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A vast collection of paintings spanning from the Middle Ages to the early 20th century. A must-see for anyone who appreciates sacred art and wants to discover the great Italian, Flemish, and Neapolitan painters. However, the museum's layout isn't always ideal: the labels for each work are often placed too low and printed in far too small a font, forcing visitors to get very close and bend down. Furthermore, the museum entrance isn't signposted; you have to guess where to go. Finally, we would have appreciated some wayfinding within the exhibition: there are so many rooms that it's easy to lose track of where you are and risk missing out on certain works.

Casoria Town Hall is located in the heart of the city, and nearby, several street art projects commemorate Saint Ludovico da Casoria, a Franciscan friar born here in 1814. The works dedicated to him celebrate his educational and social commitment, which led to the founding of the Elizabethan Franciscan Sisters and numerous initiatives to support the most vulnerable.

The Church of the Sacramentine Sisters is striking for its neo-Gothic tuff stone façade and polychrome rose window. Built between 1893 and 1899, it houses the remains of Saint Maria Cristina Brando, a central figure in Casoria's spirituality and founder of the institute attached to the church.

Nothing special here - just a place where all of the wood paths meet. Couple of headless statues on the North, and a path towards the museum to the south. Reasonably clean toilets.

"Giant of Capodimonte", dating back to the second century after Christ. The statue, depicting a man with a basket, belonged to the Farnese Collection, which arrived in Naples towards the end of the eighteenth century. It was used around 1763 by Ferdinando Fuga, architect of the Capodimonte wood, to decorate the main avenue.

The name is quite suggestive ... and in fact, crossing it you almost come out into another dimension, made up of avenues and paths between the historic forest of the palace

wonderful

House