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The Basilica is dedicated to the Madonna delle Grazie, whose wooden statue is preserved in the Cappella del Voto. On the hill, since 1461, well before the Basilica was built, there was a small church, a parish for the local faithful. At that time the hill was "a sharp mountain, and at the end of it a church with three altars located in the same place where the church of the Royal Congregation of Superga is now located, but in a higher site", dedicated to the Madonna but also to St. Anthony and St. Grato.

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A large cross is placed on top of a hill, in the area between Baldissero, Pavarolo and Cordova. A short steep climb leads to this elevation

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Small Marian sanctuary recently refurbished, in the municipality of Baldissero.

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Peace in the middle of the woods, not crowded at all.

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Place of peace and silence in the middle of the woods.

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Peaceful walk in the woods

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The pictures from times gone by in Turin in the small museum next to the Biglietteria are really worth seeing 🚞

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Getting there by walking on the paths or running from the very steep slope is always a thrill

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excursion with wild boars

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The first part of the route is a bit dirty, but it gets better almost immediately. At the beginning of the path there was a plastic obstacle that obstructs the path but it can be walked. The little open path with the sun is quite warm and restful. It is possible to travel with sneakers with attention only in some parts of the route. Good experience.

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Getting to SUPERGA with a muscular mtb is quite difficult, but once you get there you can appreciate the view more

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Climbing up to the basilica with a muscular mtb is quite difficult, but once you get there you can appreciate the view more

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The Bric Giardin is a mound with a monumental tree at the tip, a very easy path from Superga. The only difficulty: it is full of stones.

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The direct climb from Sassi is 10% average. Getting there from other starting points (Pino Torinese, Baldissero) is less steep.

18th century sanctuary, with a great view on Turin. Don't miss the Memorial to "Grande Torino", on the place where the whole team died in 1949 for an airplane crash.

At the top of Bric Giardin there is a beautiful almost monumental downy oak, not for its size but for the particular shape that makes it look like an open hand with fingers stretched towards the sky. This plant was adopted by an elementary school in San Mauro to symbolize the 5 classes.

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The Basilica of Superga is the second highest point on the Turin hill, after the Vittoria lighthouse on the Maddalena hill. There are many paths that go up to the basilica. Departing from Turin (Sassi) there are routes 26, 27, 28 and 29, from San Mauro routes 60, 62, 65, 66, and others from Baldissero. It is also possible to start from Pino Torinese following the path that runs along the panoramic road.

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Boot up on a weekday or use the train

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From the site of today's church, the Duke Viktor Amadeus II observed the siege of nearby Turin on 2 September 1706 and vowed to dedicate to her the construction of a church there if Turin were liberated. After the city was actually not conquered, Victor Amadeus was eager to fulfill his promise and thus began in 1716, the construction of the church, which should last until 1731. The architect in charge was Filippo Juvarra, who was to become the most influential builder of Savoyan at that time, leading his first large-scale project. The church stands in an imposing position high above the city of Turin - in good weather, the Alps can be seen from here - and is one of the most important works Juvarras. The Superga is a masterpiece of baroque and a synthesis of architecture. Three staircases lead to the solemn portico, this forms the entrance to the dome-domed church and thus reminiscent of the Pantheon, while the mighty, 75 m high dome of those of St. Peter's is modeled. Even if individual architectural elements are part of the well-known repertoire of the times: with its use of colored materials and the reference to the landscape, Juvarra follows the trend-setting building ideas of the 18th century. The effect of the church, on the top of the hill with the dome framing bell towers resembles another sacred building of the time: since Juvarra undertook several extensive European trips in the course of his career, a mutual stylistic influence with the collegiate church in Melk is not excluded. Here as well as there, the church is included in the monastery district and extends from the façade axis far into the depths. The similarity of the two systems is at least in the front view amazing and similar to the mediated impression. For the construction of the church, large amounts of earth had to be moved to create a clear plane on the sloping terrain. The construction towers 75 meters high, 51 meters deep and 34 meters wide to the top of the dome cross. The designation as basilica does not refer to the type of building type basilica, but the ecclesiastical rank of the church. Rather, the church is a central building with choir room and adjoining courtyard surrounded by three wings. The interior of the church is structured with rich chapels and decorated with sculptures, paintings and stucco. In the sacrament chapel, a wooden statue of Mary is placed, before which Viktor Amadeus II allegedly took his vow. The church also houses a significant crypt; since the Superga also served as a mausoleum for the Savoyans, there are the graves of several dozens of members of the aristocratic family. To the church runs from the city center from a 12 km long, forming a visual axis road train (Corso Francia and others). From the foot of the mountain, it can be reached by the Sassi-Superga cogwheel railway.

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