타우라 최고의 워킹 & 하이킹 경로

긴 우여곡절 끝에 Wittgensdorf의 새로운 자전거 휴게소가 마침내 영구 운영자를 확보했습니다. Oliver Oertel은 날씨가 협조해 준다면 매주 주말 Chemnitztalradweg의 소위 "Färbergarten"을 개장할 계획입니다. 자전거 타는 사람들이 힘을 낼 수 있는 여러 음식 및 음료 가판대가 있습니다. 휴게소 승인이 나기까지 4년 이상이 걸렸습니다. 수자원 보호 문제로 인해 주 정부는 일시적으로 공사 중단을 명령하기도 했습니다. https://www.radiochemnitz.de/beitrag/fahrradrastplatz-in-wittgensdorf-jetzt-regelmaessig-geoeffnet-891119/

하지만 이곳에는 집 앞 지붕 외에는 볼 만한 경치가 없습니다 :-(

아주 좋은 휴게소, 매우 공정한 가격.

It probably belongs to Chemnitz, it's closed, it will remain closed - check.

The 🟣 PURPLE PATH 🟣 is a sculpture trail connecting Chemnitz, the European Capital of Culture 2025, with 38 towns and municipalities in the region. Numerous artists have contributed works of various kinds, telling a previously untold story of the region. More information at https://chemnitz2025.de/purple-path/ Via Lewandowski “Television/Lightning” Taurastein Tower, Burgstädt “Colored, irregularly pulsating light can be seen flickering from the upper room of the Taurastein Tower at night, visible from afar. Built in 1912 as a lookout and water tower, the flickering light from the tower’s 16 arched windows was generated by the multimedia artist Via Lewandowski, born in Dresden in 1963 and now living in Berlin, from sequences of films that can be suggested via the website. Reduced to average values of color temperature and brightness, a media-like lightning effect, detached from the cinematic narrative, sweeps across the treetops of the Wettinhain at night, illuminated by 16 LED lamps. During the day, the light installation is transformed by a sound collage. A four-digit code, randomly generated on a display above the tower entrance, presents visitors with an enigmatic…” Message. The ascent of 163 steps to the lantern room is accompanied by colored light and sounds: sometimes a soft rumble and trickle, sometimes a loud thunderclap and crash. The sounds emanate from a brick and tiled water tank, used as a reservoir until 1996 and now empty, via eight channels into the 39-meter-high tower. The artist recorded and technically modified them underground in the former tin mine of the Ehrenfriedersdorf show mine. They are now reflected aurally above ground at the height of the tower. Lewandowsky's site-specific and conceptual light and sound installation can itself be understood as a kind of spatialized film, which can be experienced upon entering the tower, climbing the steps, "watching" it from the viewing platform, and even at night when gazing at the flickering light across its many channels, levels, and paths. Stories and history, places and times of regional and media history are interwoven in such a way that an almost organic whole emerges from the interplay of sound and light, communicating with visitors from top to bottom and engaging all their senses within the elongated structure of the Taurastein Tower. (Text: Alexander Ochs / Ulrike Pennewitz)

Unfortunately not accessible

The old tracks are used for short railcar rides and are well worth a visit. From the opposite side of the station, you can get a good view of the tracks.

View over the Hockstein with bench and view.