20의 누라치가지 명소 & 주요 장소

Beautiful baroque cathedral with a separate bell tower.

Several western movies have been filmed in this village.

A cathedral, so for Hamburgers: no carousels and beer, just church and stuff. Beautifully colorful inside.

One of the must beautiful beaches in Sardinia. ❤️

Saint Savior of Sinis In reality, nothing you see justifies thinking of it as a fishing village; all the typical elements are missing: proximity to the sea, boats and nets under repair, people, liveliness of sounds and colours... Yet it is a fascinating place precisely because of its extreme poverty and conciseness, a mix between a Western movie set, Ghost Town, an example of urban archaeology, a place of worship and ancient popular traditions, a prehistoric sanctuary... To be visited, possibly in the early hours of the morning or late in the evening or even in the sunniest and most deserted hours of certain summer days dominated by heat, silence, human absence, the creak of one's footsteps and a surreal sense of elsewhere.

nice square outside a pleasant baroque cathedral with a couple of gothic vestiges

Is Arutas is one of the most characteristic beaches in Sardinia because the sand is made up of fine and rounded grains of quartz that look like grains of rice. Often battered by strong winds, be careful when swimming also because the sea immediately becomes deep.

The Franciscan Order has been present in Sardinia since 1230, and the monastery of San Francesco was founded in Oristano as early as 1253. There is no documentary evidence of the Gothic construction of the church. By the early 19th century, it was in serious disrepair, so Archbishop Giovanni Maria Bua decided to rebuild it from scratch rather than restore it. Thus, it was destroyed in 1835, and on February 17 of the following year, the foundation stone of the new church was blessed. It was designed by the Sassari friar Antonio Cano, a royal protégé who had studied at the Accademia di San Luca in Rome. The building collapsed on September 18, 1838, before the dome was completed. From the surviving survey of the church-monastery complex and its surroundings, it can be deduced that the dome had an elliptical shape, as is typical for Cano's works. Shortly thereafter, the task was assigned to the most important Sardinian architect of the 19th century, Gaetano Cima of Cagliari. The project, submitted on September 18, 1841, was approved on April 22, 1842, and work then began. The building, rebuilt according to the forms of purist classicism, reopened for worship in October 1847. The current building has a central plan with two chapels on each side and a deep semicircular apse. From the left chapel, a small room leads to the sacristy. The façade, accessible via a wide staircase with eight steps, is preceded by a tympanum-pronaos supported by four columns and two pilasters. All supports are surmounted by Ionic capitals. The façade features a large central portal and two smaller symmetrical side portals. The central body of the building is covered by a large hemispherical dome, standing on a cylindrical drum and surmounted by a polygonal lantern. Source and further information: http://www.sardegnacultura.it/j/v/253?v=2&c=2488&t=1&s=18322