post-World War II in 1946, Sir Montgomerie Fairfax-Lucy, who had inherited the residual estate from his mother Ada, presented Charlecote to the National Trust in-lieu of death duties. Sir Montgomerie was succeeded in 1965 by his brother, Sir Brian, whose wife, Lady Alice, researched the history of Charlecote, and assisted the National Trust with the restoration of the house.