아르테냐 최고의 라이딩 경로

멋진, 조용한 아스팔트 도로, 외딴, 야생의 산악 세계에 있습니다

중심부에 있는 가장 오래되고 중요한 역사적 건물 중 하나입니다. 이 로지아의 역사는 새로운 시청사를 건설하기로 결정된 1441년으로 거슬러 올라갑니다. 수년에 걸쳐 건물은 반복적으로 확장되었고 여러 차례의 파괴 후 복원 및 재건되었습니다. 다행히 아름다운 베네치아 스타일은 항상 보존될 수 있었습니다.

아름답고 매우 높은 다층 폭포입니다. 작은 다리 오른쪽에서 시작되는 보행자 도로를 따라 내려가면 폭포에 도달할 수 있습니다.

The Loggia del Lionello is one of the most striking buildings in Udine – a Venetian-Gothic gem that combines history, architecture, and urban symbolism. Architecture & Origin Built: From 1448, based on a proposal by Nicolò Savorgnan to create a representative seat for the city council. Namesake: Nicolò Lionello, a goldsmith and city councilor who oversaw construction. Style: Venetian Gothic – with characteristic pointed arches, trifora, and a façade pattern of pink and white stone. Location: Directly on Piazza Libertà, opposite the Clock Tower and the Tempietto di San Giovanni – an ensemble that forms the centerpiece of Udine. Special Features Facade: Ten pointed arches on the ground floor, above which is a central loggia with a balcony and flanking trifora. Decoration: Coat of arms of the city of Udine and reliefs depicting religious scenes such as the Annunciation. Pentafora: On the north side – with finely crafted stone medallions and figures of the Evangelists. 🔥 Destruction & Reconstruction 1511 & 1876: Two devastating fires destroyed large parts of the loggia. Reconstruction: Reconstructed in the 19th century, closely adhering to the original Gothic form. 🕰️ Function & Significance Historically: Seat of the city council and symbol of local self-government.

always beautiful

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The new parish church was built in 1909 according to plans by Don Angelo Noacco, parish priest of Cassacco, architect and author of numerous church projects in Friuli (including the Cathedral of Santo Stefano di Buja), and consecrated in 1938. Built in the Neo-Gothic style on an imposing base, the main façade of which is divided into two flights of stairs leading from the square to the churchyard, it features a striking façade with tower-shaped tabernacles, a porch, and a central rose window. Inside, three naves are divided by archivolt columns of red Verona marble. Thanner's frescoes, removed from the rear wall of the old parish church, were relocated to an arch in the left nave and appropriately restored.

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