Lodine 주변의 명소와 볼거리는 바르바지아 지역에 위치한 작은 농업 및 목축 마을로, 역사적, 문화적, 자연적 특징이 풍부하게 조화를 이루고 있습니다. 이 지역은 참나무, 떡갈나무, 지중해 관목림으로 이루어진 풍경 속에 역사적인 건물과 고고학 유적지가 특징입니다. 방문객들은 이 지역의 깊은 역사와 전통을 반영하는 다양한 인공 기념물과 정착지를 탐험할 수 있습니다.
마지막 업데이트: 3월 26, 2026
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하이라이트 • 기념물
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하이라이트 • 기념물
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The patronage of this shrine, dedicated to the Madonna, refers to the town of LORETO. This is one of the large and important Marian pilgrimage sites in Europe, along with LOURDES in the French Pyrenees and FATIMA in Portugal. Unlike the other two places mentioned, however, Loreto is not known for apparitions of the Mother of God. Here, pilgrims can show something very tangible: Mary's childhood home in Nazareth (Israel). Her parents - not mentioned by name in the biblical writings of the New Testament - are mentioned in apocryphal traditions: Saint ANNA and Saint JOACHIM are thus the grandparents of Jesus Christ (their common memorial day in the calendar of saints is July 26). When the time of the Christian kingdoms in the Holy Land came to an end towards the end of the 13th century, crusaders probably dismantled the venerated building in Nazareth and brought it to Europe. But this very sober assumption is contradicted by a much more interesting legend: According to it, four angels carried out the translation and flew the house over the Mediterranean.
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From 1903 to 1917 there was a bloody family feud (disamistade) in Orgosolo. According to tradition, the trigger was the dispute over the inheritance of the richest Orgolese, Diego Moro, who died in 1903. The feud divided the population into two hostile halves and in these years more than 50 people fell victim to the blood feud. After reconciliation seemed to have been achieved through trials in 1917, the disamistade broke out again after about 30 years. The threat of blood revenge, but also the occupation by the Carabinieri and the arbitrary arrests of the “mainland” authorities once again drove men to hide in the mountains and thus often become bandits. They were usually assured of support from the village population against the hated carabinieri. Orgosolo was declared a “bandits’ nest”. “The headquarters of the outlaws, where people suck in hatred with their mother’s milk” was written in Italian newspapers.
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In 1894, 500 armed Orgolese stormed and plundered the town of Tortolì in order to steal the assets of a large landowner; many of them died in the process. The raids by Sardinian mountain dwellers known as Bardanas are documented from Roman times to the 19th century.
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In the resistance against the numerous conquerors of Sardinia, a bandit culture was formed, which also became the subject of criminological studies in the 19th century. Alfredo Niceforo, a follower of Cesare Lombroso, created the myth in his book Crime in Sardinia that Sardinians were predestined for crime.
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The very first of the murals, called Murales, was drawn in 1968 by the anarchist Milanese group Dioniso in Orgosolo. After seeing the film Banditi a Orgosolo, Francesco del Casino, a drawing teacher from Siena who was close to the Italian Communist Party, settled in Orgosolo and in 1975 began painting pictures on the walls of houses with students in Orgosolo. The occasion was the 30th anniversary of the partisan struggle against fascism. However, the paintings began in Sardinia in the relatively unknown village of San Sperate. The murals in Orgosolo initially expressed protest against the planned NATO troop training area on the Pratobello. The protest is also directed against the heads of the Milan group, who embezzled funds from the development plan for Sardinia. Recent portraits comment z. B. World politics - Helmut Schmidt is called an "expert in state murder" because of Stammheim, a victory of the Cambodian and Vietnamese fighters against the USA on April 25, 1978 is celebrated and the number of innocent victims for the fall of Saddam Hussein is questioned. Other images depict the simple life of shepherds and villagers, advocate the preservation of the Sardinian language or even contain advertising messages. An ironic Murales also makes fun of Alfredo Niceforo's studies on crime in Sardinia (see history). Many of the approximately 120 murals are stylistically based on cubism in the manner of Picasso's Guernica, but there are also more realistic paintings among them. In addition to Francesco del Casino, the self-taught artist Pasquale Buesca, who also lives in Orgosolo, the artists' group "Le Api" and the Milanese artist Massimo Cantoni were responsible for the murals. Despite some damage, for example due to the conversion of houses or the weather, all of the murals are largely in very good condition.
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