무지오 최고의 사이클링 경로

브루고라의 산티 피에트로 에 파올로 교회와 전 베네딕토 수도원 단지는 몬테시로, 베사나 인 브리안차(MB)의 일부에 위치한 12세기 로마네스크 양식의 보석입니다. 1102년에 설립되었으며, 귀중한 조각품이 있는 석조 파사드를 특징으로 하며, 내부는 16세기 최후의 만찬을 소장하고 있습니다.

속도 및 자동차 경주 트랙 아이콘

classic! Getting here and going down the other side of the Brianza roof ;)

It is a complex of buildings enclosed by a wall, the historic block of which extends in a U-shape along the east-west axis. Despite neglect and numerous changes in use, which have led to extensive renovations, the interior still retains highly valuable spaces, with stuccoed and frescoed rooms depicting architectural motifs and mythological episodes, vaulted ceilings, generally pavilion-shaped masonry, or false reed vaults, or wooden coffered ceilings.

After the king was assassinated, the Savoy family no longer came to Monza and built this monument - I remember

The Basilica of Saints Peter and Paul in Carate Brianza is located in the hamlet of Agliate: this is why it is known as the Basilica of Agliate. Dating back to the early 11th century, it is a Romanesque basilica, attributable to the Ottonian architectural tradition (Ottonian art is that which extends from 887, the beginning of the Ottonian dynasty, to the year 1000). The walls are constructed of river pebbles and ashlars, bound with mortar. The façade is salient and reflects the three-nave structure, each with an entrance door. The central nave is raised above the side naves.

THE CIRCUIT The Monza Circuit is known worldwide as the Temple of Speed. Since its founding in 1922, it has constantly evolved to keep pace with the demands of the motorsport world and consistently deliver thrills.

Villa Mirabello, a wonderful example of 17th-century architecture and residence, was built in the mid-17th century by the Durini family, who had purchased the fiefdom of Monza in 1648. The Durinis built a beautiful villa, with large halls for parties and receptions, named "Mirabello." Its U-shaped structure, open to the river landscape and featuring a courtyard, is of great structural significance, as it marks the transition from the typology of the walled country palace, typical of the 15th and 16th centuries, to the new concept of the palace-villa opening onto a scenic garden or park.