베조초 최고의 사이클링 경로

MTB/gravel route

a classic from the Varese area. It's worth it.

Floating dock that extends into a cove of the lake, reachable with a small detour from the cycle path. Here only green and blue, the sounds of birds, swans, coots and herons that emerge from the reeds and the Campo dei Fiori that looks down from above.

Absolutely obligatory souvenir photo under the fresco of the champions. A symbolic place of cycling in Varese and beyond. A climb that must be done from the Rancio Valcuvia side, that of the 1953 World Championship and of many 3 Varese valleys

beautiful cycle path, very well maintained

The bike path is perfect.

Chiesa Maria Ss. Immacolata, Nasca,(Castelveccana) Church of Maria Santissima Immacolata - Nasca,(Castelveccana) XVI (construction of the entire property) The first mention of the sacred building in the hamlet of Nasca dates back to 1523 and coincides with the introduction of a weekly mass celebrated by the parish priest of the rectory of S. Vittore, to whose maintenance the inhabitants of the place committed themselves with a special instrument. It is not known what shapes and dimensions this primitive church had; it is certain that, being built in times of plague, it was originally named after S. Rocco. The church overlooks the central district of the hamlet of Nasca. The need to adapt to an already established urban layout led to the anomalous exposure of the altar, which was oriented to the north. In short, the desire to adapt to criteria of accessibility and urban decency prevailed. The beautiful façade, completed in the mid-18th century and characterized by large light backgrounds on which pilasters and darker stone frames stand out, contributed to this last aspect by remaining aesthetically still indebted to the happy formulas of the 17th century, widespread in the middle Verbano area. The church extends over a large and single-aisled nave, ending in a polygonal apse of equal width. The nave is divided into three bays, each covered by a "clawed" barrel vault. In the central bay there are two chapels, one on each side. The perception of the airy 18th century plan is partially spoiled by a lively pictorial decoration, created during an intervention in the first decades after the Second World War. To the left of the entrance is the niche of the baptistery. In the choir on the counterfaçade is the organ, an instrument built by a still anonymous workshop and installed at the beginning of the twentieth century. The bell tower rises on the east side, near the presbytery. Text / Source: Municipality of Castelveccana https://www.comune.castelveccana.va.it/c012045/zf/index.php/servizi-aggiuntivi/index/index/idtesto/20050

Church of Maria Santissima Immacolata -Nasca,(Castelveccana) XVI (construction of the entire property) The first mention of the sacred building in the hamlet of Nasca dates back to 1523 and coincides with the introduction of a weekly mass celebrated by the parish priest of the rectory of S. Vittore, to whose maintenance the inhabitants of the place committed themselves with a special instrument. It is not known what shapes and dimensions this primitive church had; it is certain that, being built in times of plague, it was originally named after S. Rocco. The church overlooks the central district of the hamlet of Nasca. The need to adapt to an already established urban layout led to the anomalous exposure of the altar, which faced north. In short, the desire to adapt to criteria of accessibility and urban decency prevailed. The beautiful façade, completed in the mid-18th century and characterized by large light backgrounds on which pilasters and darker stone frames stand out, contributed to this last aspect by remaining aesthetically indebted to the happy formulas of the 17th century, widespread in the middle Verbano area. The church extends over a large and single-aisled nave, ending in a polygonal apse of equal width. The nave is divided into three bays, each covered by a "clawed" barrel vault. In the central bay there are two chapels, one on each side. The perception of the airy 18th-century plan is partly spoiled by a lively pictorial decoration, created during an intervention in the first decades after the Second World War. To the left of the entrance is the niche of the baptistery. At the choir on the counterfaçade is the organ, an instrument built by a still anonymous workshop and installed at the beginning of the twentieth century. The bell tower rises on the east side, near the presbytery. Text / Source: Municipality of Castelveccana https://www.comune.castelveccana.va.it/c012045/zf/index.php/servizi-aggiuntivi/index/index/idtesto/20050