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Many embankments and roads with little traffic

Palazzo Comunale (Town Hall), Chioggia / Municipio The current Town Hall is a relatively new building, occupying the site of the former Praetorian Palace. This medieval structure had a central section with a monumental staircase and two side towers, one of which housed the antique clock, now located in the Sant'Andrea Tower. A fire in 1817 led to the demolition of the Praetorian Palace and the construction of the new Town Hall, built according to a typical Habsburg layout: an imposing neoclassical building. The bas-relief on the central tympanum depicts the coat of arms of the city of Chioggia: a rampant lion with a trident and spade at its sides, symbolizing fishing and horticulture, the main economic activities of Chioggia and Sottomarina. For many years it was used as a prison: On the opposite side of the facade, on the banks of the Vena River, is a gigantic door leading to the prisons. The portico contains many tombstones of historical figures and events, and the courtyard features a fountainhead from the Filipino Oratory. On the first floor is the council chamber, which houses three busts of Vittorio Emanuele II, Eleonora Duse, and Giuseppe Veronese, a canvas by Antonio Vassilacchi, and a reproduction of an antique map of Chioggia by Sabbadino. As a venue for ceremonies, it hosted various artistic performances dedicated to actresses like Eleonora Duse and composers such as Gioseffo Zarlino, born in Chioggia on March 22, 1517. He was a composer and music theorist from Chioggia who maintained close ties to his city. He is considered a Renaissance genius and combined many disciplines, including mathematics and astronomy. He was also a fine writer and philosopher; he was fluent in languages: Latin, Hebrew, and Greek, and he wrote the treatise on patience. His works and talent spread rapidly thanks to the invention of movable type and the manuscript; Zarlino articulated the physical basis of sound. Text / Source: Comune di Chioggia https://www.comune.chioggia.ve.it/vivere-il-comune/luoghi/municipio/

One of the major projects completed during the Fascist era is the Sottomarina Dam, which, together with the Ca' Roman Dam built a few years earlier, completes the mouth of the Port of Chioggia. Construction began in the years following the First World War. Like the Murazzi (sea walls), the dam was constructed of brick and boulders of local Istrian stone and, in addition to finally completing the entrance to the Port of Chioggia, also allowed for a further expansion of the beach. The inauguration, as mentioned, took place in the midst of the Fascist regime on April 28, 1935, in the presence of the Duke of Aosta. The dam was immediately embraced by the local population, especially the residents of Sottomarina, a popular destination for their walks, so much so that many refer to it as "Sailors' Square." Text / Source: Lidi di Chioggia https://www.lididichioggia.it/la-diga-murazzi/

The Dam and the Walls, Sottomarina The Dam and the Walls The Walls are Istrian stone walls built by the Republic of Venice starting in the late 18th century to protect the inhabited centers of the lagoon from marine erosion. They are divided into three sections: one on the island of Lido, a second on the island of Pellestrina as far as Cà Roman, and a third along the coast of Sottomarina, running from Forte San Felice to the center of Sottomarina at a height of approximately 1200 meters. The famous War of Chioggia led to the complete destruction of Sottomarina, which became an uninhabited area, exposed to the sea without any protection and subject to frequent flooding. Reconstruction, which included the construction of the Walls, did not begin until 1600. The Walls along Via San Felice were more than 5 kilometers long and over 300 meters wide. They were built from square stones, primarily Istrian stone, erected on stilts extending to the Pellestrina coast and, of course, the Sottomarina coast. Initially, given the scale of the project and the lack of adequate equipment, construction seemed impossible, so it took thirty-eight years to complete in 1770. Legend has it that the inscription "Ausu romano, aere veneto" (With Roman boldness, with Venetian money) was already in place. The inscription is still visible when passing by on the Chioggia-Pellestrina vaporetto. The Murazzi ceased to function between the late 19th and early 20th centuries when the receding sea revealed an unexpected beach, thus forming a symbolic dividing line between "old" and "new" Sottomarina. Today, the Murazzi di Sottomarina are located about one kilometer from the sea: this has allowed for a large-scale revival of coastal tourism. The Murazzo now connects the entire Venetian coast, especially the outer islands, like a cordon, leaving only the three bays open, thus preserving the lagoon's waters. Text / Source: Lidi di Chioggia https://www.lididichioggia.it/la-diga-murazzi/

Beautiful, quiet, and for some time now there have also been ibises

Connection between Chioggia and Sottomarina. The city's only green space.

Within the Millecampi Valley, in the Municipality of Codevigo in the Fogolana area, there are four recently built casoni, each resembling the characteristic casoni of the Saccisica area. The casoni, known as casoni della Fogolana, consist of four units of varying sizes offering a wide range of services. One unit: a clubhouse and meeting room, with a large central bioethanol fireplace. Three secondary units used as B&Bs. https://saccisica.it/item/casoni-della-fogolana/

This small lagoon can be admired by following a 7 km long circular cycle/pedestrian itinerary that passes through Sottomarina and Chioggia, making various stops both on the beach and in the centre of Chioggia with its canals and monuments.